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Paderewski: Symphony in B Minor / Maksymiuk, et al
BBC Scottish Symphony Orchestra, Jerzy Maksymiuk
Paderewski: Symphony in B Minor / Maksymiuk, et al
Genre: Classical
 
  •  Track Listings (3) - Disc #1

Ignacy Jan Paderewski (1860-1941) was a Polish composer who wore many hats. Besides being an expert concert pianist and music teacher, he also managed to become the first prime minister of the newly independent Poland in 1...  more »

     
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CD Details

All Artists: BBC Scottish Symphony Orchestra, Jerzy Maksymiuk
Title: Paderewski: Symphony in B Minor / Maksymiuk, et al
Members Wishing: 0
Total Copies: 0
Label: Hyperion UK
Release Date: 11/24/1998
Album Type: Import
Genre: Classical
Style: Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 034571170565

Synopsis

Amazon.com
Ignacy Jan Paderewski (1860-1941) was a Polish composer who wore many hats. Besides being an expert concert pianist and music teacher, he also managed to become the first prime minister of the newly independent Poland in 1919. His music is tonal and very Romantic, but it is also heavily influenced by the great European composers of the era. You will particularly hear shards of Elgar, Delius, and Bax. Listen even closer, and you'll even hear Nielsen and Sibelius floating in the background. Paderewski's Symphony in B minor owes much to the way Anton Bruckner structured his symphonies, but there is much less aimlessness and wandering about here. Recommended, especially if you are following the evolution of the symphony as it enters the 20th century. --Paul Cook

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CD Reviews

A compendium of early 20th century music
Evan Wilson | Cambridge, Massachusetts United States | 05/29/2001
(5 out of 5 stars)

"Here's a disc that will delight you if you're a musical detective. Paderewski's only symphony is a compendium of early 20th century romantic styles as well as a harbinger of several later composers including Shostakovich. The Amazon reviewer is right that you'll hear echoes of Sibelius, Elgar, Rimsky Korsakoff and a number of other composers in this gargantuan symphony which never offends the ear with excessive dissonance. Where I think he goes off base is comparing it to Bruckner in construction. Bruckner built cathedrals of sound that rose to higher and higher spiritual levels. Paderewski seems more interested in mood painting. There are many lovely episodes amid the 74+ minutes of this piece. However, it does wander around a bit...and in fact, it takes a while to actually get going. A more accurate comparison for this piece might be Gliere's "Ilya Murometz" symphony, although this has a lot more musical content than that glossy showpiece. Regardless, it's an entertaining and fascinating symphony to listen to and would serve as a pleasant break from the deluge of Mahler that plagues our concert halls. Paderewski isn't into the hair pulling of Mahler. Instead, he seems to want to give us a glorious travel log of Poland. This performance is the first complete recording of the score that hasn't come from a Polish source. It is colorfully played and spaciously recorded, although I sense a bit of distance from the orchestra. Perhaps it could use a little more Slavic passion. Still, it's hard not to wallow in the glorious sounds one hears and perk up with delight as the ear hears yet another echo of a 20th century master. It's certainly an enjoyable way to spend an evening."
More of a vast tone poem than symphony
Alan Beggerow | Rock Falls, IL USA | 12/22/2004
(5 out of 5 stars)

"This is a somewhat sprawling work that to my ears is more of a symphonic poem than a symphony in the traditional sense. It is a contrast in styles, and as the previous reviewer noted does contain elements of many different composer's styles.



Paderewski knew the orchestra very well. While the thematic material used is not particulary melodic, the composer handles the orchestration and development of these themes adequately.



This is not a heaven storming symphony as Mahler, or one that has a great sense of musical architecture as Beethoven. But taken within the confines of its own tonal and loosely formed whole, it is a very enjoyable work. It definitely has some grand moments. Not a work that I will listen to very often, but a very good piece for an occasional hearing. It is tone painting, pure and simple. And quite interesting tone painting it is.



Recommended as a diversion from more 'mainstream' classical music. These kinds of works should have a solid place in a serious music lover's collection. They can be enjoyed on their own merit, and they help our ears to 'stretch' a bit."