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Schubert: Impromptus D 899 & 935; Moments musicaux, D 780
Schubert, Fischer
Schubert: Impromptus D 899 & 935; Moments musicaux, D 780
Genre: Classical
 
  •  Track Listings (14) - Disc #1

Edwin Fischer's sense of flow and proportion is at its most effortless here, and his broader-than-usual pacing in the Impromptus pays expressive dividends. Too bad he plays the bowlderized G Major text for the G Flat Impro...  more »

     
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CD Details

All Artists: Schubert, Fischer
Title: Schubert: Impromptus D 899 & 935; Moments musicaux, D 780
Members Wishing: 0
Total Copies: 0
Label: Testament
Release Date: 5/12/1998
Album Type: Import
Genre: Classical
Styles: Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 1
SwapaCD Credits: 1
UPC: 749677114527

Synopsis

Amazon.com
Edwin Fischer's sense of flow and proportion is at its most effortless here, and his broader-than-usual pacing in the Impromptus pays expressive dividends. Too bad he plays the bowlderized G Major text for the G Flat Impromptu. Testament's transfers for the Impropmptus are more realistic in timbre and quieter in background noise than the very fine ones from Pearl and APR. --Jed Distler

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CD Reviews

Unequalled
04/03/2000
(5 out of 5 stars)

"Fischer transforms the music; this is not a set of piano impromptus anymore, but a promenade into novel sensibilities. Generally, no one has seen through this music as deeply as Fischer; Brendel comes close, but seems to lack a touch of magic. It may be that the otherworldliness of this recording comes parlty from the slightly etheral sound, just as beauty in a black-and-white photograph may stem partly from the abstraction afforded by the medium. Regardless, the pianism is breathtaking. For instance, the transition into the middle section of Op.90 #4 is sheer magic; the middle section itself is as tearing as Brahms' fourth symphony in the hands of Furtwangler. Listen also to the phrasing and rythmicity of op.142 #3. The piano is a beautiful Steinway of the 30's. The recording, even though remarkable for the time (1938), lacks bass. But the musical experience is unique."