Thomas Fitz Hugh Mace | Louisville, KY USA | 06/28/2001
(5 out of 5 stars)
"Purcell's viol fancies are astonishing, but unlike his theatre music, they don't stand up well to a mediocre performance. So, thank God for this disc. This is one of only two recordings I've ever heard that does justice to this strange, final flower of English consort music (the other being an ancient Leonhardt Consort recording with Marie and, I think, the young Kuijkens). Savall and his consort-mates have exquisite ensemble technique, which is itself a rarity, but they also understand the music deeply, as it progresses from Purcell's almost awkward first essay to some of his finest compositions at the end of the MS. If I remember correctly, this music survives in score in Purcell's autograph copy, which he wrote out when he was about twenty. The particular mystery, in an age where even the greatest musicians lived a tenuous material existence, is that he appears to have written these pieces for no one other than himself. Thanks to Savall, we can share those private thoughts almost three and a half centuries later."
Crystallized Brilliance
bibliomane01 | 09/05/2001
(5 out of 5 stars)
"Purcell never published these pieces, which he wrote when he was about twenty. They were composed at great speed, sometimes one per day. As Bach was to do in his "Art of the Fugue," Purcell attempts to provide a comprehensive cycle of compositional elucidation, probing the form for all its nuances. The result is a masterpiece of crystalline brilliance, admirably performed by Savall and his cohorts and beautifully recorded. Despite their apparent formality, these wonderful pieces possess an emotional range and depth that is quite startling. Overall, an exceptional disc, warmly recommended."
As I enter Heaven....
Vermonter | South Burlington, Vermont USA | 05/09/2000
(5 out of 5 stars)
"this may very well be the music that plays. Hesperion XX and Jordi Savall have produced a wonderfully calm, meditative disc. If you like Dowland's Lachaeme, you need this one. Particularly nice is Fantasia Upon One Note. Great packaging as usual for Astree."
Unique and wonderful music by Purcell played very beautifull
Craig Matteson | Ann Arbor, MI | 12/14/2005
(5 out of 5 stars)
"While the string quartet as we know it today was an invention of the Classic through the works of Haydn and Mozart (and then Beethoven), people have been playing together in ensembles of stringed instruments for many centuries. The predecessor of the violin, viola, violoncello (cello), and double-bass were the viols. There were many different kinds of viols because they were not as standardized as the violin family and evolved in various areas of Europe over time. Ensembles of such instruments were often known as consorts. They were played by private groups for their own enjoyment, for public display, and the richest consorts were for court functions.
However, by the young twenty-one year old Henry Purcell turned his genius to writing these works in 1680, the idea of a consort of viols had gone out of fashion and the last publications for those ensembles had already been printed in 1660. These are among the greatest works of the type ever written. They are magnificently contrapuntal and achieve very great things. When you listen to them, think polyphony rather than trying to hear chord progressions and you will be able to appreciate them in their glory. Sometimes I just cannot believe the wonderfully biting dissonances Purcell achieves in these works and how they flow into the sweetest consonances.
The viol has a much reedier sound and different color palette than the violin family even though they both are bowed string instruments. This group, Hespèrion XX, is a very skilled and intelligent consort that brings out the music in these works beautifully well.
This is a disk that should not be missed because of the importance of these works, their unique place in music history, and the skill of the musicians playing these fabulous works."