String Quintet (No. 3) In G Minor, KV 516: 1: Allegro
String Quintet (No. 3) In G Minor, KV 516: 2: Menuetto, Allegretto
String Quintet (No. 3) In G Minor, KV 516: 3: Adagio ma non troppo
String Quintet (No. 3) In G Minor, KV 516: 4: Adagio - Allegro
Track Listings (8) - Disc #3
String Quintet (No. 5) In D , KV 593: 1: Larghetto - Allegro
String Quintet (No. 5) In D , KV 593: 2: Adagio
String Quintet (No. 5) In D , KV 593: 3: Menuetto, Allegretto
String Quintet (No. 5) In D , KV 593: 4: Allegro
String Quintet (No. 6) In E Flat, KV 614: 1: Allegro di molto
String Quintet (No. 6) In E Flat, KV 614: 2: Andante
String Quintet (No. 6) In E Flat, KV 614: 3: Menuetto, Allegretto
String Quintet (No. 6) In E Flat, KV 614: 4: Allegro
Arthur Grumiaux's performances of Mozart, whether of the violin concertos, the sonatas, or various chamber pieces with violin, were marked by patrician elegance and an unfailing sense of style. For this 1973 recording of t... more »he string quintets, arguably the summit of Mozart's chamber output, Grumiaux surrounded himself with musicians of a similar stripe, and the result remains among the treasures of the catalog. By today's standards, the performances may sound just a bit laid-back and relaxed, but the ensemble is marvelous, and the beauty of tone Grumiaux and company achieved in these readings has rarely been approached on disc since. The analog recording is splendid. --Ted Libbey« less
Arthur Grumiaux's performances of Mozart, whether of the violin concertos, the sonatas, or various chamber pieces with violin, were marked by patrician elegance and an unfailing sense of style. For this 1973 recording of the string quintets, arguably the summit of Mozart's chamber output, Grumiaux surrounded himself with musicians of a similar stripe, and the result remains among the treasures of the catalog. By today's standards, the performances may sound just a bit laid-back and relaxed, but the ensemble is marvelous, and the beauty of tone Grumiaux and company achieved in these readings has rarely been approached on disc since. The analog recording is splendid. --Ted Libbey
"Sometimes I prefer Mozart's chamber music to all of his other music, but I always prefer Grumiaux. You don't want to buy the String Quintets by any old ensemble, no no... I think it will be quite some time before we hear these pieces played as well. I also love Grumiaux's handling of the Violin & Viola Duos. Highly recommended."
This set is essential
09/18/1999
(5 out of 5 stars)
"The string quintets are without a doubt masterworks, and Grumiaux et al. show how they're supposed to be played for all time. Amen."
String Quintets/Grumiaux
E. Jeremy Gershfeld | Chicago, IL United States | 03/16/2001
(5 out of 5 stars)
"Absolutely beautiful chamber music. This ensemble's elegance is desperately missing in more contemporary/recent performances. A must have recording, for such sublime music."
Touch of the Master's Hand
Antoine Brown | USA | 02/27/2001
(5 out of 5 stars)
"Being a young musician tackling the c minor quintet in my senior year of high school, you always search for recordings of the masters to hear their interpretations of certain pieces. By an act of the supernatural, I stumbled across this one. Sheer excellence, wonderful phrasing, and awesome lyricism filled the studio when there musicians got together. The chemistry that was between them is definately felt as you listen to these quintets. I am not a big Mozart fan but these quintets are some of his finest works next to his sacred works. Grumiaux was a wonderful violinist and interpreter of the masters. This recording gave me and my quintet wonderful insight and tons of inspiration as to how these pieces should be played. Truly, those pieces were touched by the hands of the masters as they performed and recorded these works."
Belongs in every classical collection
bruce horner | 08/11/2000
(5 out of 5 stars)
"Four of these string quintets are quite frankly the best things Mozart ever wrote for strings, better even than any of the quartets. These recordings by the Grumiaux Trio plus two are the finest I have ever heard. Everyone who has any interest in chamber music should have them."