Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Cinque...dieci...venti
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non so più
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Non più andrai, farfallone
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi, amor!
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Voi che sapete
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Dove sono
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Sull'aria
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Aprite un po' quegli occhi
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Deh vieni, non tardar
Don Giovanni, opera, K. 527: Madamina, il cataloguè questo
Don Giovanni, opera, K. 527: Là ci darem la mano
Don Giovanni, opera, K. 527: Fin ch'han dal vino
Don Giovanni, opera, K. 527: Deh, vieni alla finestra
Don Giovanni, opera, K. 527: Il mio tesoro intanto
Don Giovanni, opera, K. 527: Mi tradì quell'alma ingrata
Così fan tutte, opera, K. 588: Terzettino: Soave sia il vento
Così fan tutte, opera, K. 588: Come scoglio!
Die Zauberflöte (The Magic Flute), opera, K. 620: Der Vogelfänger bin ich ja
Die Zauberflöte (The Magic Flute), opera, K. 620: Dies bildnis ist bezaubernd schön
Die Zauberflöte (The Magic Flute), opera, K. 620: Pa-Pa-Pa-Pa-Pa-Pa Papagena!
Like its companion anthology, Puccini in Love, this is a treasury of some of the most inspired and unforgettable passages in all the operatic repertory. Opera heightens the world of emotions, and when it comes to the emoti... more »ons of love, Mozart was the ultimate sage. His understanding of the infinite variety of psychological states that love induces, from irrational jealousy to compassionate self-denial, has a truly Shakespearean depth and truthfulness. The world of Così fan tutte, for example, featuring biting cynicism side by side with the ecstasy of devotion, comes remarkably close to the multihued vitality of Shakespeare's comedies. Mozart possessed an unsurpassed genius for somehow finding the most convincing, moving, and perfectly balanced musical code to convey these emotions: just listen to the breathless excitement of confused adolescent desire in "Non so più" from The Marriage of Figaro or the outraged betrayal expressed in "Mi tradì" from one of the greatest artworks of all Western culture, Don Giovanni. The excerpts here--all from Universal's archives--feature such artists as James Levine, Bryn Terfel, Anne Sofie von Otter, Kiri Te Kanawa, and Dawn Upshaw. The full-length recordings from which they're taken--with the possible exception of Levine's Figaro--would not be a first-choice recommendation for each of the respective operas. But this is a lovely place to begin an exploration of Mozart's operas, and at a budget price. --Sarah Chin« less
Like its companion anthology, Puccini in Love, this is a treasury of some of the most inspired and unforgettable passages in all the operatic repertory. Opera heightens the world of emotions, and when it comes to the emotions of love, Mozart was the ultimate sage. His understanding of the infinite variety of psychological states that love induces, from irrational jealousy to compassionate self-denial, has a truly Shakespearean depth and truthfulness. The world of Così fan tutte, for example, featuring biting cynicism side by side with the ecstasy of devotion, comes remarkably close to the multihued vitality of Shakespeare's comedies. Mozart possessed an unsurpassed genius for somehow finding the most convincing, moving, and perfectly balanced musical code to convey these emotions: just listen to the breathless excitement of confused adolescent desire in "Non so più" from The Marriage of Figaro or the outraged betrayal expressed in "Mi tradì" from one of the greatest artworks of all Western culture, Don Giovanni. The excerpts here--all from Universal's archives--feature such artists as James Levine, Bryn Terfel, Anne Sofie von Otter, Kiri Te Kanawa, and Dawn Upshaw. The full-length recordings from which they're taken--with the possible exception of Levine's Figaro--would not be a first-choice recommendation for each of the respective operas. But this is a lovely place to begin an exploration of Mozart's operas, and at a budget price. --Sarah Chin