Music that will make you tingle inside...
Joe Sullins | East Hartford, CT USA | 06/10/2005
(5 out of 5 stars)
"Ok, I don't usually write reviews, since of course, I see so many people spouting off at the mouth about things that they either don't understand or those that just want to complain or self-gratify.
That being said though, I had to write a little something about this cd. I'll admit a prejudice for those Ma-Ax recordings, so bear with me. I think they are one of the strongest ensemble musicians I've encountered. Not only in their duo recordings are they always musicians first and foremost and not merely soloists recording together but also in those venues which include other greats, like Isaac Stern or Richard Stoltzman.
The main pieces on this recording are nearly awe-inspiring. While Ax describes in the liner notes the Profiev as having some 'crude and ackward' treatment of the melodies, I found it to be very intense and dark. Loving every bit of the piece. I don't think its as intense as the Shostakovich, but there are some similarities.
The real gem on this cd though has to be the Rachmaninoff. There's a place towards the very beginning of the first movement that will make you tingle in a spot, that dare not speak its name, or my name isn't Artemis Jack, which it isn't, but I'm sure you'll still enjoy it anyway.
To be honest with you, there's not a moment in the Rachmaninoff that isn't filled with unbelievable lushness and magic, every moment in the sonata is amazing. You'd think that with a piece so heavily dominated by the piano that the cellist would get lost or pushed into a corner someplace. Not only does the cellist play a very important role, but in ways has the choicest melodies. I wouldn't guess that many cellists would find this piece terribly challenging, but I would hope they'd revell in the experience.
I should commend Emanuel Ax and Yo-Yo Ma for being the wonderful chamber musicians they are. One of the things that people don't always understand, musicians and audiences alike, is that chamber music is very 'conversational'. My own experience as a professional pianist has at times led me to despise working with others because they simply refuse to acknowledge or share with another musician. Lets face it, the score may list this instrument or that one first, but without the piano where in the world would you be??? The main thing in all of the chamber music environments is to converse, exchange, and relish in the experience thats available in playing such great music.
If there's anything to squak about it, its the following snippets from other works. I'm not sure who's brilliant idea it was to include them, but it really is annoying and almost taints the whole experience of the first two works. That isn't to say that the music isn't beautiful and wonderfully played, but for me, there was just nothing else that needed to be said after the Rachmaninoff. Besides, if you're able to hear the Shostakovich, played by Ma/Ax, you'll agree that having just the second movement is a letdown.
No matter, I hope you'll be able to experience this cd and all the lush wonderfulness it has to offer. I finally also apologize for succumbing to the very thing that I said I detested...verbose self-gratification! Oh well, whats a guy to do?
"
Possible the most sublime cello sonata
Martin Chamberlain | Calgary, AB Canada | 06/13/2004
(5 out of 5 stars)
"As the CD cover indicates, the star performance on this CD is the Rachmaninoff sonata played by Ma and Ax. I would recommend any cello music lover to buy this CD for the Rachmaninoff sonata alone. My only disappointment is that the Shostakovich sonata is not present in its full on this CD, the allegro movement is breathtaking, Ma is certainly the king of cellists, and Ax is as per usual a superb match for Ma."
A "rare" collection
Joy A. Jaffe | 02/08/2007
(5 out of 5 stars)
"A wonderful grouping of well-known and less well-known pieces for cello and piano--a pleasure to listen to over and over again."