"This is probably the very best interpretation of Shostakovich's eight symphony that exists on record. It is a stunning performance. Period.
However, while listening to this great live performance you have also to listen to an audience that doesn't know how to behave during a concert. For this particular occasion, hordes of coughers have invaded the concert hall. One really wonder what's going on, because they cough as much as possible during particular parts of the work. Are they trying to make a political protest or what? Do they hate Shostakovich?
In any case, I wonder why some people apparently love to cough during concerts. As a frequent concert goer, one may observe this behavior from time to time (but seldom as serious as in the case of this recording). It seems to be a social thing: if one cougher starts, others will follow.
But in my view, this behavior is comparable with putting snot and other disgusting things on famous paintings in an art gallery. Hence you concert coughers destroy works of art! Buy a record instead and stay home!
Next time I sit next to a cougher during a concert, I'll smash that cougher's nose. Beware, all you coughers!
(Concert coughers will not find this review helpful.)
"
A Magnificent Performance Badly Marred by Constant Coughing
Classicalfan | Reston, VA USA | 12/28/2005
(2 out of 5 stars)
"I have a live recording on the Erato label of Mravinsky and the Leningrad Philharmonic performing Shostakovich's Fifth Symphony; like almost any live performance, it has some audible coughing. Yet, I wouldn't let that stop me from giving that other CD a rating of 5 stars.
But here the coughing is out of control. I have hundreds of CDs in my classical music collection, including many live performances of symphonies and concertos. Most of these live recordings have the sound of at least a couple of coughs, or more, in the audience, which I understand and accept as inevitable. I buy CDs of live performances and on many occasions have been very pleased with their dynamic energy. But, in this case, I don't recall having ever heard a live recording that comes close to having as much constant, non-stop coughing in the audience as this one. This recording completely breaks, batters, and shatters, every pre-existing record for audience coughing on a CD that I am personally acquainted with.
This is a stellar performance by the orchestra and conductor, but the only time one doesn't hear coughing is in some passages where the entire orchestra is playing loudly enough to drown out the coughs. In every slow passage there is the non-stop punctuation of hacking coughs in the audience. The coughs are frequent and very audible, coming through with highly irritating clarity.
I realize that I stand alone amongst the other reviewers in giving this recording such a low rating, the lowest that I have ever given to any classical music CD. In giving this low rating, I intend no disrespect to Mravinsky, one of the greatest conductors of the twentieth century, and a conductor who knew Shostakovich personally and premiered a number of his works. But, that being said, the purpose of buying a CD, after all, is presumably to listen to it and appreciate the quality of the performance more than once, listening to it a number of times over the years. Having heard this CD once, with its epidemic of coughs, I do not care to listen to it again. If it were not for the clearly audible constant coughing, I would gladly have given this CD five stars and might even have recommended it as a desert island CD.
There are several fine recordings of Shostakovich's 8th Symphony, under very talented conductors. I would recommend Haitink or Gergiev for excellent recordings of this symphony."
A reference performance
R. J. Claster | Van Nuys, CA United States | 03/23/2002
(5 out of 5 stars)
"This performance(which is the premiere of the work in concert in Great Britain from 1960) has tremendous power and intensity. The playing of the Leningrad strings is marvelous in its tonal fullness and precision, and no other interpretation that I have heard conveys such a relentless drive and power in the 2nd and 3rd movements.
Finally, the recording, which is in stereo, has very good clarity and dynamics. The only caveat I would make is that there are a number of coughs and sneezes sprinkled throughout the performance. A must have for Shostakovich lovers!"
A Shattering Symphony
D. A Wend | Buffalo Grove, IL USA | 07/18/2006
(5 out of 5 stars)
"This recording of Dmitri Shostakovich's Eight Symphony comes from the UK premier on September 23, 1960. Who better to introduce this symphony than Evgeny Mravinsky, to whom the symphony was dedicated and was the first to perform it (although not with the Leningrad Philharmonic). Also, as a reviewer in Gramophone pointed out, many of the orchestra members had lived through the turbulent period of World War II and the oppressive regime of Stalin and bring an intensity to their playing that is unmatched by other orchestras.
I have some live recordings where there is substantial coughing and noise. A case in point is the recording of Mahler's Ninth Symphony conducted by Bruno Walter with the Vienna Philharmonic from 1938. I was expecting this recording to be endlessly riddled with coughing from the several comments I have read but it was not quite as bad as I was expecting.
The first movement has some coughing near the beginning but quiets down as the great waves of sound came crashing. The second and third movements are cough free (certainly due to the loudness of the music) but the Passacaglia is spoiled with cough after cough. The coughing continues at the beginning of the Allegretto, then, fortunately, everyone is under the spell of the music at the conclusion permitting the orchestra to write on silence.
I have the 1982 performance of the Eighth also conducted by Mravinsky and played by the Leningrad Philharmonic; while that is a marvelous recording I find myself preferring the 1960 for the power of the reading. So despite a ruined Passacaglia I did enjoy the rest of the performance.
The Mozart on the bonus CD is nicely played and free from coughing, except for the intervals between movements when everyone lets go. The recording itself is nicely transferred to CD.
"
A stunning performance and a world-record for coughing
R. Hutchinson | a world ruled by fossil fuels and fossil minds | 08/09/2006
(3 out of 5 stars)
"5 stars for the performance and recording, 1 star for the presence of the most astonishingly disruptive coughing ever captured on record. The long (24'40") opening Adagio is utterly destroyed. This historic September 23, 1960 London performance by Mravinsky and the Leningrad Philharmonic (thought not its first performance in the U.K., as it turns out) might indeed be the benchmark recording if it was clean. Unfortunately, the superb 20-24 bit remastering by BBC Legends has reproduced the coughing in the same crystal-clear sound as the orchestra. What strikes me about Mravinsky and the LPO, other than the passion and intensity, is the strings. What a string section! This is also the case with the live 1980s Erato recording of the DSCH 5th Symphony (see my review), which also features some coughing, but not nearly as much as this 8th.
Fortunately, some that followed Mravinsky stood on his shoulders, and produced equally stunning performances of Shostakovich's 8th Symphony. Haitink and the Royal Concertgebouw Orchestra of Amsterdam on Decca is the recording I would recommend as the current benchmark (see my review). It is almost the same length as Mravinsky, with the same hurtling Allegretto and Allegro non troppo. Solti and the Chicago Symphony Orchestra is even better (from 1989, also on Decca), my personal favorite, but it is not currently available. Solti maintains a similar tempo to that of both Mravinsky and Haitink.
If you have not yet heard the 8th, then I recommend the Haitink. If you have, and you realize that it is one of the greatest musical works of the 20th century, depicting the tragedy and insanity of war, then I recommend hearing this powerful performance. Steven Johnson, writing in the July 2006 issue of Gramophone, the British classical music magazine, picked this 1960 Mravinsky recording as the best DSCH 8th of all time. I disagree, as I have explained. But in this Shostakovich Centenary year, it should definitely be more widely heard!
See my SHOSTAKOVICH: A CENTENARY LISTENER'S GUIDE for more recommendations and reviews."