How does a composer approach the greatest story ever told without feeling as if the legends of the various ages (from Bach and Handel to Rosza and Newman) aren't staring over his shoulder? If you're Patrick Williams, you ... more »acknowledge them succinctly and then get with the business at hand, underscoring a work as full of human drama and betrayal as it is with divine hope. Which is to say that while the proceedings are occasionally ponderous (those big, minor chords often being held a l-o-n-g time; this is, after all, a miniseries), Williams makes an effort to inject a little John Barry-esque modernism into the genre, and to good effect. With a memorably plaintive theme carried alternately by solo trumpet, flute, and orchestra, Williams hasn't exactly reinvented cinema's liturgical lexicon here, but he has certainly moved beyond its typically tired restraints. --Jerry McCulley« less
How does a composer approach the greatest story ever told without feeling as if the legends of the various ages (from Bach and Handel to Rosza and Newman) aren't staring over his shoulder? If you're Patrick Williams, you acknowledge them succinctly and then get with the business at hand, underscoring a work as full of human drama and betrayal as it is with divine hope. Which is to say that while the proceedings are occasionally ponderous (those big, minor chords often being held a l-o-n-g time; this is, after all, a miniseries), Williams makes an effort to inject a little John Barry-esque modernism into the genre, and to good effect. With a memorably plaintive theme carried alternately by solo trumpet, flute, and orchestra, Williams hasn't exactly reinvented cinema's liturgical lexicon here, but he has certainly moved beyond its typically tired restraints. --Jerry McCulley
"This soundtrack is an incredible journey into beauty. The main theme of the movie simply takes you away. The score is powerful and the delivery is great. If you saw the mini series, you really can see the story in your head as you listen. Sarah Brightman also lends her beautiful voice to Pie Jesu which is very pretty as well. Whether you're religous or not, you're going to love this CD!"
A musical faith experience
RONALD DANTONIO | 08/07/2000
(5 out of 5 stars)
"I have been collecting movie soundtracks since 1961 ,the first of wich was "King of Kings". The original score to "Jesus" is one of the greatest I have in my collection. Mr. Williams doesn't rely on organ music and a chorus as other composers have done for biblical films. The score stands well on its own and captures the essence of the Christ story. Should have gotten an Emmy nomination for best score for a miniseries as should Patrick Williams have been nominated. I have one question.Why wasn't a cassette of the original score released since one was released for the second album ," Music from and Inspired by Jesus.""
STIRRING!
Steven Hancock | Winston Salem, NC United States | 03/12/2004
(5 out of 5 stars)
"The original score for the epic miniseries "Jesus" is a soul-stirring, exceptional piece of work! Patrick Williams has created an amazing soundscape for the best television representation of the story of Jesus the Christ! This should belong in anyone's collection of film and television recordings! Grade: A+"
Impressive score that is atypical for TV
J. K. Moser | Flemington, New Jersey USA | 02/16/2005
(5 out of 5 stars)
"Patrick Williams' score for the television miniseries Jesus is not typical of most television miniseries'. What is most different about it is the lack of a bombastic main theme. Williams' main theme is understated and that creates a score that is soft yet powerful. He creates music that flows nicely and is a much better listening experience than the movie is a watching experience. Overall I rate this score very highly."