The Keel Row, for voice & piano (Northumbrian Folk Song)
Ma Bonny Lad, folk song
Ye banks and braes, for voice & piano
I Have A Bonnet Trimm'd with Blue, for voice & piano
The stuttering lovers ('A wee bit over the lea'), for voice & piano
Drink to Me Only with Thine Eyes, for voice & piano
Go Not, Happy Day, for voice & piano, H 34
Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3)
Kitty My Love, Will You Marry Me?, folk song
An die Musik ('Du holde Kunst...'), song for voice & piano, D. 547 (Op. 88/4)
Gretchen am Spinnrade ('Meine Ruh'...'), song for voice & piano, D. 118 (Op. 2)
Geistliches Wiegenlied ('Die ihr schwebet'), song for alto, viola & piano, Op. 91/2
Sapphische Ode ('Rosen brach ich Nachts mir am dunklen Hage'), song for voice & piano, Op. 94/4
Botschaft ('Wehe, L?ftchen, lind und lieblich'), song for voice & piano, Op. 47/1
Frauenliebe und -leben, song cycle for voice & piano, Op. 42: Er, der Herrlichste von Allen
Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (R?ckert Lieder No. 3)
Um Mitternacht, song for voice & piano (or orchestra) in B minor (R?ckert Lieder No. 4)
Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: What Is Life Without Thee
Serse (Xerxes), opera, HWV 40: Ombra Mai Fu
St. Matthew Passion (Matth?uspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Have Mercy, Lord, On Me
Messiah, oratorio, HWV 56: He Was Despised
Few, If Any, Would Dispute the Description of Kathleen Ferrier as the Greatest Lyric Contralto England Has Ever Produced. To Update the Words of her Friend and Singing Colleague, Soprano Isobel Baillie, 'fifty Years after ... more »her Death on Eight October 1953, the Very Inflection in the Mention of her Name is Invariably Tinged with a Deep and Genuine Affection and More Than a Hint of Sadness'. She Began to Make a Name for Herself in 1942 When She Moved Down to London from Carlisle. Not Only Did She Continue her Busy Schedule of Wartime Recital Tours for Cema (Council for the Encouragement of Music and the Arts), but also to Broaden her Repertoire to Include Handel's Messiah, the Bach Passions and B Minor Mass, Elgar's Oratorios.« less
Few, If Any, Would Dispute the Description of Kathleen Ferrier as the Greatest Lyric Contralto England Has Ever Produced. To Update the Words of her Friend and Singing Colleague, Soprano Isobel Baillie, 'fifty Years after her Death on Eight October 1953, the Very Inflection in the Mention of her Name is Invariably Tinged with a Deep and Genuine Affection and More Than a Hint of Sadness'. She Began to Make a Name for Herself in 1942 When She Moved Down to London from Carlisle. Not Only Did She Continue her Busy Schedule of Wartime Recital Tours for Cema (Council for the Encouragement of Music and the Arts), but also to Broaden her Repertoire to Include Handel's Messiah, the Bach Passions and B Minor Mass, Elgar's Oratorios.