There's really no sound like this in all orchestral music -- it's serious full-string-section classical, yes....but an even BIGGER part is joyful, playful, theatrical FUN.
And wow, those voices! Gordon MacRae! Square-jawed virile..but so tender. And Dorothy Kirsten somehow manages to make the veryvery sweet roles she sings sound utterly earnest and innocent and...true.
The Student Prince is one of those that has so many memorable melodies you'd win a pile of Name-that-Tune bets just having heard it once and as for the other works here, "The Desert Song" & "The New Moon" can claim a Hammerstein II in the credits.
This is pineapple-upsidedown-cake-sweet, romantic music, as fun and exaggerated as the 1920s that brought them into being. It's fun the way a great musical is -- these ARE great musicals! And the voices that get to sing these songs? Just ...wow.
"I am one of those who, as a great fan and collector of operetta songs, find this album (actually a compilation of 3 LPs from 1963) the single most brilliant one ever recorded.
There are very few singers who could get so completely into the spirit of the songs and characters of operettas as Gordon MacRae. A technically magnificent voice with a phenomenal range, vibrant intensity and great warmth and sincerity - the rare singer whose performances all felt spontaneous and who could go from caressing the ear one moment to singing in the most powerful tones the next - all in a glorious legit voice of course. His rousing numbers like "The Riff Song" from The Desert Song and "Stout-Hearted Men" from New Moon are so exilarating that they actually conjure up a larger-than-life vision. His haunting "Softly as in the Morning Sunrise" obliterates all other versions and in terms of passion expressed in song, it would be difficult to surpass his rendition of the Desert Song.
Kudos also of course to the everlasting charm, grace and talent of the great Dorothy Kirsten who sounds perfectly convincing and fetching as the youthful heroines she portrays even though she was already fiftyish at the time this was recorded. Her solos of "One Kiss", "Romance" and "Lover Come Back to Me" are nothing short of superb and convey the longing of her characters beautifully. Truly enchanting.
As someone who loves to compare as many versions as possible of the great musicals and operettas, I can truthfully say that I have never heard more exquisite versions of those songs anywhere. While many versions I have heard elsewhere seemed either over the top or emotionally detached, these ring with true romantic ardor and the arrangements are beautiful. If the beautiful duets like "Wanting You" from New Moon and "Deep in My Heart, Dear" from The Student Prince don't send shivers up your spine, nothing ever will. They litterally take your breath away.
I do feel, however, that a couple of the songs from the earlier MacRae version (from the early 50s) of The Student Prince rank a bit higher than the songs from this version if only for the fact that the arrangements of the "Student Marching Song and The Drinking Song" were livelier and performed not just by the chorus as they are here, but led by Gordon MacRae at his very best. I miss hearing him on those when I play this CD. (Most of the songs from his earlier versions of The Desert Song and The Student Prince are available on various CD compilations. His earlier version of New Moon has not been released on CD yet, but can be found on vinyl).
The Roger Wagner chorale is absolutely outstanding and does a splendid job throughout.
(Please note that the original vinyl albums of each show featured additional songs not included in this compilation and a finale medley).
Yes, I would definitely recommend this album to anyone who loves operettas, melodious songs and rich singing voices!"
A Favorite! Romberg as I heard him in boyhood!
Karine Philippot | 06/22/1999
(5 out of 5 stars)
"This is a favorite of mine. I remember hearing many of these songs as a boy, and have treasured the scratchy 78's for years. Now it is a delight to hear this music return on CD. The performances are brilliant, clear, and technically satisfying."
A MUST BUY FOR ANYONE WHO LOVES MUSIC!
Karine Philippot | 03/08/2000
(5 out of 5 stars)
"I would rate this as my favorite operetta cd, and right up there at the top of ANY cds I own. The composer Romberg's melodies are wonderfully melodic and you couldn't find a better recording of them than this one!"
SIGMOND ROMBERG
Barbara Owen | Bremerton, Washington United States | 02/26/2002
(5 out of 5 stars)
"FANTASTIC, THE SINGING IS WONDERFUL I LIKED IT BETTER THAN MARIO LANZA'S VERSION. WHAT A BEAUTIFUL VOICE GORDON MACRAE HAS, ALSO DO
RTHEY KIRSTEN. I RECCOMEND THIS ALBUM MOST HEARTEDLY. I RATE IT FIVE STARS."
Beautiful voices, beautiful songs
Chrijeff | Scranton, PA | 10/06/2006
(5 out of 5 stars)
"Sigmund Romberg isn't in fashion today, but he was one of the founders of what became modern musical comedy, and in listening to this compilation of songs from three of his best-known operettas, you can understand why. Kirsten's soaring soprano and MacRae's rich baritone combine flawlessly to give the very feel that contemporary audiences must have gotten when they attended a performance of a Romberg work (MacRae also starred in the film version of "Desert Song"). The best pieces on the disc are the duets, some of which can give you authentic chills ("Deep in My Heart, Dear," "Wanting You"), and MacRae's thrilling solos ("Serenade," "The Riff Song," "Marianne," "Stouthearted Men," and the tango-esque "Softly, As in a Morning Sunrise"), but Kirsten's renditions of "Romance," "The Saber Song," "The Girl on the Prow," "One Kiss," and the classic "Lover, Come Back to Me" are almost equally good. I've replayed this collection at least 20 times in the last month and I'll do it again. If hearing it doesn't it make you want more Romberg, your tastes are obviously not for classic operetta. Highly recommended."