Search - Muldrow; Georgia Anne :: Pattie Blingh: Sagala

Pattie Blingh: Sagala
Muldrow; Georgia Anne
Pattie Blingh: Sagala
Genres: Dance & Electronic, Pop, R&B
 
  •  Track Listings (10) - Disc #1

Ramp Recordings introduces the world to Pattie Blingh and the Akebulan Five, with "Sagala." Pattie Blingh is actually the invention of Georgia Anne Muldrow, the first female ever signed to the ultra cool Stones Throw lab...  more »

     
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CD Details

All Artists: Muldrow; Georgia Anne
Title: Pattie Blingh: Sagala
Members Wishing: 1
Total Copies: 0
Label: RAMP Recordings
Original Release Date: 1/1/2007
Re-Release Date: 5/8/2007
Genres: Dance & Electronic, Pop, R&B
Styles: Contemporary R&B, Funk, Soul
Number of Discs: 1
SwapaCD Credits: 1
UPC: 5060140820048

Synopsis

Product Description
Ramp Recordings introduces the world to Pattie Blingh and the Akebulan Five, with "Sagala." Pattie Blingh is actually the invention of Georgia Anne Muldrow, the first female ever signed to the ultra cool Stones Throw label. On "Sagala", Miss Muldrow comes correct with her new Pattie Blingh pseudonym, allowing Georgia a freedom to explore new concepts and ideas. Writing, producing and performing all of her own tracks, Georgia's production is more comparable to that of Prince than to Pete Rock. "Sagala's" truly unique sound is created by drum programming reminiscent of an early RZA to laying instrumental textures, which feels like Funkadelic meeting The Cult. Her effortless delivery sits spitted verses next to epic layers of harmony, with lyrical content akin to early David Bowie and Syd Barrett. Georgia also draws on a stream of black consciousness, starting at the Last Poets on to Marvin's "What's Going On", through to Public Enemy. Seemingly shy and unassuming, an incredible cutting political commentary comes from behind an Afro and a broad grin. Social awareness is often promised in these days. A promise Pattie Blingh actually lives up to with "Sagala."

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CD Reviews

Start with "Worthnothings' or "Olesi", then come to this
Scott Woods | Columbus, Ohio United States | 11/16/2008
(3 out of 5 stars)

"Underground wunderkind Georgia Anne Muldrow kicks out a record in her trademark WTF style, with its odd beats, windig vocal arrangements and trashed-out production values.



The style works wonders on all her previous efforts. "Worthnothings" and "Olesi" were neck-snapping in their originality and execution. This record doesn't hold together as well, seems a little too loose. It would be ridiculous to say the songs are "better" (her songwriting mechanisms elude common theory and this review doesn't provide enough space for a truly genuine deconstruction of it) but I can say without too much angst that I enjoyed the older stuff more. I'm glad she slapped a pseudonym on this one; as a fan I wouldn't want people to be turned off by this one and not pursue the other, more accessible records.



If you're new to Georgia Anne Muldrow, don't start with this record (okay, try out "To: Re"). Start with one of the other two. If you like her already, you'll see merit here but you might not rock it in the car as much."