Klavierquintett Es-dur, Op. 44: In modo d'una marcia, un poco
Klavierquintett Es-dur, Op. 44: Scherzo. Molto vivace
Klavierquintett Es-dur, Op. 44: Allegro ma non troppo
Andante und Variationen, Op. 46: Sostenuto-Andante espressivo-Un poco
Andante und Variationen, Op. 46: Piu lento-Animato
Andante und Variationen, Op. 46: Doppio movimento-Tempo primo-Piu
Fantasiestucke, Op. 73: Zart und mit Ausdruck
Fantasiestucke, Op. 73: Lebhaft, leicht
Fantasiestucke, Op. 73: Rasch und mit Feuer
Marchenbilder, Op. 113: Nicht schnell
Marchenbilder, Op. 113: Lebhaft
Marchenbilder, Op. 113: Rasch
Marchenbilder, Op. 113: Langsam, mit melancholischem Ausdruck
This Schumann program, recorded live, features two quintets and two duos, including one of his most popular works, the Piano Quintet, and one of his most obscure, the Andante and Variations for two pianos, two cellos, and ... more »horn. The performances here, by eight great players with towering personalities who will go to any length to bring out and underline character, contrast, and expression, are technically stunning, tonally gorgeous, and emotionally voluptuous. This is Schumann played with rapturous romantic ardor and great freedom rather than poetic tenderness, inwardness, and restraint. The fast movements are wild and tempestuous, the slow ones languidly dreamy; dynamics range from whispers to explosions; rhythmic liberties and tempo changes are extreme. However, there is no doubt that all these excesses represent a genuine response to the music, not a striving for cheap external effect. Martha Argerich, who participates in every piece, puts her inimitable stamp on all of them, but always as an equal partner. Only in the Variations with their predominant piano parts (Schumann actually recast them for two pianos) does she seize and enjoy the opportunity for soloistic abandon. The cello version of the Fantasy Pieces with Natalia Gutman and the Fairy Tale Pictures with Nabuko Imai are extremely free, with lots of lingering, speeding up, and slowing down, but the playing evokes a fantastic, spooky fairyland atmosphere, going from hesitant and wistful to jaunty and exuberant. The lovely final Fairy Tale is both a lullaby and a valediction, its hauntingly beautiful melody drifting away into sleep and dreams. --Edith Eisler« less
This Schumann program, recorded live, features two quintets and two duos, including one of his most popular works, the Piano Quintet, and one of his most obscure, the Andante and Variations for two pianos, two cellos, and horn. The performances here, by eight great players with towering personalities who will go to any length to bring out and underline character, contrast, and expression, are technically stunning, tonally gorgeous, and emotionally voluptuous. This is Schumann played with rapturous romantic ardor and great freedom rather than poetic tenderness, inwardness, and restraint. The fast movements are wild and tempestuous, the slow ones languidly dreamy; dynamics range from whispers to explosions; rhythmic liberties and tempo changes are extreme. However, there is no doubt that all these excesses represent a genuine response to the music, not a striving for cheap external effect. Martha Argerich, who participates in every piece, puts her inimitable stamp on all of them, but always as an equal partner. Only in the Variations with their predominant piano parts (Schumann actually recast them for two pianos) does she seize and enjoy the opportunity for soloistic abandon. The cello version of the Fantasy Pieces with Natalia Gutman and the Fairy Tale Pictures with Nabuko Imai are extremely free, with lots of lingering, speeding up, and slowing down, but the playing evokes a fantastic, spooky fairyland atmosphere, going from hesitant and wistful to jaunty and exuberant. The lovely final Fairy Tale is both a lullaby and a valediction, its hauntingly beautiful melody drifting away into sleep and dreams. --Edith Eisler
"As Martha Argerich approached her peak years, she shifted her focus from her legendary, firery solo recitals to the more 'relaxed' group experience of chamber music. And judging from this CD (and her Brahms /Mendelssohn live recording also on EMI), she seems to emensely enjoy it. This CD is recorded live at the Concertgebouw, Holland, in 1994 with several musical friends including Misha Maisky and - along with its companion pieces on another disc - remains a landmark recording. The Amazon reviewer summarized things quite well above. The music here is alive and vibrant, ranging from full-out playing from the Argentinian in the Quintet's final two movements to her graceful support role in the other, haughtingly lovely chamber pieces.
The Schumann Quintet is a splendid example of Martha's versatile pianism where she maintains throughout a lively propulsion forward that one would expect from Ms. Argerich. Penguin Guide says Argerich's performance of the quintet is "the most dynamic and interesting on disc" - which is not hard to believe listening to this spirited and most enjoyable live performance. The Quintet is Schumann's finest chamber composition and, along with the quintets of Dvorak and Brahms, achieves masterpiece status in the repertoire. I cannot say I was thrilled with the sound ambiance here which is clear and full but lacks the richness and depth of tonality of modern recordings. But, thankfull, there is virtually no audience noise in this live recording, except some well-deserved applause at the end.
The other Schumann chamber works featuring horn, cello and viola are wonderfully rich in tone, relaxed in tempo and curiously eclectic at times as Schumann can be. The two cello solists bring sensuous, musically-rich playing against Argerich's smooth and expressive piano foundation. For VIOLA fans, the alluring and somewhat rare viola and piano sonata (Op. 113) features soaring lines from Ms. Imai's beautifully sounding viola. The duo-piano piece is also marvelous. Throughout these performances one gets the sense that Martha and friends are completely at one with the music, wonderfully in synch with each other and truly enjoying the moment - all of which leads to a memorable performance. Here is a really different Martha Argerich as compared to the dynamic soloist in her legendary recitals - but one no less able to bring the sense of drama and anticipation to the music she is known for. Also, her live performance of Brahms' "Quintet" (for piano duo, Op. 34b) and Mendelssohn's piano trio #1 also on EMI is equally satisfying and highly recommended. Both live recordings give you a sense of being right in the front row of the action and witnessing great music by great musicians."
Familiar and Unfamiliar Schumann Done to a Turn
M. C. Passarella | Lawrenceville, GA | 08/06/2005
(5 out of 5 stars)
"Fine, fine performances of a Schumann standard and a wonderful Schumann rarity. I won't say that the Quintet plays itself, but there are enough fail-safe elements--winning melodies, high drama in the slow movement, and that famous double fugue in the finale--that if you're a group of musicians with a high level of proficiency, you can produce a decent interpretation of this music. In fact, I haven't heard a bad performance on disc. But this one by Chang and Company is certainly among the best I've heard. The playing is predictably superb, but then the interpretation captures all those famous felicities just about to perfection. And in the fast movements there is the special abandon that often takes over in live performance, here creating thrilling results rather than merely frenetic ones.
But the main reason to get this disc is for the Schumann Andante Variations. I have never heard or even heard mention of a performance in either of my two cities, Atlanta and Philadelphia, in the 30 or so years I've been interested in such matters. The main problem, I guess, is bringing together two fine pianists and cellists PLUS two horn players capable of bringing off Schumann's ripely romantic gestures. There's not a lot for the string and brass players to do all the time, but when called on, they have to produce, especially the horn players. This is lovely music, maybe even more at the core of what Schumann is all about than the Quintet, with its formal structure and classic mien. This performance is certainly about the best I've heard on disc.
The only letdown, a small one, is that the live recording is a bit dry and clinical. This is more evident in the Quintet for some reason than in the Andante and Variations. And it doesn't seriously detract from the many musical joys on display."
Does not get better than this
Argerich Fan | Ohio | 07/11/2006
(5 out of 5 stars)
"This Schumann album, with special thanks to Martha Argerich, quite possibly contains the best live performances of this music captured for posterity and the marvelled enjoyment of many. As far as the Piano Quintet alone is concerned, with the energy and controlled passion of its live performance, there is no equal in print."
Listen for "The Black Cat" theme.
ROBERT H. COLCOCK | LANDOVER HILLS, MARYLAND United States | 08/22/2006
(5 out of 5 stars)
"I confess that I was intersted in this more for the theme which was used in the old movie "The Black Cat" with Bela Lugosi & Boris Karloff. This recording is a great introduction to Robert Schumann chamber music. Performance is perfect in my opinion."