Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Preambule. Quasi Maestoso - Piu Moto...
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Pierrot. Moderato
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Arlequin. Vivo
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Valse Noble. Un Poco Maestoso
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Eusebius. Adagio
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Florestan. Passionato
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Coquette. Vivo
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Replique. L'istesso Tempo
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Papillons. Prestissimo
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: A.S.C.H.-S.C.H.A. (Letteres Dansantes). Presto
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Chiarina. Passionato
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Chopin. Agitato
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Estrella. Con Affetto
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Reconnaissance. Animato
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Pantalon Et Colombine. Presto
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Valse Allemande. Molto Vivace
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Paganini. Intermezzo. Presto
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Aveu. Passionato
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Promenade. Comodo
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Pause. Vivo
Carnaval ('Scenes Mignonnes Sur Quatre Notes'), Op.9: Marche Des 'Davidsbundler' Contre Les...
Scenes From Childhood, Op.15: I. Foreign Lands And People
Scenes From Childhood, Op.15: II. Curious Story
Scenes From Childhood, Op.15: III. Catch Me If You Can
Scenes From Childhood, Op.15: IV. Pleading Child
Scenes From Childhood, Op.15: V. Happiness
Scenes From Childhood, Op.15: VI. Important Event
Scenes From Childhood, Op.15: VII. Dreaming
Scenes From Childhood, Op.15: VIII. By The Fireside
Scenes From Childhood, Op.15: IX. Knight Of The Hobby-horse
Scenes From Childhood, Op.15: X. Almost Too Serious
Scenes From Childhood, Op.15: XI. Frightening
Scenes From Childhood, Op.15: XII. Child Falling Asleep
Scenes From Childhood, Op.15: XIII. The Poet Speaks
Son No.2 in g, Op.22: I. So Rasch Wie Moglich
Son No.2 in g, Op.22: II. Andantino (Getragen)
Son No.2 in g, Op.22: III. Scherzo: Sehr Rasch Und Markiert
Son No.2 in g, Op.22: IV. Rondo: Presto
Ruth Slenczynska was one of the most famous piano prodigies ever. But after her childhood career, which did not include any recordings, she withdrew from performing and later published an autobiography detailing the hellis... more »h life her father had imposed on her. Slenczynska returned to public performance in the early 1950s, but she has never had a major career as an adult and has made only a few LPs. Ivory Classics has taken an interest in Slenczynska, reissuing a disc of uneven performances from early mono LPs (70802) and a superb live concert from the 1980s (70902). This is her first studio recording in decades, made in 1999. Although her technique is never in doubt, Slenczynska slights the virtuosic elements of Carnaval somewhat, making hers a performance mostly for introverts. In the more consistently lyrical music of Kinderszenen, though, she is rivetingly intense and very moving. She reads some rhythms in the opening movement of the Sonata rather oddly, but otherwise gives us a splendid performance, full of drama. The best elements of this disc make it well worth hearing. --Leslie Gerber« less
Ruth Slenczynska was one of the most famous piano prodigies ever. But after her childhood career, which did not include any recordings, she withdrew from performing and later published an autobiography detailing the hellish life her father had imposed on her. Slenczynska returned to public performance in the early 1950s, but she has never had a major career as an adult and has made only a few LPs. Ivory Classics has taken an interest in Slenczynska, reissuing a disc of uneven performances from early mono LPs (70802) and a superb live concert from the 1980s (70902). This is her first studio recording in decades, made in 1999. Although her technique is never in doubt, Slenczynska slights the virtuosic elements of Carnaval somewhat, making hers a performance mostly for introverts. In the more consistently lyrical music of Kinderszenen, though, she is rivetingly intense and very moving. She reads some rhythms in the opening movement of the Sonata rather oddly, but otherwise gives us a splendid performance, full of drama. The best elements of this disc make it well worth hearing. --Leslie Gerber
CD Reviews
Uncommon Clarity
Robin Friedman | 10/12/2000
(5 out of 5 stars)
"Schumann's inner voices have never been clearer than they are in Slenczynska's new recording. Hers are revisionist interpretations of remarkable importance."
Vintage Ruth, in a modern recording
Robin Friedman | 07/14/2000
(5 out of 5 stars)
"It's wonderful to have new recordings by Ruth, in modern HDCD stereo on a great piano."