Cale E. Reneau | Conroe, Texas United States | 04/09/2006
(4 out of 5 stars)
"You always feel a little behind-the-pack when you first hear an album 2 years after it's intial release. Concordantly, you feel like a bigger tool when you review an album 2 years after it's initial release. That, however, is precisely what I am doing. In my defense, the album wasn't released in the United States until January 10, 2006. I think there's a good 4 month window where it is appropriate to review a piece of work and I generally follow that rule of thumb. So, seeing as how I have never been outside of the United States of America, I finde it more than appropriate to review Sia's 2004 album "Colour the Small One."
Disclaimers aside, this is a beautiful album. Being, as the Europeans would say, a narrow-minded American, you have probably never become acquainted with Sia, at least in the personal sense. Fans of the group Zero 7 can immediately distinguish her voice as a frequent guest vocalist for the group, including the song "In the Waiting Line" from the Garden State soundtrack. Her voice is soft, intimate, and painful. A random assortment of adjectives, yes, but it accurately depicts the heart and soul of this album.
At first listen, you'll love it. This is not a stretch. But listen to it again, focus on the lyrics and you'll be entering Sia's world, where her most intimate thoughts and emotions are revealed. It's a refreshing experience, but at the same time, a frightening one. So rarely does an artist open up and become frank with her audience. It's as if Fiona Apple softened her voice and made an entire album of the song "Parting Gift."
Sia begins the album by proclaiming "You don't know me/You can't hold me/I'll slip through your hands/I am one single grain of sand." However, by the end of the album you'll feel as if you know her better than herself, and in truth, you just might. Indeed, with tracks like "Natale's Song," it's hard not to feel like you've known this girl for years ("She barely speaks/But I hear her breathing/That's all I need...Momentarily, she brings peace to me").
"Colour the Small One" is best summed up as Sia beautifully sings "I can't detach from the past and all of the pain/I need to learn, start from scratch begin again." As you listen to this album you realize what a cathartic experience this must have been for the artist. Though she makes herself immensly vulnerable, it is particularly comforting to know that when it's all said and done, she has grown as a person and as an artist. As listeners, we can only thank her for letting us all partake in that experience.
Recommended for fans of Tori Amos and Feist. Don't pass up this album.
Key Tracks:
1. "The Bully"
2. "Natale's Song"
3. "The Church of What's Happening Now"
4. "Where I Belong"
4 out of 5 Stars"
Fantastic CD
Akemi | Rockland, MA United States | 01/11/2006
(5 out of 5 stars)
"Sia's vocals are painful, heartfelt and intense. The melodies on this CD are excellent and well arranged from the old fashioned piano in Breathe Me to the electric guitar work in Moon. I adore the arrangement of these songs, the raw vunerability of them. This is the sort of thing I love to hear in music. Strong powerful feelings, excellent lyrics."
Wow is right
inhighspeed | Orlando; Washington DC | 02/21/2006
(4 out of 5 stars)
"I will probably regret not giving this cd 5 stars. This is an intriguing cd. "Rewrite" starts off, an incredibly engaging song, with a smoldering yet hopeful "happy chorus," as one critic has described it. It has a laughing through tears quality, you don't know if she's just met a new love, walking out on the old one, or if the song is about the creative process, with literal "rewrites," and the lyrics are somewhat cryptic. Other highlights are "The Bully," "Moon," "Sunday." I don't know who to compare her to; totally original, incorporeal, melodic Euro-pop (although she is from Australia), but fans of Tori Amos and Charlotte Martin should like."
Nelly Furtado meets Dido... but softer
Manny Hernandez | Bay Area, CA | 09/08/2006
(5 out of 5 stars)
"Like many, I became acquainted with Sia's music before I knew who she was, while she sang with Zero 7. Learned to love her voice, but honestly I had no idea she was back until I picked up the second part of the OST for "Six Feet Under" and heard her singing "Breathe Me" (which happens to play to the last scene in the last episode of the last season). I was blown away by her.
In "Colour the Small One" she fixes a place for herself, somewhere between Nelly Furtado and Dido, with a softness more typical of the lounge space that she came from (with Zero 7), resulting in a very interesting album that makes her an artist to keep an eye on in the future."
Her name drew me in first
Cecelia J. Cook | Houston,TX USA | 04/05/2007
(5 out of 5 stars)
"I went to the store to buy a Zero 7 CD. The clerk asked me if I was familiar with the female singer on the CD named Sia. I looked at him with a smile and asked "Who?".He repeated her name. I was smiling because her name sounds exactly like what my sisters call me, although my name is Cecelia. It is written "Ceya" when they've written their version of my name. Needless to say to all who are reading this: THE GIRL AIN'T PLAYIN'!! She struck me like an open-hand slap when I heard her sing "You don't know me...." on the opening of REWRITE. I am a Black 46yr old female who may have lived every song on the CD. 'SUNDAY' has a rolling, lazy funk about it. 'NUMB' ain't lyin'....'THE CHURCH OF WHAT'S HAPPENING NOW' has Sia pleading "Go away yesterday" as if they're her last words. I just fell in love with her. I consider her a Master Wordsmith. She is a voice I find myself having to hear every day since buying this CD. She speaks to me. Oh! and I can't forget those fantabulous musicians who are doing a hellified job crafting those melodies. This Ceya LOVES Sia!!!"