Liza and Chita - TOGETHER!
Byron Kolln | the corner where Broadway meets Hollywood | 06/08/2004
(5 out of 5 stars)
"THE RINK is a fantastic musical from the pen of John Kander and Fred Ebb, starring two of the best triple-threats in the business, Chita Rivera and Liza Minnelli, as feuding mother and daughter Anna and Angel. Rivera and Minnelli are always at their best with Kander-Ebb material (Rivera in KISS OF THE SPIDER WOMAN and CHICAGO; Minnelli in FLORA THE RED MENACE, CABARET and THE ACT). THE RINK was a splendid showcase for these 2 formidable divas. Chita and Liza had (briefly) co-starred when Minnelli filled in for a sick Gwen Verdon during the run of the original CHICAGO.The story concerns freewheeling hippy Angel (Minnelli) who returns to the family nest after leaving as a teenager. Her weary-yet vital mother Anna (Rivera) has been running her husband's rollerskate rink by herself ever since he walked out on her when Angel was a little girl. Now the time has come that Anna can sell up and start living her own life...imagine her shock when her daughter shows up broke and looking for a reunion!Touching and bittersweet, THE RINK also features a pre 'Seinfeld' Jason Alexander in a great role as Anna's wannabe-suitor Lenny, singing the heartfelt "Marry Me". Other standout numbers include "Colored Lights", Anna's riotous "Chief Cook and Bottle-Washer", "The Apple Doesn't Fall" and the cataclysmic "Mrs A." where Angel confronts her mother's indiscretions.THE RINK was a mild success when it opened on Broadway, buoyed by the star-power of Rivera and Minnelli. The show folded a few weeks after Minnelli's departure (being replaced by Stockard Channing of GREASE fame). The London production featured A LITTLE NIGHT MUSIC's Diane Langton but it quickly shuttered. A sadly underrated musical featuring a strong and memorable score. Highly-recommended."
Another Kander and Ebb show that went sadly unappreciated
Mark Andrew Lawrence | Toronto | 02/28/2004
(5 out of 5 stars)
"The 1993/94 Broadway season was one of the best of the past 25 years. Among the shows: LA CAGE AUX FOLLES (Tony Award Winner); SUNDAY IN THE PARK WITH GEORGE (Critics Circle & Pulitzer Prize winner); BABY; THE TAP DANCE KID; DOONSBURY and THE RINK.THE RINK was a top notch effort from Kander & Ebb and bookwriter Terrence McNally. The book deserves special priase for being several notches above standard musical theatre fare. The characters are clearly defined. They are not, however, terribly likable and this put audiences off. As the warring mother and daughter Chita Rivera and Liza Minnelli both offered no-holds-barred performances. The cast album preserves a bit of the dialogue but the performances come through so strongly in the songs that the dialogue and synopsis are not really essential.This is a great theatre score...songs loaded with character and plot detailas but also entertaining songs. It's no wonder Kander and Ebb remain so proud of this show, even though it ran 6 months. Perhaps someday THE RINK wll be revived and audiences will discover it.A London production was mounted in 1988 and yielded a cast album too. It doesn't have the star power of the original but does offer a little more of the score."
Surprisingly Good!
AJK | Chicago, IL | 08/18/2005
(4 out of 5 stars)
"While Chita Rivera & Liza Minnelli are clearly Broadway superstars, the 1984 musical which teamed them together, "The Rink", has been largely forgotten. Why? Who knows. Maybe it just got overshadowed by that season's other hits, "La Cage aux Folles" and "Sunday In The Park With George". The production, however, was nominated for several Tony Awards, including a Best Actress win for Ms. Rivera.
Kander/Ebb's score may not rise to the level of their other classics ("Chicago", "Cabaret", "Kiss Of The Spider Woman"), but the score is still quite good and contains several marvelous songs.
Best Tracks:
Colored Lights [probably the score's most well-known song]
Chief Cook And Bottle Washer
We Can Make It
The Apple Doesn't Fall [great Rivera/Minnelli duet!]
Marry Me [sung by pre-"Seinfeld" Jason Alexander]
The recording has been recently remastered, sounds terrific and gets better with each listening."