Search - Franz Joseph Haydn, Wolfgang Amadeus Mozart, Walter Süsskind :: Mozart: Piano Concerto No. 24; Piano Sonata K. 330; Fantasia and Fugue, K. 394; Haydn: Piano Sonata No. 49

Mozart: Piano Concerto No. 24; Piano Sonata K. 330; Fantasia and Fugue, K. 394; Haydn: Piano Sonata No. 49

Franz Joseph Haydn, Wolfgang Amadeus Mozart, Walter Süsskind
Mozart: Piano Concerto No. 24; Piano Sonata K. 330; Fantasia and Fugue, K. 394; Haydn: Piano Sonata No. 49
Genre: Classical

Track Listings (11) - Disc #1
1. Piano Concerto No. 24 in C minor, K. 491: I. Allegro
2. Piano Concerto No. 24 in C minor, K. 491: II. Larghetto
3. Piano Concerto No. 24 in C minor, K. 491: III. [Allegretto]
4. Keyboard Sonata in E flat major, H. 16/49: I. Allegro
5. Keyboard Sonata in E flat major, H. 16/49: II. Adagio e cantabile
6. Keyboard Sonata in E flat major, H. 16/49: III. Finale. tempo di Menuet
7. Piano Sonata No. 10 in C major, K. 330 (K. 300h): I. Allegro moderato
8. Piano Sonata No. 10 in C major, K. 330 (K. 300h): II. Andante cantabile
9. Piano Sonata No. 10 in C major, K. 330 (K. 300h): III. Allegretto
10. Prelude and fugue for piano in C major, K. 394 (K. 383a): I. Adagio
11. Prelude and fugue for piano in C major, K. 394 (K. 383a): II. [Fuga. Andante maestoso]

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CD Details

All Artists: Franz Joseph Haydn, Wolfgang Amadeus Mozart, Walter Süsskind, CBC Symphony Orchestra, Glenn Gould
Title: Mozart: Piano Concerto No. 24; Piano Sonata K. 330; Fantasia and Fugue, K. 394; Haydn: Piano Sonata No. 49
Members Wishing: 0
Total Copies: 1
Label: Sony
Original Release Date: 1/1/1992
Re-Release Date: 10/13/1992
Genre: Classical
Styles: Forms & Genres, Concertos, Sonatas, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Instruments, Keyboard
Number of Discs: 1
SwapaCD Credits: 1
UPC: 074645262628

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CD Reviews

Fabulous Mozart from Gould (!)

Neil Ford | London | 04/23/2004

(5 out of 5 stars)

"Buy this disc if you can't abide the Mozart sonatas Gould recorded. Here is a broody, intense reading digging as deep into this masterpiece as you're likely to hear. The recording is clear and well balances, with the vivid CBC woodwind engaging in dialogue with the inspired Gould. Why Gould had such issues with Mozart thoughout his career yet could play this concerto like an angel is a mystery. I think the C minor appealed very much to his sense of logic and order in music, and particularly its prophetic echos of Beethoven 3rd concerto. There are a lot of outstanding Mozart discs around at the moment, but even by Gould's exhaulted standards, this one is very special and stamped with that unique Gould magic."