Search - O'Kanes :: Tired of the Runnin'

Great Debut!

02/14/2003

(5 out of 5 stars)

"During their relatively brief time together, Kieran Kane and Jamie O'Hara, otherwise known as the O'Kanes, produced three albums of absolutely superb country music. The self-titled, first, and arguably strongest effort contains everything that is best about the O'Kanes' sound. It is rich in country music's finest traditions, yet it is by no means a nostalgia album. It is sparse in instrumentation, yet richly textured. Most of all, the album contains direct, honest music whose emotional intensity stays with the listener long after the sound waves have stopped vibrating. The O'Kanes' vocals recall the best of country harmony. Some critics liken them to the Louvin Brothers. Others, because of the more driving sound of their backing, compare them to the Everlys. The instrumental sound ranges from bluegrass (prominent mandolin) to the tense drive of Sun rockabilly (their hit "O Darlin'" is evidence of this). The addition of an accordion adds both Tex-Mex and unmistakably bluesy feels to the proceedings. This is truly hybrid music.
Out of the core members of the O'Kanes, Kieran Kane was always the more musically inclined of the two. At the age of nine, Kane began playing drums in his older brother's rock & roll band. By the time he was in his teens, he was also playing bluegrass and folk, performing at festivals across the Northeast. Eventually, his reputation had grown large enough that he was opening for rock & roll groups like Country Joe & the Fish and the Steve Miller Band. When he was 21, he moved to Los Angeles, where he worked as a session guitarist and a professional songwriter. Eight years later, he relocated to Nashville, where he also worked as a session musician and songwriter. Within two years, he had landed a contract with Elektra, and over the next three years, he had a string of minor hits for both Elektra and later Warner. For his part, Jamie O'Hara didn't begin playing guitar when he was 22 years old, following a knee injury that prevented him from pursuing a career as a professional football player. After writing several original songs, he began to play clubs across the Midwest, while working odd jobs. In 1975, he arrived in Nashville, landing a publishing contract with Tree Publishing. By the early '80s, artists had begun to cover his songs, with Ronnie McDowell taking "Wandering Eyes" and "Older Women" to the Top Ten in 1981.Kane and O'Hara began collaborating in 1985, when the two songwriters worked on "Bluegrass Blues" for Tree. Southern Pacific and the Judds would both later record the song. Throughout 1985, the pair wrote songs and recorded demos together, deciding to become a performing duo in 1986. Columbia signed the duo and their eponymous debut consisted entirely of their demo tapes. "Oh Darlin'," the first single from the record, became a hit, climbing into the Top Ten; the album also reached the country Top Ten as well. In 1987, the group had three Top Ten hits - including the number one "Can't Stop My Heart from Loving You," "Daddies Need to Grow Up Too" and "Just Loving You" - all taken from The O'Kanes. The following year, they released their second album, Tired of the Runnin', which produced an additional two Top Ten singles in "One True Love" and "Blue Love." However, the third single from the record, "Rocky Road," didn't even make the Top 40.Following the recording of their third album, Kane and O'Hara parted ways in 1989; the third record, Imagine That, was released posthumously to little attention in 1990. Following the group's breakup, both members continued to work as professional songwriters. In 1993, Kane released his eponymous solo debut on Atlantic Records; O'Hara released his first solo album, Rise Above It, the following year on RCA. -- Hank Davis, All Music Guide"

Great Underrated Band

01/26/2004

(4 out of 5 stars)

"It's hard to understand why the O'Kanes are not more highly revered, with the resurgence of Bluegrass and the emergence of Americana as a viable musical genre. The O'Kanes were, after all, at the forefront of this movement in the eighties, when it was called New Traditionalist, and even collected a handful of hits. Individually, they have released several fine recordings since their breakup (I particularly like O'Hara's 1994 'Rise Above It'), but nothing that is quite as sublime as their first two albums together. 'Tired of the Runnin'' picks up where 'The O'Kanes' left off, sounding traditional, but also fresh and original (very little banjo, but great accordion). It's not all-acoustic, but most of the songs are driven by Kane's mandolin. There is a slight tendency to repeat some of the first album's successes (Highway 55 sounds a little too similar to the great Bluegrass Blues). They do, however, stretch out a little more, as on the excellent Rocky Road (where they even give a musical nod to the Allman Brothers). The love (and longing) songs dominate most of the album - One True Love, If I Could Be There, & In My Heart are all standouts - and there is a solid cover of Jesse Winchester's Isn't That So. Overall, highly recommended. 1. If I Could Be There
2. Blue Love
3. All Because Of You
4. In My Heart
5. Rocky Road
6. Highway 55
7. Isn't That So
8. I'm Lonely
9. One True Love
10. Tired Of The Runnin'"