If a musician could be described in baseball terms, Patty Larkin would be the ultimate utility player. She can do a little bit of everything--she's a poetic songwriter, a passionate vocalist, a knockout guitar player, a sa... more »vvy entertainer, and a creator of music she plays herself on a multitude of instruments: guitars, lap steel, mandolin, accordion, and keyboards. The Boston native draws on a world of sounds--R&B, blues, Celtic, jazz, rock, even samba--for an inventive and innovative songbook that creeps into the contemporary fabric of America. Larkin has always balanced roots steeped in folk music with a modern pop edge, while never allowing her witty, thoughtful lyrics to take a backseat. On Regrooving the Dream, those lyrics ride shotgun. --Scott Holter« less
If a musician could be described in baseball terms, Patty Larkin would be the ultimate utility player. She can do a little bit of everything--she's a poetic songwriter, a passionate vocalist, a knockout guitar player, a savvy entertainer, and a creator of music she plays herself on a multitude of instruments: guitars, lap steel, mandolin, accordion, and keyboards. The Boston native draws on a world of sounds--R&B, blues, Celtic, jazz, rock, even samba--for an inventive and innovative songbook that creeps into the contemporary fabric of America. Larkin has always balanced roots steeped in folk music with a modern pop edge, while never allowing her witty, thoughtful lyrics to take a backseat. On Regrooving the Dream, those lyrics ride shotgun. --Scott Holter
Meathook Williams | Warwick, Massachusetts | 08/09/2001
(5 out of 5 stars)
"With each new album, Patty Larkin expands from her folk roots into uncharted realms both as a performer and songwriter. To these we must now add producer as well. Co-producing (with Bette Warner) her latest "Regrooving The Dream", Patty has absolutely mastered the studio and tamed it to serve her whims. The aural magic that only someone comfortable wearing all three caps can craft is blissfully evident here. This patchwork of sonic landscapes and spellbinding lyricism is even more dynamic and emotional than we've come to expect from this now seasoned artist. From her days as a street busker and Boston's "Best Kept Secret" she's matured into the complete artisan shown here, garnering a whopping eleven Boston Music Awards along the way. Her supple pipes suit her tremendously diverse repertoire to a T, and are among the very best anywhere. Her lyrics wend from the weary to the provocative, from the playfully absurd to the tragic. A Berklee alum, her guitar styles are often astonishingly beautiful, from intimate yet forceful chordings to molten slide work. Among the several other instruments she plays (all quite well) is my old favorite, the accordian, used to marvellous effect on the rai tinged "Anyway The Main Thing Is", my favorite track. Talk about rockin' the Casbah. Between the squeezebox and the "manic mariachi" horn section, you could be in pre-war Algiers. Unafraid to take the "path less often travelled", but obviously pouring her heart into this project, she's put together a masterpiece of americana. Well chosen cohorts like Marc Shulman, Glen Velez and the eclectic Mike Rivard, serve to round out her sound, never intruding, acting as extensions of her own voice. Exemplary sonics add even more impetus to an already winning work. This contemplative gem surely counts as a classic without genre, often the very best kind. Exploratory, yet at the same time, supremely confident, Larkin's omniverous musical vision has struck paydirt once again."
Regrooving is soooo fine!
Douglas Stapleton | Chicago, IL USA | 07/27/2000
(4 out of 5 stars)
"another sharp and powerful album by patty larkin. this one strikes me as slightly more composed, with a quiet restraint- similiar in feeling to pershiable fruits. what it reminds me of is someone whispering to my ear, or reading me a story at night- private, complicit conversations. the songwriting is great- i think sparser - with a quality like litany- listings and repetitions of thoughts and phrases that give a mood and insistent to the work. the guitar work is patty as ususual- amazing - and the production is just surprising at times- those horns! i wont say more."
So Much Talent
Stuart Weaver | 08/22/2000
(5 out of 5 stars)
"Seeing Patty Larkin live got me hooked, but this is her best album yet. She is one of the best female guitarists out there, and her lyrics are all worth listening to. This is a great investment for anyone who wants to hear excellent singer/songwriter-with-an-edge music."
Guitar Wizardry, both acoustic and electric!
Stuart Weaver | Saint Augustine, Florida USA | 01/25/2001
(5 out of 5 stars)
"Patty Larkin has long been regarded as one of the best guitarists in contemporary folk, and this album helps cement that reputation. Stylistically, this album recalls "Perishable Fruit" but in most respects surpasses the performances. The music she brings forth from the guitar is both beautiful to the ear and challenging to the mind. Should you have the chance to see her live, DO IT! To hear the ability on an album is one thing: to see her replicate it live with only one guitar is breathtaking. Buy 2 copies of this CD and send one to your best friend. They'll thank you for it!"
Intelligent songs, wonderful production
Stuart Weaver | 12/06/2000
(5 out of 5 stars)
"My previous experience with Patty Larkin was mixed - I own "Angels Running" which is musically excellent but is spoiled by cloyingly clever lyrics. Still, I kept hearing "Beg to Differ" off of this album and kept liking it more and more, so I took the leap and bought the album.Well, I wasn't disappointed. The songs are intelligent and well crafted. Larkin's playing is top-notch. The arrangements and production are excellent too - some truly unique sounding songs. Here and there you can imagine Patty in the studio saying to her producer "How come Ani and Shawn sell so many more records than I do? Can't you copy their sound?" but overall, a CD that always plays a few times through before I pull it out of the CD player."