Cello Suite No.3 In C Major, BWV 1009: II. Allemande
Cello Suite No.3 In C Major, BWV 1009: III. Courante
Cello Suite No.3 In C Major, BWV 1009: IV. Sarabande
Cello Suite No.3 In C Major, BWV 1009: V. Bourree I -
Cello Suite No.3 In C Major, BWV 1009: V. Bourree II - Bourree III
Cello Suite No.3 In C Major, BWV 1009: VI. Gigue
Cello Concerto No.2 In D Major, Hob.VIIb 2: I. Allegro Moderato
Cello Concerto No.2 In D Major, Hob.VIIb 2: II. Adagio
Cello Concerto No.2 In D Major, Hob.VIIb 2: III. Rondo: Allegro
Cello Concerto No.1 In C Major, Hob.VIIb 1: I. Moderato
Cello Concerto No.1 In C Major, Hob.VIIb 1: II. Adagio
Cello Concerto No.1 In C Major, Hob.VIIb 1: III. Allegro Molto
Track Listings (6) - Disc #2
Triple Concerto In C Major, For Violin, Cello And Piano, Op.56: I. Allegro - Sviatoslav Richter
Triple Concerto In C Major, For Violin, Cello And Piano, Op.56: II. Largo - Sviatoslav Richter
Triple Concerto In C Major, For Violin, Cello And Piano, Op.56: III. Rondo Alla Polacca - Allegro - Tempo I - Sviatoslav Richter
Cello Concerto In B Minor, Op.104: I. Allegro
Cello Concerto In B Minor, Op.104: II. Adagio, Ma Non Troppo
Cello Concerto In B Minor, Op.104: III. Finale: Allegro Moderato
Track Listings (7) - Disc #3
Symphony No.9 In E Minor, Op.95 'From The New World': I. Adagio - Allegro Molto - London Philharmonic Orchestra
Symphony No.9 In E Minor, Op.95 'From The New World': II. Largo - London Philharmonic Orchestra
Symphony No.9 In E Minor, Op.95 'From The New World': III. Molto Vivace - London Philharmonic Orchestra
Symphony No.9 In E Minor, Op.95 'From The New World': IV. Allegro Con Fuoco - London Philharmonic Orchestra
Ruslan And Ludmilla: Overture
Valse-Fantaisie
Ruslan And Ludmilla: In The Steppes Of Central Asia
Track Listings (5) - Disc #4
Symphony No.8 In C Minor, Op.65: I. Adagio - Allegro Non Troppo - Allegro - Adagio
Symphony No.8 In C Minor, Op.65: II. Allegretto
Symphony No.8 In C Minor, Op.65: III. Allegro Non Troppo -
Symphony No.8 In C Minor, Op.65: IV. Largo -
Symphony No.8 In C Minor, Op.65: V. Allegretto
EMI's 75th birthday tribute to Mstislav Rostropovich includes notable performances by the great cellist as soloist and conductor. The set's title refers to the nickname by which his admirers, who include just about all mus... more »ic lovers, know him. Slava's protean talents are on full display here, from his deeply felt, moving Bach C Major Cello Suite to his equally moving, ferocious performance of Shostakovich's grim Symphony No. 8 with Washington's National Symphony, which he directed for many years. Among such pearls, though, are some less-than-glorious examples of his art, notably a torpid, overweight rendition of Dvorak's "New World" Symphony. The Shostakovich symphony, gripping from start to finish, is one of the best recordings of that great work, and EMI was wise to license it from Teldec for this set. The pair of Haydn Cello Concertos, enlivened by Slava's big, all-embracing tone, display an old-fashioned approach to the music, but they're played with such affectionate warmth that even "authentic performance" enthusiasts should enjoy it. The Dvorak Concerto, hampered by Giulini's slack interpretation, doesn't measure up to Slava's other recorded versions with Talich, von Karajan, and Ozawa. To compensate, there's the Beethoven Triple Concerto, on which Slava's partnered by Sviatoslav Richter and David Oistrakh under von Karajan's baton, a classic recording of the work. --Dan Davis« less
EMI's 75th birthday tribute to Mstislav Rostropovich includes notable performances by the great cellist as soloist and conductor. The set's title refers to the nickname by which his admirers, who include just about all music lovers, know him. Slava's protean talents are on full display here, from his deeply felt, moving Bach C Major Cello Suite to his equally moving, ferocious performance of Shostakovich's grim Symphony No. 8 with Washington's National Symphony, which he directed for many years. Among such pearls, though, are some less-than-glorious examples of his art, notably a torpid, overweight rendition of Dvorak's "New World" Symphony. The Shostakovich symphony, gripping from start to finish, is one of the best recordings of that great work, and EMI was wise to license it from Teldec for this set. The pair of Haydn Cello Concertos, enlivened by Slava's big, all-embracing tone, display an old-fashioned approach to the music, but they're played with such affectionate warmth that even "authentic performance" enthusiasts should enjoy it. The Dvorak Concerto, hampered by Giulini's slack interpretation, doesn't measure up to Slava's other recorded versions with Talich, von Karajan, and Ozawa. To compensate, there's the Beethoven Triple Concerto, on which Slava's partnered by Sviatoslav Richter and David Oistrakh under von Karajan's baton, a classic recording of the work. --Dan Davis