Search - Prokofiev, Novitskaya :: Russian Piano School, Volume 20: Yekaterina Ervy-Novitskaya

Prokofiev, Novitskaya
Russian Piano School, Volume 20: Yekaterina Ervy-Novitskaya
Genre: Classical

Track Listings (38) - Disc #1
1. Sarcasms, Op. 17 - No. 1 Tempestoso
2. Sarcasms, Op. 17 - No. 2 Allegro Rubato
3. Sarcasms, Op. 17 - No. 3 Allegro Precipitato
4. Sarcasms, Op. 17 - No. 4 Smanioso
5. Sarcasms, Op. 17 - No. 5 Precipitosissimo-Andantino
6. Sonata No. 5 In C Major, Op. 38/135 - 1. Allegro Tranquillo
7. Sonata No. 5 In C Major, Op. 38/135 - 2. Andantino
8. Sonata No. 5 In C Major, Op. 38/135 - 3. Un Poco Allegretto
9. Visions Fugitives, Op. 22 - No. 1 Lentamente
10. Visions Fugitives, Op. 22 - No. 2 Andante
11. Visions Fugitives, Op. 22 - No. 3 Allegretto
12. Visions Fugitives, Op. 22 - No. 4 Animato
13. Visions Fugitives, Op. 22 - No. 5 Molto Giocoso
14. Visions Fugitives, Op. 22 - No. 6 Con Eleganza
15. Visions Fugitives, Op. 22 - No. 7 Pittoresco (Arpa)
16. Visions Fugitives, Op. 22 - No. 8 Commodo
17. Visions Fugitives, Op. 22 - No. 9 Allegretto Tranquillo
18. Visions Fugitives, Op. 22 - No. 10 Ridicolosamente
19. Visions Fugitives, Op. 22 - No. 11 Con Vivacita
20. Visions Fugitives, Op. 22 - No. 12 Assai Moderato
21. Visions Fugitives, Op. 22 - No. 13 Allegretto
22. Visions Fugitives, Op. 22 - No. 14 Feroce
23. Visions Fugitives, Op. 22 - No. 15 Inquieto
24. Visions Fugitives, Op. 22 - No. 16 Dolente
25. Visions Fugitives, Op. 22 - No. 17 Poetico
26. Visions Fugitives, Op. 22 - No. 18 Con Una Dolce Lentezza
27. Visions Fugitives, Op. 22 - No. 19 Presto Agitatissimo E Molto Accentuato
28. Visions Fugitives, Op. 22 - No. 20 Lento Irrealmente
29. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 1 Folk Dance
30. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 2 Scene...
31. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 3 Minuet...
32. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 4 The Young Juliet
33. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 5 Masks
34. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 6 The Montagues And...
35. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 7 Friar Lawrence
36. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 8 Mercutio
37. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 9 Dance Of The Maids...
38. Romeo And Juliet, Op. 75 - 10 Pieces For Piano After Ballet, Op. 64 - No. 10 Romeo And Juliet...

CD Details

All Artists: Prokofiev, Novitskaya
Title: Russian Piano School, Volume 20: Yekaterina Ervy-Novitskaya
Members Wishing: 0
Total Copies: 0
Label: Melodiya / BMG Classics
Release Date: 4/15/1997
Genre: Classical
Styles: Forms & Genres, Sonatas, Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 1
SwapaCD Credits: 1
UPC: 743213321820

Synopsis

Amazon.com

Most of this music, excluding Romeo and Juliet, comes from an LP that was Yekaterina Ervy-Novitskaya's debut U.S. release. It caused a minor sensation at the time, as critics generally agreed it contained some of the most flavorful Prokofiev performances ever recorded. She was only 18 at the time, and had just won first prize in the Queen Elizabeth of Belgium competition. But only a few years later, she moved to Belgium and gave up concert playing to raise a family. Since these performances still sound as superb as they did when they were first released, I hope the concert comeback mentioned in the program notes goes well. This is a pianist I'd pay money to hear. --Leslie Gerber

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CD Reviews

Crystalline wonder

Michael Bradburn-Ruster | Prescott, AZ USA | 03/27/2004

(5 out of 5 stars)

"After 35 years, this remains one of the most amazing piano recordings I have ever heard. The power and poetry of this performance ranks alongside the sorcery of Martha Argerich and Sviatoslav Richter: ranging from the most delicate, tentative suggestion to a fierce, overwhelming utterance.
Here we have the full spectrum of Prokofiev's genius: the quirky line that unexpectedly reveals a glimpse of irony or melancholy; the harmony that treads a fine line between searing dissonance and soaring convergence.
Yekaterina Novitskaya plays not only with remarkable skill, but with an intelligence that is palpable."