Ave, Os Mutantes
E. A Solinas | MD USA | 04/19/2005
(5 out of 5 stars)
"It takes a connoisseur of psychedelic rock and pop to know of (drumroll please) Os Mutantes. This short-lived Brazilian band made some of the most memorable psychedelic pop of the 1960s -- which is really saying something, given the era that they thrived in. Call it psychetropicalia.
And their self-titled debut is probably the best work they ever did, without a single dud track. "Panis et Circenses" kicks things off with a horn solo, and then with a stretch of swooning acid-pop and some angelic-sounding voices. From there on, we get a fun, perky pop song laced with more horns, keyboards and wacky sound effects.
The stuff that follows is much in the same vein, from the buzzing and swooning keyboard splendor of "Baby," the downtempo warbles of "Le Premier Bonheur du Jour," and other songs full of Brazilian spunk, sonic clutter, sixties guitar solos, piano ripples, and catchy little songs that never get old. Rooted in Brazilian tropicalia, the music has quite a few quirks and twists, but surprisingly it never becomes too weird to alienate listeners.
Os Mutantes was initially formed by Arnaldo and Sergio Baptista, who later added Rita Lee and their brother Claudio. Though the band didn't last very long, they developed a reputation for twiddling with basic Brazilian pop -- while they stayed happy and accessable, they also added in distortion, feedback, non-catchy stretches of noise, and other sound experiments. It sounds fun, doesn't it?
And actually, it is a lot of fun. The trippy bossa nova/psychedelic rock/catchy pop isn't as heavy as it sounds, but instead goes for a light, playful, deeply stoned vibe. Eerie flutes, panpipes and jungle drums get mixed in with solid guitar riffs and smooth keyboards, acoustic and electric guitar harmonize, and piano is overlaid with train whistles.
Those traditional instruments ground what could have been just another psychedelic band. And the tropicalia gives it an earthy, unique edge that most psychedelica lacks. It's gloriously catchy, and incredibly infectious. The most typical aspect of it is the vocal harmonies -- other than that, there is simply nothing to compare this to.
There hasn't really been a band like Os Mutantes since, and until someone decides to revive that underrated sound, there probably won't be again. Mad, wild, crazy, and absolute bliss from beginning to end."
An eclectic classic
Erik | Bloomfield Hills, MI | 07/31/2006
(5 out of 5 stars)
"There was lots of experimentation used in this album, some would say to the point of recklessness, but from the abrupt song changes to the blistering fuzzed-out guitar laid on top of tropicalia tracks, it all works, and makes for a truly amazing sounding album. Early on, Os Mutantes put out sounds ranging from tropicalia to bright 60s pop to tender ballads to blistering guitar distortion and feedback, sometimes all in the same song. The first 30 seconds of the first song of the album alone consists of fanfare, soft vocal harmonies, and bright pop meloldies with racing trumpets in the background. Even though I don't speak a word of Portuguese, I thoroughly enjoyed this album, and I got into this album more than I ever got into any album."
