"If you've got the 3 albums on CD from Rhino, the only thing you're missing is the one bonus track Train kept a-Rollin'. That can be found on the vinyl-only Best of Nazz (also from Rhino). The single album reissues did one thing this collection didn't do: it kept the tracks in their original running order, and that's how these albums sound best."
Get Yer Nazz Here!
Robert Cossaboon | The happy land of Walworth, NY | 08/05/2005
(5 out of 5 stars)
""Open Our Eyes", the latest Nazz anthology really doesn't sport anything new, except for a cover of "Train Kept A-Rollin'". It is, however, a very complete catalogue of the work proper that the Nazz did. For sticklers this CD set will rankle, because the song orders for the original albums have been screwed up in favor of a more thematic approach. Generally the anthology is set up where the first CD is the hard-rocking side and the second one is the more cerebral one. As a result, most of the first album and some of the third takes up the first CD, whereas the bulk of the second and third albums comprise the second. This doesn't, however, prevent the best songs from opening the first disc! "Open My Eyes" was/is/and probably will always be one of the best songs that Todd Rundgren ever wrote. "Hello It's Me", the big single, follows, but fast forward a couple of songs and you get to Rundgren's pre-Something/Anything opus, the ethereal, string-driven "If That's The Way You Feel". This, along with "Forget All About It" and "A Beautiful Song" are the real reasons to buy this anthology-if you don't already have the Nazz on CD! For those who don't know, Rundgren would go on to have an immensely successful career as both artist and producer. As in the Nazz, his songs would straddle the fence between the human (the soulful ballads) and the absurd (his sometimes annoying obsession with technology and vaudeville). If you want a ground zero song for this dialectic, listen to the wonderfully whimsical Meridian Leeward. Also included in the anthology package are some good liner notes where Rundgren describes how the band came to be as well as some of the internal dynamics that were happening while the band was active.
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Good to have, but there's better out there
Elizabeth | suburban Philadelphia, PA USA | 10/24/2008
(3 out of 5 stars)
"I was introduced to the Nazz via the posthumous releases "13th and Pine" and "From Philadelphia". They are definitely an overlooked talent and a bit obscure. They sound like a Philadelphia version of the early Who. I'm from Philadelphia (this city is famous for music) and I hadn't even heard of them.
This collection is a great and inexpensive way to get all three Nazz albums on CD. However, after listening to the above-mentioned albums, I was a bit disappointed by how they really sounded on their album releases at the time. So it's hard to critique, because the collection itself is good, but the original songs are a bit lacking.
First, the mastering of the songs is excellent, but you can only do so much with what you have.
Most of the songs are overproduced. The dated stereo effects are annoying and distracting. The best song, in terms of overall "sound" and production value is "Train Kept-A-Rollin'". This is what they sound like on "13th and Pine" and most of "From Philadelphia", which contain different mixes of some of the songs on this collection. It's a bit "dirty" production-wise, but it's more satisfying to listen to.
Some of my favorites from this collection were on neither of those albums, but that's probably because the best on those albums aren't as good as on the two I mentioned. But there's still a lot of great material here.
Bottom line: get this collection, especially if you like garage rock or are studying Philadelphia's musical history, but go out and find "13th and Pine" and "From Philadelphia". I got them as digital downloads on emusic, but they may be available through Amazon's MP3 Store. If you're really lucky, get the CDs."
Not What I'd Expected
Morten Vindberg | Denmark | 02/04/2009
(3 out of 5 stars)
"This 2 CD compilation contains all three albums released by late-sixties American band Nazz ( + a few rarities )
I'm not sure what to make of the Nazz music. Maybe I had expected too much - or just something else - I thought they would sound somewhat like the Standells or Count Five.
Their name was taken from a Yardbirds song (The Nazz Are Blue) and there are obvious influences from that band - on some songs!! On other songs they sound like they're trying to do Beach Boys pastiches. Elsewhere again they sound pop-bands like the Associations. I think this is one of the major problems with the band; their direction is vague.
They are obviously fine musicians - the guitar-playing is a pleasure on many tracks - Rundgren really sounds like Jeff Beck on several tracks.
There a some fine songs, too, but the majority of them are really quite ordinary and not very interesting.
Though there a fine vocal-harmonies, I'm not impressed by their lead-singer who doesn't have the charisma of Keith Relf or the power of Roger Daltrey or Steve Marriott.
Among the most memorable songs early "Open My Eyes" deserves a mention - a great catchy pop-psych piece. I generally find their ballads slightly sirupy, but the simple arrangement of the melodic "Gonna Cry Today" works fine - and it's another stand-out.
The up-beat "Hang On, Paul" - is a Beatles inspired song that has what too many of the songs lack - charm. The same goes for the Byrds inspired "Forget All About it" I also quite like the bluesy "Magic Me".
It's mainly their songwriting that keeps them in a league (or two) under their inspirators like the Beatles, the Yardbirds or the Byrds. Maybe this is why - as it says in the notes - that Rundgren rarely plays any of his Nazz songs - apart from the pop-ballad "Hello It's Me""