Susan M. from REDMOND, OR Reviewed on 11/3/2022...
This is the first Van Cliburn album I ever bought when I was a teen in the mid-60s. To say I was a great fan doesn't describe the joy I and my friends experienced in those years of attending so many of his performances. My poor vinyl record wore out eventually. Cliburn's interpretation of the Rachmaninoff #2 is still the best I've heard in a long life of concert-going and quiet listening at home. He was so young when he recorded this and his concerts were electrifying. He took a well deserved hiatus from performing for many years, then his performances matured beautifully. But this is still my favorite and brings back tender memories of the kind, sensitive and emotionally generous man I had the joy of meeting many times. It's a treasure.
CD Reviews
Rachmaninoff excellent
J. Buxton | Waltham, MA United States | 06/07/2000
(4 out of 5 stars)
"While I'm glad I have this cd, I wish I would have paid a few dollars more and purchased the Van Cliburn cd that couples the same Rachmaninoff recording found here with the Tchaikovsky concerto. The Rachmaninoff is first rate, with thunderous climaxes, melancholic phrases, and a wonderfully poetic adagio. Also, the huge chord in the final movement that leads to the final few bars brings me goosebumps. I must admit some disappointment with the Beethoven however. Although recorded only a year earlier, the sound quality is not nearly as good. Van Cliburn's playing sounds wonderful, but I often had the sense that he and the orchestra were not entirely together. Pay the few extra dollars and buy the coupling with the Tchaikovsky (which is a legendary recording)."
Cliburn Plays Like Fire
Jin Han | Hayward, CA United States | 01/25/2002
(5 out of 5 stars)
"Rachmaninov sought organic unity between the orchestra and the piano in his concerti. Van Cliburn and Chicago Symphony are simply masterful in their collaboration. You will feel like Cliburn's piano is a genuine part of a symphony, not merely a solo instrument in a concerto. Cliburn's genius is that while keeping true to Rachmaninov's vision of organic unity, his piano still stands out like a flame. Some times slow-burning, some times like a flame thrower, but it BURNS throughout the concerto. The opening of the 1st movement is incredibly powerful and heavy. The build-up towards the end of the movement is breathtaking. 2nd movement is one of the most beautiful rendition I've heard. and the opening of the 3rd! you just have to hear this CD. There are a lot of younger musicians who will play Rach 2nd with greater technical clarity and with brighter and lighter color of tone. Cliburn plays so HEAVY. You can feel the gravity pressing you to the ground as you listen to this. I think, however, this is the best way to play Rachmaninov. Everything that is Rachmaninov: his fury, sorrow, irony, and romantic melodies and suspense, sound so real and compelling with Cliburn's gravity. You have to own this CD"
Likely to be a first choice.
John Austin | Kangaroo Ground, Australia | 12/26/2004
(5 out of 5 stars)
"In the chancy business of recording piano concertos, there are so many requirements that it is rare to find a total success. Sometimes pianist and conductor are not in rapport. Aural balancing is sometimes faulty. Interpretation might be valid in parts but lacking in overall perception. The sound spectrum might be limited or distorted.
Several playings of this CD, kindly recommended by a Texas friend, leave me unable to fault it in any way. In the Rachmaninov, the outer movements proceed at an unhurried pace allowing both lyricism and excitement to register, with a poetic account of the second movement separating them. I cannot recall a performance so effective. So architecturally perfect is the Cliburn/Reiner account of the Beethoven "Emperor" Concerto (the one that pianists tell me is the more difficult of the two to play) that it would be misleading to point to any details. This is truly a great recording of the century.
The remastering of these Chicago recordings from the early 1960s is yet another total success.
"
A wonderful recording
facedog99 | San Jose, CA USA | 04/06/2004
(5 out of 5 stars)
"Although there are plenty of good renderings of the Emperor to go around (two of my favorites are Rudolf Serkin with Seiji Ozawa and Krystian Zimerman with Leonard Bernstein), this CD should be seriously considered. The tempos are just right, and the recording, considering it was made in the 50's is astonishing. Cliburn doesn't make me feel as though he is rushing to get to the end, as have so many others. But the real jewel here is the Rachmaninoff. It is everything a concerto should be...dazzling piano virtuosity, beautiful orchestral support and heartbreaking tender moments. Listening to this puts a lump in my throat every time."
If Rachmaninoff and Beethoven were alive...
ANTONIO | Lisboa, Portugal | 01/07/2000
(5 out of 5 stars)
"...It would be this recording and this interpretation that probably they would choose to hear its music. Although some deficiencies techniques, the clarity and quality of the sound are fantastic, what, allied to a inhaled and sublime interpretation (pianístic and orchestral) it allows to conclude that this disk is precious and must belong obligatorily to any personal disklibrary. Van Cliburn Its for me as the best interpreter of the Rachmaninoff's concertos 2 and 3."