Prodan? nevesta (The Bartered Bride), opera, JB 1:100: Act 3. Tanz der Kom?dianten (Dance Of The Comedians)
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): I. Allegro con brio
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): II. Adagio
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): III. Allegretto grazioso. Molto vivace
Symphony No. 8 in G major, B. 163 (Op.88) (first published as No. 4): IV. Allegro ma non troppo
Track Listings (4) - Disc #3
Symphony No. 1 in D major ('Titan'): I. Langsam, schleppend. Im Anfang sehr gem?chlich
Symphony No. 1 in D major ('Titan'): II. Kraftig bewegt, doch nicht zu schnell
Symphony No. 1 in D major ('Titan'): III. Feierlich und gemessen, ohne zu schleppen
Symphony No. 1 in D major ('Titan'): IV. St?rmisch bewegt
Track Listings (14) - Disc #4
Sinfonietta for orchestra ('Military,' 'Sokol Festival'), JW 6/18: I. Allegretto
Sinfonietta for orchestra ('Military,' 'Sokol Festival'), JW 6/18: II. Andante
Sinfonietta for orchestra ('Military,' 'Sokol Festival'), JW 6/18: III. Moderato
Sinfonietta for orchestra ('Military,' 'Sokol Festival'), JW 6/18: IV. Allegretto
Sinfonietta for orchestra ('Military,' 'Sokol Festival'), JW 6/18: V. Andante con moto
Music for Strings, Percussion & Celesta, Sz. 106, BB 114: I. Andante tranquillo
Music for Strings, Percussion & Celesta, Sz. 106, BB 114: II. Allegro
Music for Strings, Percussion & Celesta, Sz. 106, BB 114: III. Adagio
Music for Strings, Percussion & Celesta, Sz. 106, BB 114: IV. Allegro molto
Pieces (5) for orchestra, Op. 16: I. Vorgef?hle. Molto allegro
Pieces (5) for orchestra, Op. 16: II. Vergangenes. Ma?ige Viertel
Pieces (5) for orchestra, Op. 16: III. Farben. Ma?ige Viertel
Pieces (5) for orchestra, Op. 16: IV. Peripetie. Sehr rasch
Pieces (5) for orchestra, Op. 16: V. Das obligate Rezitativ. Bewegte Achtel
2008 four CD set. Rafael Kubel¡k is considered one of the greatest conductors of the second half of the 20th century. His musical portrait encompasses the acclaimed recordings made in 1946 and 1954 with first-class or... more »chestras like the Chicago Symphony Orchestra. Kubel¡k was respected and criticized to the same degree: the works he performed were too modern for their day, during the 1950s he frequently used black performers for the solo parts and often imparted his political views extremely direct and undisguised: he turned down offers made by Czech communists to conduct in Prague, although he was Czech by birth. He first returned to the country, to Prague, in 1990 to conduct Smetana's Czech national opus M Vlast (My Fatherland), in celebration of the political changes. Documents.« less
2008 four CD set. Rafael Kubel¡k is considered one of the greatest conductors of the second half of the 20th century. His musical portrait encompasses the acclaimed recordings made in 1946 and 1954 with first-class orchestras like the Chicago Symphony Orchestra. Kubel¡k was respected and criticized to the same degree: the works he performed were too modern for their day, during the 1950s he frequently used black performers for the solo parts and often imparted his political views extremely direct and undisguised: he turned down offers made by Czech communists to conduct in Prague, although he was Czech by birth. He first returned to the country, to Prague, in 1990 to conduct Smetana's Czech national opus M Vlast (My Fatherland), in celebration of the political changes. Documents.