Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Requiem aeternam / Kyrie
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Dies irae. Prosa / Tuba mirum
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Quid sum miser
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Rex tremendae
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Quaerens me
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Lacrymosa
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Domine Jesu Christe
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Hostias et preces
Track Listings (6) - Disc #2
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Sanctus / Hosanna in excelsis / Sanctus / Hosanna in
Symphony No. 3 in C minor ('Organ'), Op. 78: I. Adagio - Allegro moderato
Symphony No. 3 in C minor ('Organ'), Op. 78: Poco Adagio
Symphony No. 3 in C minor ('Organ'), Op. 78: II. Allegro maestoso - Presto
Sym No.3, 'Organ' in c, Op.78: Part 2: Maestoso: Allegro - Frederick Minger
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Agnus Dei
Maurice Abravanel has a keen sense of the huge scope of Berlioz's masterpiece, which he unfolds with little exaggeration. The choral forces are responsive to Abravanel's remarkably calm interpretation of the broadly lyrica... more »l portions of the score, but when the score suddenly explodes, the need for a bit more powerful choral sound can be felt. Bressler's tenor solos are sweetly sung, and the orchestra is attentive and strong. The original recording's pungent resonance has been retained in this digital remastering, which seems to have increased its depth of clarity. One of the better-recorded performances of the Saint-Saëns symphony is a welcome coupling. --Paul Turok« less
Maurice Abravanel has a keen sense of the huge scope of Berlioz's masterpiece, which he unfolds with little exaggeration. The choral forces are responsive to Abravanel's remarkably calm interpretation of the broadly lyrical portions of the score, but when the score suddenly explodes, the need for a bit more powerful choral sound can be felt. Bressler's tenor solos are sweetly sung, and the orchestra is attentive and strong. The original recording's pungent resonance has been retained in this digital remastering, which seems to have increased its depth of clarity. One of the better-recorded performances of the Saint-Saëns symphony is a welcome coupling. --Paul Turok