32-20 Blues - Robert Lockwood, Jr., Johnson, Robert
Mean Mistreatin' Mama - Robert Lockwood, Jr., Carr, Leroy
This Little Girl of Mine - Robert Lockwood, Jr., Lockwood, Robert Jr
Stop Breakin' Down Blues - Robert Lockwood, Jr., Johnson, Robert [1]
My Woman Came Came Walking Down - Robert Lockwood, Jr., Lockwood, Robert Jr
C.C. Rider - Robert Lockwood, Jr., Hopkins, Lightnin'
Little Queen of Spades - Robert Lockwood, Jr., Johnson, Robert [01
I Believe I'll Dust My Broom - Robert Lockwood, Jr., Johnson, Robert [01
In the Evening (When the Sun Goes Down) - Robert Lockwood, Jr., Carr, Leroy
We're Gonna Ball Tonight - Robert Lockwood, Jr., Lockwood, Robert Jr
Mr. Downchild - Robert Lockwood, Jr., Johnson, Robert
Run Your Mama - Robert Lockwood, Jr., Lockwood, Robert Jr
Ramblin' on My Mind - Robert Lockwood, Jr., Johnson, Robert
Love in Vain Blues - Robert Lockwood, Jr., Johnson, Robert [01
Train My Baby - Robert Lockwood, Jr., Lockwood, Robert Jr
Keys to the Highway - Robert Lockwood, Jr., Gillum, Jazz
There's a stereotype about the Delta blues. You know the one: some guy sitting on a back porch somewhere, or maybe in a boxcar, with his guitar, singing about some woman who left him. But real Delta blues is far more flexi... more »ble, creative, and, above all, spooky than that. It takes someone who learned from the style's master--that would be Robert Johnson, in case you're wondering--to explore the music's length and breadth, and that someone is Robert Lockwood Jr. That's why, even though he covers some of the hoariest chestnuts the Delta blues has to offer--yep, there's "Dust My Broom," and yep, there's "Love in Vain," and "Ramblin' on My Mind," not to mention Lightnin' Hopkins's "C.C. Rider," which has been covered by just about everyone who can sling an acoustic guitar--Lockwood keeps the music fresh and appealing. There's no question that he's good at what he does; he's won a W.C. Handy award, been nominated for a Grammy, and remained one of the most respected bluesmen around for decades. It would be hard to select a more clichéd title for a Delta blues album than Delta Crossroads--Lockwood does not, by the way, cover "Crossroad Blues" on this album, but that's fine; he's earned the right. --Genevieve Williams« less
There's a stereotype about the Delta blues. You know the one: some guy sitting on a back porch somewhere, or maybe in a boxcar, with his guitar, singing about some woman who left him. But real Delta blues is far more flexible, creative, and, above all, spooky than that. It takes someone who learned from the style's master--that would be Robert Johnson, in case you're wondering--to explore the music's length and breadth, and that someone is Robert Lockwood Jr. That's why, even though he covers some of the hoariest chestnuts the Delta blues has to offer--yep, there's "Dust My Broom," and yep, there's "Love in Vain," and "Ramblin' on My Mind," not to mention Lightnin' Hopkins's "C.C. Rider," which has been covered by just about everyone who can sling an acoustic guitar--Lockwood keeps the music fresh and appealing. There's no question that he's good at what he does; he's won a W.C. Handy award, been nominated for a Grammy, and remained one of the most respected bluesmen around for decades. It would be hard to select a more clichéd title for a Delta blues album than Delta Crossroads--Lockwood does not, by the way, cover "Crossroad Blues" on this album, but that's fine; he's earned the right. --Genevieve Williams
"Robert Lockwood, Jr., remains a national blues treasure who still sounds as fresh and vital today as he did decades ago. Telarc has issued a new cd, Delta Crossroads, which is surprising in being a solo acoustic album. Robert is heard on fine performances of a number of blues associated with his stepfather, Robert Johnson's songs, several other blues standards and his own originals.This is not his first acoustic blues album. He recorded for a French label, Plays Robert & Robert which has been reissued in the US on Evidence. And he has included tracks on prior albums in a similar vein. Robert has recorded most of the songs heard here in the past, although perhaps under different titles. For example, his This Little Girl of Mine was recorded with his band as Hold Everything on his first Trix album. This writer is familiar with other renditions of most of the Robert Johnson songs. Johnson's 32-20 Blues that opens this album may be the one song I have not heard him on record do before. Lockwood, in fact, recorded Dust My Broom prior to Elmore James, although it was issued later, and he did Rambling on My Mind on his Steady Rolling Man album on Delmark. He plays with his usual skill and sings straightforwardly and without any artifice. Its nice to hear renditions of performances of blues classics he regularly performs including C.C. Rider and Leroy Carr's Mean Mistreater and In the Evening, which is juxtaposed with a rendition of Love In Vain, which uses the latter tune's melody. This is beautifully recorded and produced by Joe Harley and is a worthy addition to his growing body of recordings. Hopefully we will get a new album of Robert with his band real soon."
This guy is amazing!
johnnyqb | United States | 04/20/2005
(5 out of 5 stars)
"How inspiring is it that Mr. Lockwood is touring and playing kick-a** blues at age 90? Ninety? Are you kidding? This is a great record, it is like hearing a great from the '20s or 30's play his stuff on modern recording equipment. I am very glad that I stumbled on this record and this artist. Blues on, Young Man!"
So Good!
William E Donoghue | 11/06/2000
(5 out of 5 stars)
"An updated but authentic blues recording. If you love the blues and are sometimes frustrated by the quality of the old recordings, you'll love this disc. Robert Lockwood, Jr. is a blues master who shows it's possible to reinterpret old standards while remaining true to the blues form. I can't recommend this disc highly enough!"