Search - Glenn Gould, Bach :: Partitas 1 2 & 3 - Anniversary Edition

The best playing the best

Tom Paine | Montana USA | 12/01/2007

(5 out of 5 stars)

"What more can one say when Glenn Gould plays J. S. Bach? Two masters bringing out each other's finest: Bach is the song and Gould the instrument that vibrates through our souls with messages from the divine. I tell my kids that one of the best ways to get their mental/psychic world in order is to listen to Bach, especially when performed by the Canadian master Gould. (And they're into it.)



These are non-religious, non-verbal sermons on the order of the universe. This is the pinnacle of pure communication that has more to say than all the news media and most of the books written. Okay, maybe that's going a bit over the top . . . but not by much."

Twenty years after, the genius still keeps shining!

Hiram Gomez Pardo | Valencia, Venezuela | 07/05/2008

(5 out of 5 stars)

"The approach of Mr. Gould around Bach's music has always generated encountered positions. Many people regard him fascinating, irreverent and original, while others critic him his daring positions, his forced canto over the melodic line and literally don't forgive him his refuse to have cancelled his public appearances since 1964.



But what we should notice and always to keep in mind resides in the fact was, whether or not he got to clean the intellectual patina around Bach's music. To be honest, Casals was the first foreigner artist who waited for years and years the accurate moment to play Bach's suites for cello, too according another style and point of view. But what both have in common is to have allowed a very vast portion of human beings to have got to get close them to Bach's music.



That emerging generation of the ashes of the WW2 found in Gould an icon of the art of playing piano; he was for the academic music what Marlon Brando for the new cinema, Orson Welles for Shakespeare or Elvis for a new emerging musical tendency by then, The Rock.



Nobody like him knew to establish a breakthrough respect the formalism that surrounded the classic music, he really was an outlaw, a distant brother of James Dean in what concerns to express himself and furthermore, to convey with rotund success the immense delight and pleasure to listen Bach's Goldberg Variations. This album in 1955 meant a true hitherto, "a before and an after" in the history of the great music.



Maybe if we take a backward glance we should argue that Busoni would have made similar emotive impact in the great masses of listeners.



Glenn Gould (1932) generation was really unsurpassable ; Michelangeli (1920), Kapell (1922) Badura Skoda (1927) preceded him within a short difference of years among all of them among these four distinguished musicians.



So, regardless your previous opinion about Gould's phenomena, we have to admit he incorporated (and still on) a new generation of young people who has been born under his spelling legend.



"

Gould on Bach

Howard Chang | Fredericksburg, VA United States | 10/10/2007

(5 out of 5 stars)

"I also have other fine pianists' rendItions of the same Bach, Gould's is still unsurpassed. Gould's the one and only approach to Bach, or the other way around, Bach's approach to the mind of Gould is so unique, everything is just fitting the right spot. For the listener, you get the sense, the feeling and the perception of PERFECTION. And that is BACH."