Search - Scott Tinkler :: Backwards

Backwards
Scott Tinkler
Backwards
Genres: Jazz, Special Interest
 
  •  Track Listings (8) - Disc #1

Recorded in one day, mixed in one day and practiced for twenty three years; Backwards is an astounding musical journey from one of Australia s finest trumpet players and jazz improvisers, Scott Tinkler. Tinkler, winne...  more »

     
?

Larger Image

CD Details

All Artists: Scott Tinkler
Title: Backwards
Members Wishing: 0
Total Copies: 0
Label: Extreme Recordings
Original Release Date: 1/1/2007
Re-Release Date: 5/29/2007
Album Type: Import
Genres: Jazz, Special Interest
Style: Experimental Music
Number of Discs: 1
SwapaCD Credits: 1
UPC: 842994004028

Synopsis

Product Description
Recorded in one day, mixed in one day and practiced for twenty three years; Backwards is an astounding musical journey from one of Australia s finest trumpet players and jazz improvisers, Scott Tinkler. Tinkler, winner of the 1996 Australian Jazz award and two ARIAs for best Jazz album, is well known for his many brilliant incarnations as an ensemble player, recording and touring with such groups as The Australian Art Orchestra, Mark Simmonds Freeboppers, The Paul Grabowsky Quintet and The Dale Barlow Quintet as well as with international artists such as Mark Helias, Joe Lovano, Betty Carter, Branford Marsalis, Han Bennink, Billy Harper, Arthur Blythe, Cindy Blackman, Karaikudi R Mani and more. With these credentials, Tinkler has a lot of ears trained in his direction. Testament to his talent, Backwards is a remarkable and demanding outpouring of musical invention. When Tinkler was asked by Extreme to record a solo album, something way outside his normal group context and his comfort zone, he had no real idea what the result would be. I thought I would be able to blast the trumpet with full gusto but sensitivity to the sound and the space needs to be observed. When I played I had no idea how long I was playing for. I was in a dream state, all of my senses were attuned to the music around me, explained Tinkler. Backwards was recorded with no overdubs, no edits and no processing. It is a real time experience that was documented and mixed to capture the music as Tinkler heard it when he was playing. The recording process involved a variety of other instruments in the studio at the time. These ranged from a piano, a bass drum, a cymbal to a bucket of water. Tinkler has a few other tricks up his sleeve, taking his trumpet apart and blowing it in ways only he knows how. (Maybe it s true that he can play backwards!) It was an experience that exceeded my expectations. It exhilarated and exhausted me, both emotionally and physically, Tinkler affirmed. By
 

CD Reviews

Music from a Creative Mind and Instumentalist: Scott Tinkler
Grady Harp | Los Angeles, CA United States | 05/06/2007
(5 out of 5 stars)

"From the fine cover art on this CD, through the 'real time' untampered production values, to the artist himself, BACKWARDS is anything but! Scott Tinkler is a jazz trumpeter from Australia, a highly regarded musician with many awards in his home country, but with the release of this exciting new CD be becomes something more.



BACKWARDS is a solo album: Scott Tinkler has created a full CD of experimental music, alone in the studio, with only a few other instruments (piano used by stroking the strings, bass drum, cymbal, and a bucket of water) in his private space, instruments he himself plays as part of his music. The result is a sound few of us have ever heard before. The opening track suggests the sound of a didgeridoo ("a wind instrument of the Indigenous Australians of northern Australia sometimes described as a natural wooden trumpet or 'drone pipe'. Musicologists classify it as an aerophone" according to the dictionary). On other tracks he shines as a trumpeter of enormous range, adding the sound of dripping water, of zither-like piano strings, of echoes from the bouncing of his sound off a cymbal, and of using dissembled parts of his trumpet to make the instrument create strange tones.



Is this classical music or jazz? It is impossible to classify experimental music such as Tinkler has created on this solo venture and that fact may just be the next step from jazz into classical music we have all been pondering. Some of our finest composers today will doubtless become familiar with this groundbreaking album and incorporate Tinkler's ideas into works for orchestra. For those whose interest in music is broad and open to 'new work', this album is most certainly one of the landmarks in contemporary experimentation - a rewarding aural experience. Grady Harp, May 07"