In this collection of wiggy compositions and freewheeling improvisations, guitarist Nels Cline collaborates with innovative bassist Mark Dresser, famed jazz drummer Billy Mintz and electric harpist Zeena Parkins. Nels demo... more »nstrates his versitility and musicianship on both acoustic and electric guitars, leading this crack ensemble through previously uncharted territories. Nels was named Outstanding Jazz Artist of 1999 by Bam Magazine as well as Best New Genre/Uncategorizable Artist of 1999 at the L.A. Weekly Music Awards.« less
In this collection of wiggy compositions and freewheeling improvisations, guitarist Nels Cline collaborates with innovative bassist Mark Dresser, famed jazz drummer Billy Mintz and electric harpist Zeena Parkins. Nels demonstrates his versitility and musicianship on both acoustic and electric guitars, leading this crack ensemble through previously uncharted territories. Nels was named Outstanding Jazz Artist of 1999 by Bam Magazine as well as Best New Genre/Uncategorizable Artist of 1999 at the L.A. Weekly Music Awards.
A Great Place to Start Your Nels Cline Collection!
Stephen | Virginia Beach, VA USA | 05/07/2001
(5 out of 5 stars)
"This is prbably the best introduction to Cline's sound world. Cline is an extremely gifted guitarist who seems to be much more interested in producing the right sound than showing off his chops. Those chops are definitely strong, though!On the Inkling, Cline utilizes acoustic a little more than other sessions and Parkins' harp seem to be mostly acoustic. The songs, though many are relatively short, tend to be open ended.As with all Cline releases, expect the unexpected. Cline never seems to play the notes/chords you'd expect, but they make sense in the end."
Spider-corked weirdo lullabyes from Saturn
Pharoah S. Wail | Inner Space | 11/02/2002
(4 out of 5 stars)
"This is a band from which I would more than welcome another cd. There is just something magical about the electric bond between Nels and Zeena, and Mark and Billy certainly add to that.
With New Old Hat we get acoustic improvisation. Not so much "free jazz"... more like "free Spanish old-world acoustic improvisation". Lovely. Then comes the ominous power of Zeena's electric harp on Spider Wisdom. This track captures the true spacefreak beauty of this band in all it's glory. Queen Of Angels gives us an orchestra of Indy 500 cars as conducted by the mentally unstable while Lullaby For Ian is more like the gentle sounds that NASA hopes they never here with one of their radio telescopes.
Some musicians peak in their 20s and then never again catch the fire. Then there are others, like those on this cd, who continue to grow, learn, and express time after time, album after album. With the warped humpback songs of Mark's arco bass, the freaked-out radio signals of Zeena's electric harp, and the always right-but-new drumming of Billy, Nels couldn't help but pump out some massive, mind-bending group improvisations on this album."
Bi-coastal avent-guardianism
Jeanne Lightly | 07/09/2000
(5 out of 5 stars)
"The Inkling is all about exploration and the swift swapping of musical ideas, and guitarist Nels Cline leaves no corner of jazz, rock, scrit, or skronk unscrapped."
The higher, stranger power of group interaction
Aaron Burgess | Round Rock, TX, USA | 08/09/2006
(5 out of 5 stars)
"He may be a walking encyclopedia of idiom and technique, but guitarist Nels Cline is also an incredibly soulful and expressionistic player, capable of yanking new life from traditional jazz, rock, improv, and even neo-classical settings. On "The Inkling," he's tackling all four at once, moving with bandmates Zeena Parkins (harp), Mark Dresser (contrabass) and Billy Mintz (drums) through an incomprehensibly hairy thatch of sound. Given only spare accompaniment by his band members, Cline sounds limitless behind the fretboard: It seems as natural as breathing for him to shift from Henry Kaiser-via-Derek Bailey abstract pieces (the album's majority) to pointillist wigouts ("Sunken Song") to harmonic Twister matches with Dresser and Parkins ("Spider Wisdom"). And though things never get "cooking," per se, "The Inkling"'s deliberately empty spaces and slow tempos give the listener more room to digest the group's brain-boggling interaction."
Topnotch
Stargrazer | deep in the heart of Michigan | 11/05/2005
(5 out of 5 stars)
"This is really a superb CD if you prefer your "jazz" not too hidebound and hung up on where jazz has already been. Nels Cline is a truely forward-moving exponent of the electric guitar, though there are some sublime acoustics explored on "The Inkling" too."