It is a beautiful world, though perhaps not the honey-colored, sunshine-dappled landscape that the title might imply. More than blossoming flowers and gentle breezes, Patrick O'Hearn paints a picture that embraces the dank... more », fecund undergrowth where life is formed. His music is textural, roiling with atmosphere, but not buried in it. Joined once again by longtime musical compatriot, guitarist Peter Maunu, O'Hearn conjures up Ennio Morricone dipped in an ambient bath on tracks like "Magnificent River." His electro-grooves range from the sensual on "Facing the Sun" to the demonic on "Night Becomes Her." Taking a cue from Erik Satie simplicity, O'Hearn employs melody sparingly, as if he's hoarding the last bottle of water in the Sahara. Which makes it all the more powerful when he finally deploys it creating the crescendo of the title track. A former bassist with Frank Zappa, member of the pop band Missing Persons, and a charter member of the new age Private Music label, O'Hearn's breadth of experience has always set him apart from his peers and that's still apparent on Beautiful World. --John Diliberto« less
It is a beautiful world, though perhaps not the honey-colored, sunshine-dappled landscape that the title might imply. More than blossoming flowers and gentle breezes, Patrick O'Hearn paints a picture that embraces the dank, fecund undergrowth where life is formed. His music is textural, roiling with atmosphere, but not buried in it. Joined once again by longtime musical compatriot, guitarist Peter Maunu, O'Hearn conjures up Ennio Morricone dipped in an ambient bath on tracks like "Magnificent River." His electro-grooves range from the sensual on "Facing the Sun" to the demonic on "Night Becomes Her." Taking a cue from Erik Satie simplicity, O'Hearn employs melody sparingly, as if he's hoarding the last bottle of water in the Sahara. Which makes it all the more powerful when he finally deploys it creating the crescendo of the title track. A former bassist with Frank Zappa, member of the pop band Missing Persons, and a charter member of the new age Private Music label, O'Hearn's breadth of experience has always set him apart from his peers and that's still apparent on Beautiful World. --John Diliberto
A Beautiful World indeed! Haunting and suspenseful!
Distant Voyageur | Io | 12/21/2003
(5 out of 5 stars)
"His "So Flows The Current" gets my nod as his best album that he has ever put out in his career, rivalling "Indigo" in that category. Upon listening to his music over my lifetime, I now have to admit that while I do feel nostalgic for his more electronic-oriented works from the 1980s, I seamingly have been finding myself enjoying his more medievel works that he did in the 1990s than his earlier works, not that they have tired out. Not at all, his eighties albums have lost none of their power but his 1990s albums and his two latest have shown artistic creativity in the New Age field that is unparallelled and his newest album "Beautiful World" continues to demonstrate one of the greatest examples of New Age artists who take a new turn out of their trademark territory into a new territory with a new sound and different arrangements from anything trademark. "Beautiful World" relies less on rhythm and more on atmospherics. Some simply yearning for something in the style of "Between Two Worlds" or "El Dorado" may find themselves thrown off a bit but for those who are willing to hear something really creative, deep and exotic, "Beautiful World" offers many rewarding listens. I still feel somethign new with every listen. Most of this album relies more on dark ambient atmospherics and the result is in my opinion, his most suspenseful release since "Indigo" from 12 years before. The album cover perfectly fits the mood of the music on this album. I really love the titles of the tracks too. What's also unique is how the songs kind of are like three songs broken up into seven separate tracks. "Facing The Sun" into "Magnificent River", "Chance" merging into "Beautiful World" and "Night Beocmes Her", and finally "Approaching Summit" merging into "An Evening Sky". THis album has a lot of originality to it. The track with the strongest rhythm are the opening track "Facing The Sun" but don't let the title fool you. The song is very dark, suspenseful with haunting exotic beats and dark ambient atmospherics and strange electronic sounds that almost evoke images of glowing dragonflies flying overhead against increasingly stormy skies and the song becoming a highly intense and haunting track that definately has plenty of the trademark sonud that longtime fans are familiar with. Those who feel that this is nothing like his electrnoic work may get their share of treats with this track. The song then merges right into it's companion track "Magnificent River". MR starts with haunting echoing pianos with strong atmospherics and then becomes a very exotic song with exotic rhythm and sharp sounding guitars to create a truly groundbreaking song in his field. The rest of this album fits more into the echoing piano sounds that have conprised his post-Indigo era works. In some ways, this album is like a combination of the eerie suspense of "Indigo" and the ancient misty sounds of "Metaphor" but in some ways, "Beautiful World" is totally different altogether from those two albums. My favorite songs are "Chance" and the title track. "Chance" may lull some to sleep but in some ways, this song has a rather haunting and relatively energetic dark crescendo that makes this song really blissful without being sleep-inducing. Quite the opposite. The echoes of "Chance" echo away into the passion of the title track to this album. The title track begins with passionate and melancholy medieval ambience and some jazzy sounds before it becomes a dramatic theme with high energy rhythm. The song reaches a high climax with a very intense mood with strong electronic keyboards and a very climactic tone. This song definately ranks amongst the classics like the title track to his last album as well as "Coba", "Sacrifice", "87 Dreams", and "Synergy" as his best songs. Really deep stuff I tell you. I was in total bliss listening to this song. "Night Becomes Her" is a very sad but beautiful song with obscure sounding guitars and a very jazzy downbeat vibe to it. Definately not for parties but absolutely beautiful, it is. I love the title to the song too. The last two songs are the spookiest tracks on this album. "Approaching Summit" gives me chills listening to it with it's eerie yet blissful dark melody and the light but exotic beats in the background. While the song ocasionally gets a bit repetitive at times, the suspense keeps the song from being boring during it's eleven minute length. As I listen to this song, I can imagine myself during the evening at dusk flying over misty forest approaching a snowcapped mountain summit with dark storm clouds gathering overhead. Now how about that for imaginative music. The song merges inot the seventh and final track on this CD. "An Evening Sky" brings this album to a close with the sound of chirping crickets or something in that vein and then a very scary and eerie melody comes in with eloquent guitars against a dark and medievel backdrop to give the song a feeling of driving up the mountainside in accumulating mist in the middle of the night. While it may not quite reach the heights of O'Hearn's artistic magnum-opuses "So Flows Teh Current" and "Indigo", "Beautiful World" nonetheless continues the unbroken streak of life-altering, adventurous albums that he has been making since 1985 and his next album will very likely break new ground just like this one did. This album does not dissapoint the slightest. I could not do this album justice with this review and I highly recommend that you buy this album today.
Patrick O'Hearn is one of the greatest New Age artists that the Earth has been blessed with and has few who rival him."
Definitely the trade mark sound of Patrick O'Hearn
Yasuhiro Nakaoka | Tokyo, Japan | 12/14/2003
(5 out of 5 stars)
"I have purchased every Patrick O'Hearn album since the mid 80's and when I saw the introduction about a new album on Amazon, I read everyone's review here. The reason why I did that was because I wasn't particularily interested in the last album "So Flows the Current." As an artist I respect Mr. O'Hearn's experimentation with different styles but as a listener I prefer the ambient style he has become so famous for. Recently I was beginning to think that David Helping sounded more like the Patrick O'Hearn than the originator, however this new album reassured me that I can still count on the pioneer. This album would please every Patrick O'Hearn fan who enjoys his inspirational yet sometimes somber ambient world. I think it's a very good album."
My Nervous System Is Wired for Patrick O'Hearn
Distant Voyageur | 04/04/2004
(5 out of 5 stars)
"This is collection is aptly named -- O'Hearn's music on Beautiful World is an auditory complement to the extraordinary beauty one feels deep within when immersed in exceptional natural surroundings.I have savored every Patrick O'Hearn CD since his days with Private Music. I first encountered his work playing on the audio system in a store that sold avant garde design objects. After hearing a few bars of Between Two Worlds (released in 1987) I was hooked. I have listened to all of his succeeding CDs, and I have derived enormous pleasure from them all. Apparently, my brain is tuned to resonate to O'Hearn. Ah, what other of life's pleasures can be had for a mere $15?However, not everyone feels the same way. In fact, I daresay, most people are turned off by the (for me thrilling) dark undertones of his music. Perhaps people want singing and a beat? I don't know. O'Hearn is musical ecstasy in its purest form. Compare perhaps to a Joseph Albers painting.Beautiful World is not dark O'Hearn. It packs the same powerful punch, but is more spiritually uplifting if not necessarily more enjoyable. Magnificent River is the strongest song in the collection. It harkens back to old O'Hearn with a Beautiful World lightness. The simple melody elicits tingles. The Eastern tonality (a la Ravi Shankar) adds interest and does not belie the fact that this is completely modern music.By the way, my other favorite musicians are Philip Glass, Kruder & Dorfmeister, Tosca, Kit Watkins, Mark Dwane, and Serge Blenner."
Another great one from Patrick
opy666 | Salt Lake City, UT | 06/09/2004
(5 out of 5 stars)
"I discovered Patrick in the late 80's and have bought every CD he has released immediately and he has NEVER disappointed. Every one of his CD's is a masterpiece. I have about 150 new age/ambient CD's and Patrick is one of my very favortites in those genres. He's been doing this for 20 or so years and I hope he has another 20 in him. If you like that kind of music, check him out. Some other of my favorites you may wanna check out...Rumble & Tingstad, Wayne Gratz, Steve Roach, Michael Stearns, Vangelis, Harold Budd, TUU, Robert Rich, Mychael Danna, 2002, Vidna Obmana, B. Lustmord, Lisa Gerrard and John Doan. There are more but that is all I can think of off the top of my head."
Continuing to move on in the style of
Distant Voyageur | 11/10/2003
(4 out of 5 stars)
"The last two CDs from PH have been more subtle and filled with ambience. This CD as well as "So Flows the Current" indicate a maturing of his style. As each new CD comes out there is less and less reliance on melody and the texturing of melodic voices, and less bass and percussion. The later is disappointing to me. His strength from my point of view was always in creative use of Bass voicings, solo fretless bass melodies, and percussion that was very earthy. There aren't any songs on this CD that have a notable bass track. When I spoke to Mr. O'Hearn earlier this year he stated he was getting back to using his favorite instrument; the Upright Bass. If you listen carefully you can hear His Flatback on several of the tracks. It has a more subtle sound and does not stand out like his Electric Stingray which is totally absent on this CD. Bass now serves a supporting role instead of being a solo voice out front. Also the percussion sounds somewhat cold and digital like they were made with a modern synth like Absynth, Approaching Summit is the only exception with very deep tribal drums that have the warmth and timbre of traditional ethnic drums mixed with a modern sounding edge and bite that makes them very unique. I feel the drums on the CD Trust were the best he has done, check out Two Continents with Terry Bozzio. Magnificent River is the my favorite track on this CD, it shows PH in his best form. The rest of the tracks are interesting and create a good mood, but they are more meditative than energizing. I do enjoy the CD and really looked forward to this release. But as a long time fan from way back I have to say I am a little disappointed. I was hoping for a more Indigo/Trust/River's Gonna Rise type of CD. But I understand as a musician you have to keep moving forward, that's fine, I am just let down that it has moved away from what I loved about his other CDs. If you liked the direction PH was going with So Flows the Current, you will probably really like this. If you are like me and was hoping for a return to his Indigo/Trust style, you may be disappointed."