Revisiting a Milestone in Creative Jazz
Jay T. Conway | 10/14/2000
(5 out of 5 stars)
"Sure, this re-creation of the great New York Art Quartet comes decades after the group's inception, and aesthetic concerns have changed. But Amiri Baraka's in great form--hollering his poems over the bedrock of John Tchicai and Roswell Rudd. The band is a blowing gale, brassy and fat in the trombone and slippery and warm in the saxophone. Never mind any one-star reviews of this; it's gem-like in its complex refraction of the '60s avant-garde and that music's relevance beyond its time."
On the contrary
Jay T. Conway | Riverside, CA USA | 03/02/2001
(5 out of 5 stars)
"This review is intended to function as a corrective. The last reviewer contends he is a fan of NYAQ, Coleman...in short, a fan of avant-garde jazz, free-jazz, outside jazz (what Leroi Jones in his flawed but necessary work "Black Music" refers to as the new thing).To be honest, I find this hard to believe. I listened to this album driving home from a night class yesterday evening. I was blown away. Indispensable when you're stranded on an urban island. As for Baraka, it's somewhat fashionable to criticize his poetry as dated, as, in retro.spect, sophmoric. I strongly disagree. His voice was important then, and not a damn thing has changed to make it irrelevant. A beautiful, moving album. Grab it while you can hungry souls."