Allegro moderato, mit Alt-Xylophon, Bongos und Schellen (Musik für Kinder IV Nr. 3, S.142, 1954)
Allegro moderato, mit Alt-Xylophon (Musik für Kinder IV Nr. 4, S.143, 1954)
Andante con moto, mit Alt-Xylophon und Castagnetten Musik für Kinder IV Nr. 5, S.144, 1954)
Der Tod (Matthias Claudius) für Sprechstimme, two Holzglocken, Baß-Xylophon und Tam-Tam (Paralipomena Nr. 20, Carl Orff 1977)
Omnia tempus habent für gemischten Chor, Pauken und kleine Trommel (Stücke für Sprechchor, Carl Orff 1969)
Rubato, molto allegro, rubato (Spielbuch für Xylophon III Nr. 1, Gunild Keetman 1966)
Abenlied (Matthias Claudius) für Sprechstimme, Alt- und Baß-Metallophon, Baß-Xylophon, Große Trommel und Weinglas (Paralipomena Nr. 18, Carl Orff 1977)
Rondo (Sopran-Blockflöte, Altxylophon, Templeblocks und Bongos)(Musik für Kinder V Nr. 23, 1954)
Comodo (2 Altxylophone, Sopranino, Maracas und Zimbel)
Tranquillo (Sopran-Blockflöte, Alt-Xylophon, Alt-Glockenspiel und Zimbel)(Musik für Kinder I Nr. 20?21, 1950)
Rubato (Alt-Blockflöte und Handtrommel)(Musik für Kinder IV Nr. 45, 1954)
Con moto (Sopran-Blockflöte, Alt-Xylophon und Triangel)(Musik für Kinder III Seite 69, 1953)
Andachtsjodler für gemischten Chor a cappella (Musik für Kinder III Nr. 29, Version 2, Carl Orff 1953)
Allegro
Allegro
Jagdstück I
Jagdstück I I
Tranquillo
Grazioso
Allegro
Wiegenlied beim Mondschein zu singen (Matthias Claudius) für Sprechstimme und drei Marimbaphone (Paralipomena Nr. 33, Carl Orff 1977)
Incipiunt Laudes Creaturarum, quas fecit Beatus Franciscus ad laudem et Honorem Dei (Sonnengesang des hl. Franziskus) für gemischten Chor a cappella aus Concento di voci II (Carl Orff 1954)
Pieces included in Orff-Schulwerk Volume 1: Musik für Kinder are taken from the entire range of Schulwerk publications. This recording presents a lifetime project of unending diversity, summarized in hymn?like choral ... more »pieces, masterly magical spoken works, and instrumental pieces both playful and melancholy. Musik für Kinder is released as people around the world celebrate the centenary of Carl Orff's birth, observed July 10, 1995. What is it that makes this composer's music so enduring? More remarkably, what is it that fills the Schulwerk with freshness and vitality almost fifty years after its first publication? Carl Orff believed in the great power that lies in reduction to the fundamental. His effort was to provide music which works together with, rather than in opposition to, the human spirit. In this way inherent musical ability can be drawn out of each and every individual. Orff himself said, "It was only given to me to present these old, imperishable ideas in today's terms, to make them come alive for us. I do not feel like the creator of something new, but more...like a relay runner who lights his torch at the fires of the past and brings it into the present." These Schulwerk recordings produced one hundred years after the composer's birth may well be considered the torch which brings Carl Orff's music into our present. Artistic director and coproducer of the recording, Wilfried Hiller worked with Carl Orff during his lifetime, and is the named artistic executor of Orff's estate. In Volume 2 of the Orff-Schulwerk series, Hiller continues to produce the Schulwerk in a manner faithful to Orff's intentions. The CD is co?produced by Ulrich Kraus. Godela Orff, the only child of Carl Orff, interprets three of the spoken pieces on this recording. Better aquainted with her father's diction than anyone, Godela Orff performed the spoken roles in the television series Musik für Kinder. The Madrigalchor der Hochschule für Musik in München, conducted by Max Frey, performs choral parts. Other performers on this recording include violinists Carolin Widmann and Sonja Korkeala. Markus Zahnhausen plays recorder; Karl Peinkofer, Wilfried Hiller, Andreas Schumacher and Martin Ruhland perform parts written for percussion.« less
Pieces included in Orff-Schulwerk Volume 1: Musik für Kinder are taken from the entire range of Schulwerk publications. This recording presents a lifetime project of unending diversity, summarized in hymn?like choral pieces, masterly magical spoken works, and instrumental pieces both playful and melancholy. Musik für Kinder is released as people around the world celebrate the centenary of Carl Orff's birth, observed July 10, 1995. What is it that makes this composer's music so enduring? More remarkably, what is it that fills the Schulwerk with freshness and vitality almost fifty years after its first publication? Carl Orff believed in the great power that lies in reduction to the fundamental. His effort was to provide music which works together with, rather than in opposition to, the human spirit. In this way inherent musical ability can be drawn out of each and every individual. Orff himself said, "It was only given to me to present these old, imperishable ideas in today's terms, to make them come alive for us. I do not feel like the creator of something new, but more...like a relay runner who lights his torch at the fires of the past and brings it into the present." These Schulwerk recordings produced one hundred years after the composer's birth may well be considered the torch which brings Carl Orff's music into our present. Artistic director and coproducer of the recording, Wilfried Hiller worked with Carl Orff during his lifetime, and is the named artistic executor of Orff's estate. In Volume 2 of the Orff-Schulwerk series, Hiller continues to produce the Schulwerk in a manner faithful to Orff's intentions. The CD is co?produced by Ulrich Kraus. Godela Orff, the only child of Carl Orff, interprets three of the spoken pieces on this recording. Better aquainted with her father's diction than anyone, Godela Orff performed the spoken roles in the television series Musik für Kinder. The Madrigalchor der Hochschule für Musik in München, conducted by Max Frey, performs choral parts. Other performers on this recording include violinists Carolin Widmann and Sonja Korkeala. Markus Zahnhausen plays recorder; Karl Peinkofer, Wilfried Hiller, Andreas Schumacher and Martin Ruhland perform parts written for percussion.