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Search - Beethoven, Rubinstein :: Piano Concerti 1-5

Beethoven, Rubinstein
Piano Concerti 1-5
Genre: Classical

Track Listings (6) - Disc #1
1. Con No.1, Op.15 in C: Allegro Con Brio
2. Con No.1, Op.15 in C: Largo
3. Con No.1, Op.15 in C: Rondo: Allegro Scherzando
4. Con No.2, Op.19 in B-Flat: Allegro Con Brio
5. Con No.2, Op.19 in B-Flat: Adagio
6. Con No.2, Op.19 in B-Flat: Rondo: Molto Allegro
Track Listings (6) - Disc #2
1. Con No.3, Op.37 in c: Allegro Con Brio
2. Con No.3, Op.37 in c: Largo
3. Con No.3, Op.37 in c: Rondo: Allegro
4. Con No.4, Op.58 in G: Allegro Moderato
5. Con No.4, Op.58 in G: Andante Con Moto
6. Con No.4, Op.58 in G: Rondo: Vivace
Track Listings (7) - Disc #3
1. Con No.5, Op.73 'Emperor' in E-Flat: Allegro
2. Con No.5, Op.73 'Emperor' in E-Flat: Adagio Un Poco Mosso
3. Con No.5, Op.73 'Emperor' in E-Flat: Rondo: Allegro
4. Son, Op.31, No.3 in E-Flat: Allegro
5. Son, Op.31, No.3 in E-Flat: Scherzo: Allegretto Vivace
6. Son, Op.31, No.3 in E-Flat: Menuetto: Moderato E Grazioso
7. Son, Op.31, No.3 in E-Flat: Presto Con Fuoco

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CD Details

All Artists: Beethoven, Rubinstein
Title: Piano Concerti 1-5
Members Wishing: 1
Total Copies: 0
Label: RCA
Release Date: 10/9/1992
Genre: Classical
Styles: Chamber Music, Forms & Genres, Concertos, Sonatas, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Romantic (c.1820-1910), Instruments, Keyboard
Number of Discs: 3
SwapaCD Credits: 3
UPC: 090266126026

Synopsis

Amazon.com

Artur Rubinstein's 1956 Beethoven concerto cycle lacks the forethought and stylishness of his '60s remakes with Leinsdorf. These earlier versions, however, convey more of Rubinstein's irrepressible stage presence. At times the pianist's freewheeling spirit in the First and Fifth Concertos causes momentary finger slips, which matter not one whit. Rubinstein's unruffled demeanor and languorous phrasing in the Third and Fourth Concertos, though, are better suited to Chopin. One might prefer a less deferential conductor than Joseph Krips, who doesn't challenge his soloist's rhapsodic lead as often as he should. The filler sonata, a longtime Rubinstein specialty, is a tad sluggish and studio-bound in this 1954 effort. --Jed Distler