Few blues artists have achieved as much crossover success as Robert Cray. Though it's not infrequent for blues purists to proclaim a dislike for his work, his skillful blend of blues, R&B, and soul has undeniable appea... more »l. Heavy Picks is the first retrospective of Cray's recording career, tracing the route from his early, semi-independent recordings through his final dates for Mercury Records. The collection includes some of Cray's best material, including "Smoking Gun," "Playin' in the Dirt," and "Bad Influence," which testify to his strengths as a songwriter. One of the few blues musicians to have videos on MTV, Cray's style has a consistency that's helped ensure his longevity in the pop and blues arenas. At 14 tracks, Heavy Picks is also a nonintimidating introduction for newer fans. --Genevieve Williams« less
Few blues artists have achieved as much crossover success as Robert Cray. Though it's not infrequent for blues purists to proclaim a dislike for his work, his skillful blend of blues, R&B, and soul has undeniable appeal. Heavy Picks is the first retrospective of Cray's recording career, tracing the route from his early, semi-independent recordings through his final dates for Mercury Records. The collection includes some of Cray's best material, including "Smoking Gun," "Playin' in the Dirt," and "Bad Influence," which testify to his strengths as a songwriter. One of the few blues musicians to have videos on MTV, Cray's style has a consistency that's helped ensure his longevity in the pop and blues arenas. At 14 tracks, Heavy Picks is also a nonintimidating introduction for newer fans. --Genevieve Williams
"I have been a Robert Cray fan since 1986 when the amazing happened: MTV actually played a blues video in heavy rotation (SMOKING GUN). Cray, along with Stevie Ray Vaughan, opened my young ears to blues. From those guys I was able to spring back to the masters like Howlin' Wolf and Lightnin' Hopkins. Anyway, about this collection. It is an excellent sampler of Cray's material thus far. It is heavy on the material from -Strong Persuader- and -Midnight Stroll- (and rightly so, his two best albums), but it also gives a taste from all phases of his career up to 1997. As a fan, I definitely feel that important tunes were left off (BOUNCIN' BACK, THE ROAD DOWN), but everything on this disc is excellent. Highlights here include: the down and dirty FORECAST (CALLS FOR PAIN), the hit SMOKING GUN, the crisp guitar work on PHONE BOOTH, and my favorite Cray song: RIGHT NEXT DOOR (which has a great story to it as well as a catchy chorus, bluesy yet also some great pop elements). Also, I think Cray's finest guitar work is represented here at the very end, the extended solo at the end of the last song I WAS WARNED is Cray's finest moment on the axe. Cray is awesome because he is both a great bluesman and a great soul singer. Also, his sound is modern. I am a blues fan, but even I get tired of the generic sounds that sometimes prevail, but Cray doesn't do that. He doesn't just rehash what has already been done. His sound reflects the greatness of the past, but is also firmly modern and reflects his own visions. I prefer his work when he was working with producer Dennis Walker over his more recent stuff. But, this CD captures the Cray / Walker collaboration beautifully. Highly reccommended. I don't give it five stars only because they could have fit about 3 or 4 more great tracks on here."
Good Compilation
T. C Lane | Marina, CA USA | 11/28/1999
(5 out of 5 stars)
"This fine compilation covers Cray's career from 1980 to 1997. "Blues-Oriented R&B" is how Cray labels his music in the excellent liner notes, and that's what you'll get. Add Cray's superb guitar playing and you have a prime sample of the above musical phrase. At 14 songs this hits all but one of his albums up to 1997's Sweet Potato Pie. Oddly, one album is missing representation: 1995's fine Some Rainy Morning. Surely, Mercury could have included a track like "Never Mattered Much" as this CD clocks in at just under 60 minutes. Still, if you think you're interested in Cray and aren't sure where to start, this is the one. Then go and buy other CD's like Strong Persuader, I Was Warned, False Accusations and Don't Be Afraid of the Dark."
Deep Pockets
Tony Tomlinson | Imperial Beach, CA United States | 10/21/2002
(4 out of 5 stars)
"Heavy Picks is a 14-track retrospective that spans Robert Cray's brilliant recording career. Early independent label cuts like Phone Booth, Too Many Cooks, Bad Influence, and Playin' in the Dirt provide wonderful insight into the amazing song writing potential of "Young Bob" and demonstrate why the Robert Cray band was a college radio favorite. The 1986 release of Strong Persuader on the Mercury label marked an important milestone in Robert's recording career; more importantly, it helped spark a major blues revival. Cray's blend of blues and Memphis soul, combined with the Fabulous Thunderbirds straight ahead, Gulf Coast style and Stevie Ray Vaughan's merciless intensity, brought blues to the MTV generation. While hair bands like Quiet Riot, Motley Crüe, and Poison were prancing around stage in women's clothing, singing about the clichés of adolescence, Robert Cray released overtly adult themed songs like Smoking Gun, Strong Persuader, and I Guess I Showed Her. With the Grammy Award winning Strong Persuader, Robert's ability as a guitarist became the talk of every guitar-geek magazine on the newsstand - and rightly so. His percussive attack, amazing timing, and hip phrasing landed him a deal with Fender guitars that resulted in the production of the "Robert Cray" model Stratocaster. With both critical and commercial success under his belt, Cray was free to developed as an artist. With each recording subsequent to Strong Persuader, Robert has made the story the most important aspect of the song; consequently, the guitar has often been cast in a supporting role. Robert Cray is brilliant as a songwriter and often genius as an instrumentalist but what makes him special is his ability to deliver lyrics. Tracks like I Shiver, the Dream and Forecast (Calls for Pain) are testaments to Cray?s awe-inspiring talent as a vocalist. Robert?s dynamic voice effortlessly produces the hollers, moans, and melismatic leaps characteristic of the great gospel singers in the Southern tradition. As a result, Cray is able to confidently approach songs like the Otis Redding classic, Trick or Treat and deliver it with an earnest authority. I was Warned, the final track of the album, is perhaps the best, most defining tune on Heavy Picks. This dark and brooding minor rumba is Robert Cray at his very best. Layers of guitars frame the poignant melody as Cray recalls the warnings of his friends regarding the love of his life. In a classic moment of irony, Cray sings, ?whether they?re right or wrong, at least the mystery is gone.? Throughout his career, Cray has suffered from categorization. His music is found under the category of blues in most record stores but purists more often than not scoff at this classification. They insist that his music is not the blues in a traditional sense but, while they may have a point, it is a shame to overlook the casual brilliance of Robert Cray as a singer, songwriter, and instrumentalist. Cray may not be the torchbearer of the blues as many had hoped following his work with Albert Collins and Johnny Copeland on the Alligator release, Showdown, but he certainly represents a continuation of the legacy created by soul singers like O.V. Wright, Ottis Redding, and Marvin Gaye. Heavy Picks is not the shining jewel of the Robert Cray collection but it does provide listeners with a nicely packaged summation of the man?s career."
Smooth....
T. C Lane | 06/15/2000
(5 out of 5 stars)
"I was first introduced to Robert Cray when I picked up the Showdown album with Cray, Albert Collins and Johnny Copeland. I liked what I heard so I decided to give Cray's music a try. On my first listen of Heavy Picks, I didn't quite get into it. I thought Cray's music sounded too much like R&B/soul and not enough like blues for my tastes. But the second time I listened to it, I really started to dig it. Robert Cray does have a good bit of soul mixed into his music, but it's a delicious blend which blues fans and R&B fans alike can get into. Not only does Cray have a wonderful voice and mean fretpicking fingers, but he writes much of his own material. Many of the selected tunes on Heavy Picks are Cray's own compositions. His guitar style is smooth, but intense. It can be funky and soulful at times and ferocious and explosive at others. He knows his way around a six-stringer very well. He's not exactly Albert Collins or Buddy Guy though, so don't expect that sort of incendiary intensity. Heavy Picks is a good CD to get if you're new to Robert Cray's music like me. The sound quality is good and the liner notes are very good too. It also has the musicians listed for every song. Highly Recommended."