"The reviewer who was disappointed that Battle sings a relatively
short (but critically important) part in this music is correct. She sings the part the Poulenc wrote, afterall! The listener who
was disappointed that the choir was out-volumed by the orchestra
in this recording was also correct. The choir should have been
given more volume in the final mix. Although I wish the choir
did have a stronger part in the final outcome (volume wise), I
wrote this blurb to let those interested in the best recorded version of this music on cd, that NOTHING ELSE in the amazon Poulenc catalog for these two compositions comes even remotely close to matching the fine orchestral performance, conducting and
engineering of this recording. The dynamics, tempi, and overall
glorious interpretation of the music on this cd is absolutely
exhilirating. Something I'm sure Poulenc would appreciate."
Probably the best recording of the gloria
jim collins | NY USA | 10/09/2005
(5 out of 5 stars)
"This is the simply a slpendid recording- well paced, energetic and in excellent sound. I have a suspicion that many people drawn to these works pay undo emphasis on the choir [or they are choir singers] and understandably get frustrating when the choir is not front and center in the musical proceedings. But what Poulenc wrote here does not emphasize the choir [he was a master instrumentalist after all!] so the orchestra should be more prominent at times. Ragardless, this is a great performance!"
Where's the choir?
Jessica Hall | Hoover, Alabama United States | 10/08/2002
(3 out of 5 stars)
"These are both powerful choral works. However, the choir tends to be overpowered by the orchestra in this recording. The subtle intricacies of Poulenc's choral writing are often inaudible...and missed. Another recording would be a better choice, though these are works that should be a part of your music library."
Probably the best Poulenc's work
jim collins | 03/23/1999
(5 out of 5 stars)
"The choir is great, and the Soprano, Katherine Bates is simply astonishing. Poulenc alternates both fast, agressive and slow, calm movements, with the dissonant chords typical of the music of the beginning of the century."