Jean Sibelius, Mikko Franck, Radio Symphony Orchestra Sibelius: En Saga / Lemminkäinen Legends - Swedish Radio Symphony Orchestra / Mikko Franck Genre:Classical Ondine's booklet tells us that the young Finnish conductor Mikko Franck (a graduate of Helsinki's Sibelius Academy and still just in his early 20s) has already been creating quite a stir in Scandinavia--no wonder, if this ... more »incredibly promising debut CD is anything to go by. En Saga immediately proclaims a vital and intelligent personality on the podium. Textures are imaginatively sifted, phrases thoughtfully shaped, and there's a strong sense of slumbering, bardic atmosphere--in the dusky coda, the clarinet's unforgettably poignant song resonates with an elemental mystery as old as time itself. The Lemminkäinen Legends are even more distinctive, nowhere more so than in the opening "Lemminkäinen and the Maidens of Saari," which Franck surveys in extraordinarily individual fashion (the love music now glows with a voluptuous, positively Wagnerian ardor). "The Swan of Tuonela" glides across the water with a somber, lofty majesty, while the strings' dusky tremolandi in "Lemminkäinen in Tuonela" really do chill to the marrow. Even in "Lemminkäinen's Return," Franck artfully avoids any hint of excitable bluster. While not displacing Segerstam's masterly and characterful Legends (also on Ondine) at the top of the pile, Franck's intensely stimulating interpretation certainly demands to be experienced. --Andrew Achenbach« less
Ondine's booklet tells us that the young Finnish conductor Mikko Franck (a graduate of Helsinki's Sibelius Academy and still just in his early 20s) has already been creating quite a stir in Scandinavia--no wonder, if this incredibly promising debut CD is anything to go by. En Saga immediately proclaims a vital and intelligent personality on the podium. Textures are imaginatively sifted, phrases thoughtfully shaped, and there's a strong sense of slumbering, bardic atmosphere--in the dusky coda, the clarinet's unforgettably poignant song resonates with an elemental mystery as old as time itself. The Lemminkäinen Legends are even more distinctive, nowhere more so than in the opening "Lemminkäinen and the Maidens of Saari," which Franck surveys in extraordinarily individual fashion (the love music now glows with a voluptuous, positively Wagnerian ardor). "The Swan of Tuonela" glides across the water with a somber, lofty majesty, while the strings' dusky tremolandi in "Lemminkäinen in Tuonela" really do chill to the marrow. Even in "Lemminkäinen's Return," Franck artfully avoids any hint of excitable bluster. While not displacing Segerstam's masterly and characterful Legends (also on Ondine) at the top of the pile, Franck's intensely stimulating interpretation certainly demands to be experienced. --Andrew Achenbach
CD Reviews
Absolutely shamanic; best if listened to with lights out.
Bob Zeidler | Charlton, MA United States | 03/23/2001
(5 out of 5 stars)
"Once, when much younger, I performed a little experiment while listening to the First Symphony of Jean Sibelius. I simply turned the lights out and listened to it in total darkness. The experience was a revelation; simply put, I was transported to an imaginary world in which my heightened senses could easily conjure up the far-North vistas that Sibelius' music captures.
In the years since that experiment, I have repeated it many times over, both with the music of Sibelius and with the music of a wide range of other composers. For reasons that I am totally incapable of explaining, the effect has always worked best for Sibelius. (This is almost to the total exclusion of other composers, quite a few of whom I otherwise rank at least as high as Sibelius in terms of more conventional music values.) So I quite simply accepted the fact that there is something special in the ability of Sibelius as a shamanic conjuror, whether that was his intent or not. Certainly, others can listen to his works as "absolute" music and not share this odd conclusion of mine.
Of all the music written by him, the tone poems are certainly at the top of this "lights out" experience. While I will not attempt to list and rank every one of them in terms of this eerie phenomenon, certain ones - "Pojola's Daughter," "Tapiola," "Nightride and Sunrise," the "Lemminkäinen Legends" - would be included. And "En Saga." Definitely, always, and first at the top, "En Saga." This led, over time, to a collecting frenzy, to see if it were possible to pick a performance which outdid all the others in terms of this effect. For quite a length of time, my personal "best of breed" had been the Ashkenazy performance on Decca, with the Philharmonia Orchestra, coupled with the 5th Symphony.
Now, along comes this 22-year-old kid, Mikko Franck, pretty much out of nowhere (actually, out of the Sibellius Academy) to turn matters upside-down. In a phrase, I need search and spend no longer, because Maestro Franck truly has the measure of this music.
This is the most visceral, exciting, shamanic and best-performed and recorded "En Saga" there is, in my humble opinion. I cannot find enough fine words to describe the playing of the Swedish Radio Symphony Orchestra. But I will single out the principal clarinetist, who has a major part toward the end of the work, done to absolute perfection.
The "Lemminkäinen Legends" are performed with equal aplomb. For those who are familiar only with the most famous of these, "The Swan of Tuonela," it needs to be said that the other three legends are of equal interest and significance. The final movement, "Lemminkäinen's Return," while shorter than "En Saga," matches it in its shamanic conjuring ability.
I can only hope that the next Sibelius project for Franck will include the other tone poems noted in the third paragraph of this review. I cannot see how this young man could possibly fail at these, given what he accomplishes in this album under review.
Try this album with the lights out yourself. You too might reach a similar conclusion, with equally enhanced listening and ability to conjure up those far-North vistas.
Bob Zeidler"
Phenomenal
Jonathan E. Thompson | Pensacola, FL | 02/11/2002
(5 out of 5 stars)
"I must disagree...this recording DOES displace Segerstam's! It's almost impossible to describe the breathtaking beauty of this album. Mikko Franck has perfectly captured the essence of Sibelius and the dark, frozen land of which he wrote. The SRSO plays immaculately, and the strings in particular are simply electrifying. The opening of "Lemminkainen in Tuonela" will make your hairs stand on end! "The Swan of Tuonela," the most famous of the legends, is also rapturously played, heartbreaking in its sad loveliness. This cd is a must for any fan of Sibelius. It is absolutely stunning!"
A Brilliant Performance
Grady Harp | 03/23/2001
(5 out of 5 stars)
"First of all this recording was a 2001 Grammy Nominee. Second it is one of the best performances of Sibelius I have heard in a long time. Mikko Frank is a conductor who will I feel bring us many fine recordings in the future. He must have been near the top of his class. Some orchestra will be very fortunate to have him at its helm, maybe an American one. The Ondine recording is a very good one, as one might expect with a label that represents one of the better of the independent ones on themarket today. I certanly hope that Mr. Frank and the Swedish Radio Symphony will be heard from again soon."
Another Satisfying Account of Two Lesser Known Sibelius Mast
Grady Harp | Los Angeles, CA United States | 04/20/2007
(5 out of 5 stars)
"Finnish conductor Mikko Franck is a force of growing importance in the concert halls around the world. This 2000 recording of 'En Saga' and 'Lemminkäinen Suite: Four Legends from the Kalevala' by his fellow countryman Jean Sibelius with the Radio Symphony Orchestra is stunning in clarity of the massively complex lines and in propulsive drive of the works. For this listener the recording by Franck's senior, Esa-Pekka Salonen with the Los Angeles Philharmonic from 1992, is still the definitive version, but this recording is a triumph nonetheless.
The Lemminkäinen Suite is far too seldom performed as it is some of Sibelius' most vibrantly beautiful work. The long suite (50 minutes) has no dull moments, is full of dramatic urgency and tension, and stops for one of the treasures of 20th Century composition - 'The Swan of Tuonela' which is the third 'movement' in the suite, one of the loveliest pairings of the English horn and the cello. Sibelius' tendency to dwell on the unresolved massive chord, finding every corner of the sonics of that chord pause before moving to yet another unresolved chord is what makes his climaxes almost unbearably beautiful. In a recent performance by Salonen and the LA Phil in Disney Hall, a performance fifteen years after their recording, the true brilliance of the suite found the perfect home: one only hopes that there will be a new recording of the fully matured work with these forces soon.
The sonics of this recording are splendid and the sound of the orchestra is majestic and rich. Mikko Franck is definitely a conductor to watch, especially as a master of Sibelius, and this recording is as fine an introduction to the man's gifts as any. Grady Harp, April 07"