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Piano Concerto 1 / Etudes
Beethoven, Chopin, Richter
Piano Concerto 1 / Etudes
Genre: Classical
 
  •  Track Listings (10) - Disc #1

Sviatoslav Richter made a great recording of the Beethoven First Piano Concerto for RCA, but this isn't it. Fortunately, that version (with Charles Munch and the Boston Symphony), recorded in 1960, is still available (RCA ...  more »

     
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CD Details

All Artists: Beethoven, Chopin, Richter, Eschenbach, Shfo
Title: Piano Concerto 1 / Etudes
Members Wishing: 0
Total Copies: 0
Label: RCA
Release Date: 3/15/1994
Genre: Classical
Styles: Forms & Genres, Concertos, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Instruments, Keyboard
Number of Discs: 1
SwapaCD Credits: 1
UPC: 090266153428

Synopsis

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Sviatoslav Richter made a great recording of the Beethoven First Piano Concerto for RCA, but this isn't it. Fortunately, that version (with Charles Munch and the Boston Symphony), recorded in 1960, is still available (RCA Victor Gold Seal 6804), generously coupled with two Beethoven Piano Sonatas, and it still sounds just great. This 1988 live performance is relatively slow and sluggish, far from the pianist's best despite its good moments. Some of the Chopin Etudes are extremely sensitive and involving, enough to tempt the Richter fan. But this is definitely not essential Richter. --Leslie Gerber

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CD Reviews

Mature Artistry by Late Richter
Scriabinmahler | UK | 02/22/2008
(5 out of 5 stars)

"
The editorial review by Leslie Gerber is missing point here, comparing Richter's 60s performance with this one. In his late years he was not interested in brilliant display of his virtuosity, even though he still possessed the ability to do so. From 90s on, his playing had become more and more inward-looking and self-effacing. That is evident in this performance of Beethoven concerto, which is filled with magical moments and rarified beauty.



Chopin Etudes are not so electrifying as his earlier recordings, but again listeners attention is drawn, not to technical brilliance, but to music itself. Ovation at the end of concerto and etudes shows how much audience appreciated the late master's mature artistry."