All Artists: Mr. Goodbar Title: For When I'm Gone Members Wishing: 0 Total Copies: 0 Label: OASIS Release Date: 7/12/2004 Genre: Alternative Rock Style: Number of Discs: 1 SwapaCD Credits: 1 UPC: 783707946825 |
Mr. Goodbar For When I'm Gone Genre: Alternative Rock
This album finds my songwriting ability hitting a new plateau in terms of structure, cohesiveness and diversity. It's been almost a year in the making, patiently writing and rewriting, recording and rerecording around what... more » |
CD Details
Synopsis
Album Description This album finds my songwriting ability hitting a new plateau in terms of structure, cohesiveness and diversity. It's been almost a year in the making, patiently writing and rewriting, recording and rerecording around whatever little hours of free time the world would grant me. Of all the songs I've written over the last year, these twelve seemed to gel the best in telling the story I was creating. The songs were carefully placed together with attention to style and key, to give a subconscious effect of progress and movement, and finally a closure at the end. The first several songs are generally more mainstream 'pop' than the rest, but even those songs have many layers of other non-conventional approaches within them (i.e. keyboard drones, extra guitar overdubs, noise, etc.) There are repeated themes of dreams, regret, strangeness, mature realizations of life's circumstances and general frustration toward the world that all seem to tie these tracks together. I like to advertise that this album has most definitely something on it for everyone. It was incredibly time consuming, working in my little hole in the wall studio, held together by spit and cracker jacks. In the end, I feel that this is the best I could currently do, given the limits of the equipment I have to work with. The individual strengths of these songs are obvious: catchy hooks, interesting chord progressions, unusual combinations of instruments, etc. What I'm most proud of is how autobiographical this all is. This album is dedicated to a very special girl, my daughter Cassidy, who I haven't seen in over five years. After a great deal of soul searching, I've realized that the one thing I need in my life is her, and to have a place in her life, as well. Unfortunately, communication hasn't been easy, and so I'm stuck on the outside, hoping to one day to find a way in. I want this album to make it's way to little Cassidy's ears, and maybe she can hear the father she doesn't know. Ultimately, I'm hoping for this to help eliminate the distance and silence that years of miscommunication has given us. I'm sick of wasting my talents on meaningless jobs, and with this album, I'm hoping to show everyone, especially Cassidy, what I can do. Any exposure of this material is a step closer for me and my goals, and any support and enthusiasm for my music is greatly appreciated. Similar CDs
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CD ReviewsStrange, Befuddling, and Confusing K. D Parker | Mountain View, CA United States | 04/23/2007 (1 out of 5 stars) "This album is one of the strangest works I've ever come across in my life. As a fan of music, I can't help but ask myself as I listen to the songs on this album "What Is Going On?". The songwriting on this album is marginal, because of the fact that all the songs sound basically the same. The instrumentation on this album is very complex, yet seemingly incoherent with the other instruments on the album. The instrumentation is very much like a bunch of helpless little chickens running around with their heads cutt of in the dark. The songs never pick up any real momentum either. They drull on for seemingly hours on end like some sort of babbling eulogy at a funeral. Like shreaking eels lurking in dark waters, you want to stay away from this album. His worst song has got to be that horrific song titled "Dark Little Secrets". This sleazy little composition is the most hideous song I've ever heard in my entire existence. The song is very disturbing not only lyrically, but musically. It's like listening to a symphony with broken violins that is being orchestrated by a deaf mute hopped up on caffeine, it has uttlerly no direction whatsoever. Through the singer's seemingly incoherent muttering, you here frequent remarks to various dark, disturbing, and rather mortifying concepts. I don't know what type of music this lurid little musician listens to, but I'm sure that it does not evoke the right kind of chemistry to write an even coherent track. All in all, I found this album to be the worst purchase of my entire life. I confess, that I was tricked into buying this album by one of the goofy little musicians who "play" up at Blue Bear School of Music."
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