5 Stucke im Volkston

Robert Schumann, Eugene Ormandy, Prades Festival Orchestra
Robert Schumann: Cello Concerto/Piano Trio No. 01/5 Stucke im Volkston
Genre: Classical

Track Listings (12) - Disc #1
1. Cello Concerto in A minor, Op. 129: Nicht zu schnell
2. Cello Concerto in A minor, Op. 129: Langsam
3. Cello Concerto in A minor, Op. 129: Etwas lebhafter, Sehr lebahft
4. Piano Trio No. 1 in D minor, Op. 63: Mit Energie und Leidenschaft
5. Piano Trio No. 1 in D minor, Op. 63: Lebhaft, doch nicht zu rasch - Trio
6. Piano Trio No. 1 in D minor, Op. 63: Langsam, mit inniger Empfindung - Bewegter
7. Piano Trio No. 1 in D minor, Op. 63: Mit Feuer
8. St?cke im Volkston (5) for cello (or violin) & piano, Op. 102: No. 1, Mit humor, in A mior, 'Vanitas vanitatum'
9. St?cke im Volkston (5) for cello (or violin) & piano, Op. 102: No. 2, Langsam, in F major
10. St?cke im Volkston (5) for cello (or violin) & piano, Op. 102: No. 3, Nicht schnell, mit viel Ton zu spielen, in A minor
11. St?cke im Volkston (5) for cello (or violin) & piano, Op. 102: No. 4, Nicht zu rasch, in D major
12. St?cke im Volkston (5) for cello (or violin) & piano, Op. 102: No. 5, Stark and markirt, in A minor

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CD Details

All Artists: Robert Schumann, Eugene Ormandy, Prades Festival Orchestra, Mieczyslaw Horszowski, Leopold Mannes
Title: Robert Schumann: Cello Concerto/Piano Trio No. 01/5 Stucke im Volkston
Members Wishing: 0
Total Copies: 0
Label: Sony
Original Release Date: 1/1/1950
Re-Release Date: 2/22/1994
Genre: Classical
Styles: Chamber Music, Forms & Genres, Concertos, Historical Periods, Modern, 20th, & 21st Century, Instruments, Strings
Number of Discs: 1
SwapaCD Credits: 1
UPC: 074645899329

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CD Reviews

Compelling Schumann

11/09/1998

(5 out of 5 stars)

"This is the most convincing Schumann Cello Concerto that I have heard. Casals is passionate and stretches the instrument to its limits of expressivity. The accompaniment guided by Ormandy is a model of intelligence, sensitivity, and care. The sound is not great, but the playing is so strong and understanding that it is indispensible for anyone trying to comprehend this rather elusive concerto."