Preludes (24) for piano, Op. 28, CT. 166-189: No. 23 in F / No. 24 in D minor
Prelude for piano No. 16 in B flat minor, Op. 28/16, CT. 181
Impromptu for piano in A flat major, Op. 29, CT. 43
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109
Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115
Work(s): Waltz in G flat major Op. posth. and Ecossaise No. 3 in D flat major Op. posth.
Piano Sonata No. 3 in B minor, Op. 58, CT. 203: Scherzo
Etude for piano No. 15 in F major, Op. 25/3, CT 28.
Etude for piano No. 15 in F major, Op. 25/3, CT 28.
Mazurka for piano No. 24 in C major, Op. 33/3, CT. 74
Mazurka for piano No. 25 in B minor, Op. 33/4, CT. 75
Mazurka for piano No. 45 in A minor, Op. 67/4, CT. 95
Polonaise, for piano No.2 in E major, S. 223/2 (LW A171/2)
Liebestr?ume, notturno for piano No. 3 in A flat major ('O Lieb, so lang du lieben kannst'), S. 541/3 (LW A103/3)
Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187)
Etude for piano ('La Fileuse'), Op. 157/2
Fantasiest?ck ('Grillen'), for piano, Op. 12/4
Capriccio for piano in C sharp minor, Op. 76/5
Despite his reputation for eccentricity Vladimir de Pachmann (1848-1933) made beautiful records alongside some of his zanier traversals. All the pianist's 1915/16 Columbias are gathered here. The best ones (Raff's La Fileu... more »se, the Chopin Mazurkas, D Flat Nocturne, and Liszt's Rigoletto Paraphrase and E Major Polonaise) reveal a small-scale but elegant pianist capable of delicate, shaded fingerwork. Transfers are adequate, but not ideal. --Jed Distler« less
Despite his reputation for eccentricity Vladimir de Pachmann (1848-1933) made beautiful records alongside some of his zanier traversals. All the pianist's 1915/16 Columbias are gathered here. The best ones (Raff's La Fileuse, the Chopin Mazurkas, D Flat Nocturne, and Liszt's Rigoletto Paraphrase and E Major Polonaise) reveal a small-scale but elegant pianist capable of delicate, shaded fingerwork. Transfers are adequate, but not ideal. --Jed Distler