Livery Stable Blues - Original Dixieland Jazz Band, Edwards, Edwing B.
Dixie Jass Band One-Step - Original Dixieland Jazz Band, Original Dixieland
At the Jazz Band Ball - Original Dixieland Jazz Band, Edwards, Eddie B.
Ostrich Walk - Original Dixieland Jazz Band, Edwards, Eddie [1]
Skeleton Jangle - Original Dixieland Jazz Band, LaRocca, D.J.
Tiger Rag - Original Dixieland Jazz Band, Costa, Harry Da
Bluin' the Blues - Original Dixieland Jazz Band, Ragas, Henry
Fidgety Feet - Original Dixieland Jazz Band, Edwards, Eddie [1]
Sensation Rag - Original Dixieland Jazz Band, Edwards, Eddie [1]
Mournin' Blues - Original Dixieland Jazz Band, Sbarbaro, A.
Clarinet Marmalade Blues - Original Dixieland Jazz Band, Edwards, Edwin
Lazy Daddy - Original Dixieland Jazz Band, LaRocca, Nick
Margie - Original Dixieland Jazz Band, Conrad, Con
Palesteena - Original Dixieland Jazz Band, Conrad, Con
Broadway Rose - Original Dixieland Jazz Band, Arden
Sweet Mama (Papa's Getting Mad) - Original Dixieland Jazz Band, Frost, Peter
Home Again Blues - Original Dixieland Jazz Band, Akst, Harry
Crazy Blues - Original Dixieland Jazz Band, Bradford, Perry
Track Listings (19) - Disc #2
Jazz Me Blues - Original Dixieland Jazz Band, Delaney, Don
St. Louis Blues - Original Dixieland Jazz Band, Handy, W.C.
Royal Garden Blues - Original Dixieland Jazz Band, Williams, Clarence
Dangerous Blues - Original Dixieland Jazz Band, Brown, B. [1]
Bow Wow Blues (My Mama Treats Me Like a Dog) - Original Dixieland Jazz Band, Friend, C.
Skeleton Jangle - Original Dixieland Jazz Band, LaRocca, D.J.
Clarinet Marmalade Blues - Original Dixieland Jazz Band, Edwards, Edwin
Bluin' the Blues - Original Dixieland Jazz Band, Ragas, Henry
Tiger Rag - Original Dixieland Jazz Band, Costa, Harry Da
Barnyard Blues - Original Dixieland Jazz Band, LaRocca, Dominic J.
Original Dixieland One-Step - Original Dixieland Jazz Band, Crandall, George
Bluin' the Blues - Original Dixieland Jazz Band, Ragas, Henry
Tiger Rag - Original Dixieland Jazz Band, Costa, Harry Da
Ostrich Walk - Original Dixieland Jazz Band, Edwards, Eddie [1]
Original Dixieland One-Step - Original Dixieland Jazz Band, Crandall, George
Satanic Blues - Original Dixieland Jazz Band, Christian, Emile
Toddlin' Blues - Original Dixieland Jazz Band, LaRocca, Nick
Who Loves You? - Original Dixieland Jazz Band, Coots, J. Fred
Fidgety Feet - Original Dixieland Jazz Band, Edwards, Eddie [1]
One of the painful ironies of American musical history is that the first jazz band ever to record was the Original Dixieland Jazz Band, a quintet of white New Orleans musicians who had moved north to Chicago in 1916 and be... more »gan recording in New York a year later. More painful still, their first recordings to be released, "Livery Stable Blues" and "Original Dixieland One-Step," would launch a national jazz craze and a host of imitators, with the fad passing before any of the great African American New Orleans musicians--Kid Ory, Sidney Bechet, Jelly Roll Morton, King Oliver, Louis Armstrong--first entered recording studios. However, while the ODJB lacked the art and inventiveness of Morton or Oliver, it had enough spontaneous energy and high spirits to explode on an unsuspecting public conditioned to staid popular music and relatively formal ragtime. While none of the musicians seems to have arrived at the improvised solo, the tracks are filled with characteristic New Orleans ensemble variations, with clarinetist Larry Shields coiling around Nick LaRocca's punching cornet lead work, and trombonist Eddie Edwards providing tailgate effects. While the quality of early recording would lose some of pianist Henry Ragas's work, drummer Tony Sbarbaro contributes what percussion effect acoustic recording could support. Tunes like "Tiger Rag" and "Clarinet Marmalade" would become bulwarks of the traditional jazz repertoire. This complete edition of the band's work contains all the band's influential recordings from 1917 to 1921 and 14 tracks from their reunion in 1936 in the midst of the swing era, both in small- and big-band formats. Those seeking just the significant material from the band's early years can find it on a single CD, The 75th Anniversary. --Stuart Broomer« less
One of the painful ironies of American musical history is that the first jazz band ever to record was the Original Dixieland Jazz Band, a quintet of white New Orleans musicians who had moved north to Chicago in 1916 and began recording in New York a year later. More painful still, their first recordings to be released, "Livery Stable Blues" and "Original Dixieland One-Step," would launch a national jazz craze and a host of imitators, with the fad passing before any of the great African American New Orleans musicians--Kid Ory, Sidney Bechet, Jelly Roll Morton, King Oliver, Louis Armstrong--first entered recording studios. However, while the ODJB lacked the art and inventiveness of Morton or Oliver, it had enough spontaneous energy and high spirits to explode on an unsuspecting public conditioned to staid popular music and relatively formal ragtime. While none of the musicians seems to have arrived at the improvised solo, the tracks are filled with characteristic New Orleans ensemble variations, with clarinetist Larry Shields coiling around Nick LaRocca's punching cornet lead work, and trombonist Eddie Edwards providing tailgate effects. While the quality of early recording would lose some of pianist Henry Ragas's work, drummer Tony Sbarbaro contributes what percussion effect acoustic recording could support. Tunes like "Tiger Rag" and "Clarinet Marmalade" would become bulwarks of the traditional jazz repertoire. This complete edition of the band's work contains all the band's influential recordings from 1917 to 1921 and 14 tracks from their reunion in 1936 in the midst of the swing era, both in small- and big-band formats. Those seeking just the significant material from the band's early years can find it on a single CD, The 75th Anniversary. --Stuart Broomer
Peter Acebal | Christiansburg, VA United States | 12/27/2001
(5 out of 5 stars)
"The Original Dixieland Jazz Band (ODJB)carry the distinction of being the First Jazz band to record in early 1917;I Had most of these sides on vinyl import Lp and the digital restoration on this set is superb,-what may present a slight problem for inexperienced ears are the whiplash tempos the ODJB employed in their 1917-1918 recordings (Jazz was thought to be a 'Novelty' at the time - chalk up another one for A & R folks); my only quibble is that The ODJB's 1919-1920 records for UK Columbia could not appear here (due no doubt to label conflicts) nor the bands superb 1917 Aeolian cylinders;but this is a minor quibble at the most.Anyone with any habit of even saying the word "Jazz" cannot bypass this critical body of music,and kudos are due to Amazon for making this tremendous collection easily available to all.Thanks!"
Historic and imortant jass
me@me.com | 08/29/2000
(5 out of 5 stars)
"Since this was the 1st jass band to record these, side are historic and fun, especially the livery stable blues, and jazz me blues. This music is not as good as it would become with Louis Armstrong, King Oliver, and Jelly Roll Morton, however it is still historic and essential music for Dixieland fans. For a great new Dixieland band try The Wooden Nickel Jass Band which plays many Dixieland jazz festival today, they have a great vocalist Brady McKay check them out at wnjb.com"
The first, but hardly the most original
madamemusico | Cincinnati, Ohio USA | 08/05/2006
(3 out of 5 stars)
"Ahh, the ODJB. The cornerstone of recorded jazz, and still controversial a century after they first recorded.
When I first heard them, in 1967, they thrilled me with their unbridled energy and pulsating rhythm. But the LP I had also included six tracks recorded in 1936, and these were the ones that I liked the most. Larry Shields' clarinet took real solos, not just weaving around the comet lead, and Nick LaRocca's comet was more varied in what it played, even inserting Bix-like upward rips in the final chorus of "Tiger Rag." Nothing this good was evident on the 1917-1918 recordings. On those, the band just played peppy ragtime with no variation to speak of. The discs were exciting on first listening, but then fairly monotonous on rehearing.
The problem with the ODJB being the first jazz band on records was not that they were white, but that they simply weren't good soloists. Since no one in New York had even HEARD jazz at the time they debuted, they went crazy over them. Had players like Paul Mares, Leon Roppolo, Gus Mueller or Emmet Hardy, who were also white, come to New York at that time, I am sure the ODJB would have been considered a peppy novelty dance band and nothing else, for that is in essence what they were. When the ODJB returned from England in 1921, they were forced to use a saxophone and play in a more commercial style, not just because of the influence of Art Hickman and Paul Whiteman, but because by that time people were getting used to the much hotter styles of Mamie Smith and her Jazz Hounds and pianist James P. Johnson.
But I still love those 1936 sides; to me, they represent the best that this band had to offer.
"
THE first - the FIRST - first....EVER!
Annie Van Auken | Planet Earth | 01/22/2007
(4 out of 5 stars)
"The history of recorded American jazz starts right HERE. No matter what else can be added, it is undeniable that the Original Dixieland Jass Band's March, 1917 "Livery Stable Blues" was THE very first ever-issued jazz A-side. Ability, style and performance notwithstanding, these guys were the pioneers, and the infinite variety of mechanically or electrically reproduced jazz, when traced back far enough, is all indebted in some way to this small group of men.
The album is called: THE COMPLETE ORIGINAL DIXIELAND JAZZ BAND. OK, so the songlist's far from definitive-- certain labels go without any representation here. For that matter, this is only one of many types of jazz-- although Dixieland, in contrast to most others, has its origins in American antiquity. Again, a "first" of sorts.
If you like traditional New Orleans music, you'll enjoy this album. And if all-time "firsts" is your pleasure, then tracks one and two here represent a HUGE first-- you should be quite pleased. However, if full-range sound is your thing, be forewarned to look elsewhere. The several acoustically recorded sides here are about as low-fi as it gets.
Thus, sound quality on this set varies from OK to "OH MY!" The clarinet on the earliest sides tends to go through your head like a nail, while the pianist flails away and can hardly be heard. But, to quibble with these limitations would be akin to grousing that Neil Armstrong's historic "small" step on the moon should have been broadcast in "living color." Liner notes are in French and English and include personnel and studio dates.