Search - Erik Satie, Aldo Ciccolini :: Satie: L'Oeuvre Pour Piano

Satie: L'Oeuvre Pour Piano
Erik Satie, Aldo Ciccolini
Satie: L'Oeuvre Pour Piano
Genres: Dance & Electronic, Classical
 
  •  Track Listings (32) - Disc #1
  •  Track Listings (46) - Disc #2
  •  Track Listings (36) - Disc #3
  •  Track Listings (22) - Disc #4
  •  Track Listings (25) - Disc #5

Pianist Aldo Ciccolini garnered lots of attention in the late 1960s and early 1970s when he recorded all of Erik Satie's original piano music for EMI. The cycle remains first choice for Satie fans, who certainly will welco...  more »

     
?

Larger Image

CD Details

All Artists: Erik Satie, Aldo Ciccolini
Title: Satie: L'Oeuvre Pour Piano
Members Wishing: 1
Total Copies: 0
Label: EMI Classics
Original Release Date: 1/1/1967
Re-Release Date: 2/12/2002
Album Type: Box set
Genres: Dance & Electronic, Classical
Styles: Ballets & Dances, Ballets, Baroque Dance Suites, Chamber Music, Forms & Genres, Preludes, Sonatas, Theatrical, Incidental & Program Music, Variations, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Instruments, Keyboard
Number of Discs: 5
SwapaCD Credits: 5
UPC: 724357453424

Synopsis

Amazon.com
Pianist Aldo Ciccolini garnered lots of attention in the late 1960s and early 1970s when he recorded all of Erik Satie's original piano music for EMI. The cycle remains first choice for Satie fans, who certainly will welcome its first complete (as opposed to excerpted) reissue on CD. Ciccolini's interpretations are paradigms of expressive economy and directness, and happily eschew the "let's see how slow and important I can make these works" attitude that sometimes prevails among younger Satie practitioners. Ciccolini's diamond-edged sonority, sparkling technique, and willingness to accept the composer's high quirk quotient at face value further enhance these performances. While Ciccolini admirably overdubs himself in the piano duet works, one misses the added color and ensemble give and take gained from Ciccolini's digital remakes partnered by Gabriel Tacchino. For the price, though, Satie fans can hardly go wrong. Don't let EMI's French-only annotations prevent you from acquiring this classic cycle. Get it while you can. --Jed Distler
 

CD Reviews

Highly original numbers, outstanding professional performanc
Pork Chop | Lisbon, Portugal | 10/26/2007
(5 out of 5 stars)

"The work is one of the few that that merits 10/10, for

various aspects. First, the highly original pieces, one

after another.



Secondly, the simply outstanding professional job, and interpretation

made of the original compositions, that, clearly, showed the composer

being incredibly ahead of his time, in matters of laying out his

music ideas and human expression through it.



Third, the product itself, comprehensive, exhaustive of Satie's opuses,

over the 5 CD's released in the 2 jewel cases, is simply unbeatable in

any other release, as far as I know, except maybe the DDD re-release

this decade. This remaster, of performances on the piano, from the 1970's,

is perfectly fine in terms of audio.



In fact, I've heard works from symphonies dating from the 1940's,

such as from Mussorgsky, or even, Russian composers works, that

are simply incredible when re-released on CD, as are those from Bartok,

or Stravinsky. This may come into play when deciding whether to go for

this boxset and not the DDD re-release from Aldo Ciccolini as well.

"
The Simple, the Sublime, and the Surreal
K. J. Wasniewski | Chicago, IL USA | 03/26/2007
(4 out of 5 stars)

"This collection makes for good listening. There is a great deal of variety and character (Oh, is there character!) to be found in the various pieces. While most people have likely heard one or more of Satie's Gymnopedies at the very least in the background music of a TV ad, this collection pulls together the rarely-heard piano pieces as well. One that I had been seeking, Vexations, is a short piece to be repeated 840 times.



The titles of the pieces bear witness to Satie's sense of humor, rebellion against conventions of the day, and his pleasure in the surreal. Translations help to enjoy the unusual titles (who could not love "Piece in the Form of a Pear"?), some of which are reminiscent of Magritte's monikers.



Aldo Ciccolini's performances are clear, with definite respect for the composer's works. There was a noticeable distinction between the tempi of the works that come "in threes", such as the Gymnopedies.



I found that this collection fit nicely on my iPod, allowing me to take it on the road and enjoy it wherever the mood struck me. In some cases, the juxtaposition of Satie's music with my whereabouts provided yet another dimension of surreal-ity that had to be savored. The fact that most of these piano pieces are brief lends them to shuffling with other styles.



While this collection is not for the casual listener to classical music, it does allow you to come into closer contact with one of the more unconventional minds of classical music. If you are serious about late 19th- or early 20th-century music, especially French music, or the influence of popular music on serious music, then this is not only for you, but a bargain as well."
Wonderful piano music
Roger Berlind | NY, USA | 12/30/2008
(5 out of 5 stars)

"I bought this 5 CD collection of Satie piano music for my wife for Christmas since she mentioned liking a CD of Satie's piano pieces played by Pascal Rogé that I had on a few weeks earlier. We've listened to the whole collection and both enjoy it very much. It is unfortunate as another reviewer pointed out that the liner notes are only in French, but I imagine we'll be able to find a list of his works in English somewhere on the internet. Many of the pieces are short and there are so many of them that it would be hard to keep them apart even if we did have notes in English. We're just happy to have all this beautiful music to listen to. I'm not musically sophisticated enough to judge Ciccolini's interpretations of Satie's music, but they seem fine to me and the CDs sound good despite having been recorded between 1967 and 1971."