La traviata, Act I: Introduzione: Dell'invito trascorsa è già l'ora (Renata Scotto/Sarah Walker/Richard Van Allan/Suso Mariategui/Henry Newman/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act 1: "Libiamo ne' lieti calici" (Brindisi)
La traviata, Act I: Valzer: Che è ciò (Renata Scotto/Alfredo Kraus/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Riccardo Muti)
La Traviata, Act 1: "Un di, felice, eterea" (Alfredo, Violetta)
La traviata, Act I: Scena: Ebben? Che diavol fate? (Suso Mariategui/Renata Scotto/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act I: Stretta: Si ridesta in ciel l'aurora (Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act I, Scena, Aria e Finale: E strano! E strano! (Renata Scotto/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui (Renata Scotto/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act I, Scena, Aria e Finale, Finale: Recitativo: Follie! Follie! Delirio vano è questo! (Renata Scotto/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act I, Scena, Aria e Finale, Finale: Cabaletta: Sempre libera (Renata Scotto/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scene & Aria: Lunge da lei... (Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scene & Aria, De' miei.....: De' miei bollenti spiriti (Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scene & Aria, De' miei.....: Annina, donde vieni? O mio rimorso! (Alfredo Kraus/Cynthia Buchan/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scena: Alfredo? Per Parigi or or partiva (Renata Scotto/Alfredo Kraus/Max-René Cosotti/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Aria & Duetto: Pura siccome un angelo (Renata Scotto/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Aria & Duetto: Non sapete quale affetto (Renata Scotto/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Aria & Duetto: Un di, quando le veneri (Renata Scotto/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Aria & Duetto: Ah! Dite alla giovine (Renata Scotto/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Aria & Duetto: Imponete....Non amarlo ditegli (Renata Scotto/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scena: Dammi tu forza, o cielo! (Renata Scotto/Cynthia Buchan/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scena: Che fai?.....Nulla (Renata Scotto/Cynthia Buchan/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scene & Aria: Ah, vive sol quel core (Renato Bruson/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La Traviata, Act 2, Scene 1, Scene & Aria: Di Provenza il mar, il suol (Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 1, Scene & Aria: Ne rispondi d'un padre all'affetto? No, non udrai rimpro (Alfredo Kraus/Max-René Cosotti/Christopher Keyte/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
Track Listings (17) - Disc #2
La traviata, Act II, Scene 2, Finale II: Avrem lieta di maschere (Sarah Walker/Richard Van Allan/Roderick Kennedy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 2, Finale II: Noi siamo zingarelle
La traviata, Act II, Scene 2, Finale II: Di Madride noi siam mattadori (Suso Mariategui/Ambrosian Opera Chorus/John McCarthy/Band of HM Royal Marines/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 2, Finale II: Alfredo! Voi! (Alfredo Kraus/Sarah Walker/Renata Scotto/Henry Newman/Suso Mariategui/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 2, Finale II: Invitato a qui seguirmi (Renata Scotto/Alfredo Kraus/Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 2, Finale II: Ogni suo aver tal femmina (Ambrosian Opera Chorus/John McCarthy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 2, Finale II: Di sprezzo degno se stesso rende (Renato Bruson/Alfredo Kraus/Henry Newman/Renata Scotto/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act II, Scene 2, Finale II: Alfredo, Alfredo, di questo core (Renata Scotto/Alfredo Kraus/Henry Newman/Renato Bruson/Philharmonia Orchestra/Riccardo Muti)
La Traviata, Act III: Preludio (Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Scena & Aria: Anina?...Comandate? (Renata Scotto/Cynthia Buchan/Roderick Kennedy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Scena & Aria: Teneste la promessa...Attendo-ne a me (Renata Scotto/Cynthia Buchan/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III: Baccanale: Largo al quadrupede (Ambrosian Opera Chorus/John McCarthy/Band of HM Royal Marines/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Scena & Duetto: Signora!...Che t'accadde? (Cynthia Buchan/Renata Scotto/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Scena & Duetto: Parigi, o cara,, noi lasceremo (Renata Scotto/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Scena & Duetto: Ah, non più....Ah! Gran DIo! Morir si goivine (Cynthia Buchan/Renata Scotto/Alfredo Kraus/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Finale ultimo: Ah, Violetta!....Voi, signor! (Renato Bruson/Renata Scotto/Alfredo Kraus/Cynthia Buchan/Roderick Kennedy/Philharmonia Orchestra/Riccardo Muti)
La traviata, Act III, Finale ultimo: Prendi, quest'e l'immagine (Renata Scotto/Alfredo Kraus/Renato Bruson/Cynthia Buchan/Roderick Kennedy/Philharmonia Orchestra/Riccardo Muti)
Riccardo Muti and Renata Scotto collaborated frequently, both in the recording studio and the opera house. Muti, a supreme Verdian, brings dramatic urgency and delicate lyricism to the score of La traviata while Scotto int... more »erprets Violetta with a wealth of perception and artistry.These are the first five releases in a new line of premium releases of classic operatic recordings.Each of these releases offers optimum sound quality. The four releases originally recorded using analogue techniques (Carmen, Die Zauberflöte, Don Giovanni, Tosca) have all been newly remastered in 24-bit/96kHz at Abbey Road Studios using the latest technology, while La traviata benefits from its stunning original digital recording.In addition to the CDs, each of these releases includes a hardback, cloth-bound book of between 156 and 260 pages. This book contains: - the complete libretto (with translations) ? a component now increasingly rare in opera sets; - an essay by the journalist and opera expert George Hall; - an impressive array of photographic material, with numerous pictures of the artists at the time the recording was made.The CDs and book are contained in a glossy dustjacket featuring the original cover artwork for the release.As George Hall writes of the series:?Although many other recordings of the same works exist, in each instance special factors are generally agreed to have given every one of these sets particular qualities that have continued to attract the highest critical praise, as well as the ongoing affection of generations of opera lovers. Having stood the test of time, the results can now be enjoyed by today?s listeners in their optimum sonic manifestations.?« less
Riccardo Muti and Renata Scotto collaborated frequently, both in the recording studio and the opera house. Muti, a supreme Verdian, brings dramatic urgency and delicate lyricism to the score of La traviata while Scotto interprets Violetta with a wealth of perception and artistry.These are the first five releases in a new line of premium releases of classic operatic recordings.Each of these releases offers optimum sound quality. The four releases originally recorded using analogue techniques (Carmen, Die Zauberflöte, Don Giovanni, Tosca) have all been newly remastered in 24-bit/96kHz at Abbey Road Studios using the latest technology, while La traviata benefits from its stunning original digital recording.In addition to the CDs, each of these releases includes a hardback, cloth-bound book of between 156 and 260 pages. This book contains: - the complete libretto (with translations) ? a component now increasingly rare in opera sets; - an essay by the journalist and opera expert George Hall; - an impressive array of photographic material, with numerous pictures of the artists at the time the recording was made.The CDs and book are contained in a glossy dustjacket featuring the original cover artwork for the release.As George Hall writes of the series:?Although many other recordings of the same works exist, in each instance special factors are generally agreed to have given every one of these sets particular qualities that have continued to attract the highest critical praise, as well as the ongoing affection of generations of opera lovers. Having stood the test of time, the results can now be enjoyed by today?s listeners in their optimum sonic manifestations.?