Pole - 2 (6 tracks) +Album Reviews

This is New--Hiss 'N Bass

melodic | New York, NY | 07/12/1999

(4 out of 5 stars)

"Crackles, sparks, pops, hisses, and static farts generally provide the percussion throughout this truly interesting album. Definitely background music, Pole 2 pulls its influences (barely) from dub and at times ragga (to even lesser extent). It's surprisingly minimalist and sparce but still manages to create an dense aesthetic."

UFO dub-ology!

03/07/1999

(5 out of 5 stars)

"Stefan Betke's follow-up to his crackly minimalist "CD1," which in my opinion, is what dub reggae would sound like if it were made by UFO-folk. In a compositional progression from its predecessor, the tracks on this EP are, on the whole, more engaging melodically and rhythmically than those on his debut, yet they still float airily through an ocean of static and vinyl scratches and pops. Dreamy..."

Dub-a-licious!

The Blue Raja | MD, USA | 07/09/2002

(5 out of 5 stars)

"This album, er, EP, gets 5 stars for those who know what dub, minimal techno, or whatever you want to call it is all about.
If you've never heard of this odd craze, this CD is certainly a GREAT one for starters... heck, it was MY first one, and although I have collected a few more of Pole's CDs as well as a few other artists like Basic Channel or Autechre, this little red CD will always have a special place in my heart. Now let's talk about the music. An average Joe who's never heard of this style wouldn't even CALL it music. Most likely it would be called a bad radio signal, electronic noise, rubbish. Sure... for the SIMPLE-MINDED. Once you take a moment to open your mind, suddenly you realize that there is rhythm in the static clicks... there's a melody to the bass that can only be found if you have a powerful subwoofer or crank the bass on whatever system you have, and then the next thing you know, your soul is captured by the ambient reverberations caused by the echoing pops tickling your brain. Boy, if only this was mastered in 5.1 Surround!Don't let an EP scare you away, Pole's "2" is worth an album price, it's the best Pole in my opinion."

Grooooooooooovy

The Blue Raja | 06/06/1999

(4 out of 5 stars)

"it's dubbier than Pole's first album, but still sounds beautifully weightless and dislocated. Recommended for an out of body experience."

My favorite of the 1-2-3 series

Steward Willons | Illinois | 04/21/2008

(5 out of 5 stars)

"Stefan Betke is such an interesting composer. His material released as Pole is ostensibly "dub techno" or some other nom du jour, but I hear it as something much more experimental. Perhaps it is the beats that encourage listeners to hear it as something more "normal" than it is.

Pole's first three releases (1, 2, and 3) are really all about this beloved Waldorf 4-pole filter and the strange, but intoxicating crackly sounds it began to make after falling down a flight of stairs. In this way, the sound is all about the humanity, if you will, of the broken machine. Whereas most tools of electronic production can be fairly anonymous, every now and then there's a piece of gear that develops a real personality. I'm not sure if it was worth exploring over the course of three very similar albums or not.

This brings me to my favorite of the series, number 2. Some listeners might scoff at anyone claiming to differentiate substantially between the three releases, and they would be correct - there's nothing hugely different about "2", other than it appeals to me a little more than the rest.

I think my preference has something to do with the presence of more melody and harmonic content than the others. When I say "melody," I don't mean it in the usual sense. It's buried and only occasionally manifests itself in the form of a few notes here and there. Still, it's worth noting. Secondly, the wonderful sound of the Waldorf is very present in each of the tracks. While it's featured on each of the tracks on these albums, sometimes it seems to be merely background ambience, while on "2", it's integrated rather well into the rhythmic structure of each track.

I've seen convincing reviews describing Pole's early work as cold and uninviting. That may be the case for many listeners. The details are subtle, the introduction of ideas in each track is minimal, and yes, a lot of them sound so similar that they all begin to blend together and one almost has to watch the CD display to notice when one is over and another has begun. At the same time, I find it to be a rich world of delicate sonic experimentation. The sounds are just so interesting.

If you're an open-minded listener and you're looking for something unique, I would recommend Pole's music. I'd start with "2" for the reasons listed above, but also because it's a bit shorter and more focused. If you're hoping for some sort of techno, I'm not sure I would recommend it. It has the influence of minimal techno and dub, but it makes Basic Channel material sound almost Mahlerian in complexity.

If you take the time to live with this music for a few days, I think you'll be nicely rewarded. What it lacks in immediacy, it makes up for in substance."

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