Slaid Cleaves, called "one of the finest singer-songwriters from Texas" by The New York Times, ventures into exciting new territory on the follow up to the acclaimed Broke Down. Delivering hard hitting songs and a more mus... more »cular sound by producer Gurf Morlix (Lucinda Williams, Robert Earl Keen), Wishbones is the strongest album yet from this captivating artist.« less
Slaid Cleaves, called "one of the finest singer-songwriters from Texas" by The New York Times, ventures into exciting new territory on the follow up to the acclaimed Broke Down. Delivering hard hitting songs and a more muscular sound by producer Gurf Morlix (Lucinda Williams, Robert Earl Keen), Wishbones is the strongest album yet from this captivating artist.
"Slaid Cleaves is a great talent. His songs are sad but somehow when he sings them they come out beautiful and moving rather than depressing. I bought my first CD of his after hearing a live performance about 3 years ago. I quickly found that it was the CD that I played the most. 3 years later, I still play that CD and all his others more than any in my collection. He is also a great live performer. I have added Wishbones to my Slaid "playlist" on my computer (after legitimately purchasing it) and can tell that it will wear as well as the previous CD's.
BTW, the reviewer above (a music fan) who gave the CD one star and wrote the scathing review, wrote almost the same words in a review of a previous CD, "Broke Down" (You can read it for yourself if you go to the "Broke Down" reviews). It seems a bit fishy that "A music fan" bought and reviewed this CD after saying that the previous CD was a waste of plastic. While everyone has the right to his/her opinion, I am guessing this person has a personal problem with Slaid (jealousy maybe????) or maybe with Rounder Records. I wouldn't put much stock in it."
Aint broke don't fix it
medicinemusic | The Highlands of Scotland | 08/31/2004
(4 out of 5 stars)
"No huge surprises in Wishbones, "if it ain't broke don't fix it". So expect, top notch instrumentation (big iron strings and sliding steel abound ) and equally slick production and performance, emotional weight and clever wordplay, stories of the hard road, American fables, and lovelorn vinaigrettes.In his own words from the title track "this is real life no reality show" . The gritty Cleaves is again in cahoots with Austin production mentor and buddy Gurf Morlix, but this time he is really utilising Gurfs considerable guitaring skills to maximum effect. This album is a bit rockier with more band arrangements than the award winning 2000 release Broke Down. Cleaves says, with obvious pride, of Wishbones "The instrumentation becomes more a part of the story instead of the background to the story." It certainly feels comfortable on the ears to this listener, and I can see why Cleaves is comfortable with the arrangements to the extent he indicates.
The only complaint I can imagine from his legion of fans will be "why so long"? Slaid Cleaves is at his best when he is telling "beginning middle and end" stories and Wishbones, if anything, has even more story songs than Broke Down. He has a lazy affability and a deceptively well-honed ability to introduce characters, lay settings, communicate emotions and conduct a journey through verse long adventures, with either comforting or confronting choruses, to the inevitable moral filled conclusion and all in 3 minutes. Slaid is as good as it gets at this, and what is even better, from the point of view of an ardent gig goer, the hard working Cleaves ( whos musical trail started busking in Cork in the mid 80's where he was a student ) can still be found touring 10 months of the year and will in any given year be at a venue near you.
Though if this album is as user friendly as I suspect it is, and given some breaks, it can't be long until he will only be available live, as a dot at the end of some warehouse for £30 a ticket, see him while you can!
tracks:
01 Wishbones .... a jaunty guitar driven careworn but optimistic tale
02 Road Too Long.... a standard RnB truckers tune (six day in this mode but I'm going to get a hit this time)
03 Drinkin' Days.... His drinking days are over but he's still in trouble, bad luck doesn't always come in a bottle. The sequel to Horse Shoe lounge from Broke Down
04 Sinner's Prayer.... Blues tune, in a Peter Green style, a lament for the lost life.
05 Tiger Tom Dixon's Blues.... Reforged collaboration with his pall Rod Picott, the boxers tale
06 Below.... Nostalgic piece of childhood and childhood places both lost never to be seen again.
07 Quick as Dreams... The old timer Jocky's recollection, riding the thoroughbreds, in the racing hey day
08 Horses.... Moonshine Willie's tale, in a Jimmy Rogers style
09 Hearts Break.... Shuffering Blues and home spun philosophy, my favourite track.
10 Borderline.... Heartbreaking tale of a disenfranchised migrant worker
11 New Year's Day.... A Cajun feel good farewell to a friend
Rob Ellen
"
Great CD from start to finish!
medicinemusic | 03/21/2004
(5 out of 5 stars)
"Slaid Cleaves is one great relatively unknown singer/songwriter. Every cut on "Wishbones" is terrific, and each song is interesting musically and lyrically. So much better than anything being played on most radio stations. If you've never heard Slaid before, this CD or "Broke Down" released in 2000 are good starts. I can't think of a better Cd to take a chance on. You'll be hooked in no time."
A wise and warm voice - excellently produced album
6XERVANTES | Dortmund, Ruhr Valley, Germany | 04/17/2004
(5 out of 5 stars)
"Slaid Cleaves is quite definitely the best American singer-songwriter I've come across in recent years. This excellently produced album contains a string of first-class songs, each of which is full of warmth and wisdom. The first time I read about Slaid Cleaves was on the BBC music page, where the melancholy beauty and the wisdom of his songs are justly celebrated. Take, for example, 'Drinking days' or 'Borderline' - songs that go straight to the heart. A record to listen to many times over. Slaid's voice is the perfect instrument for these ballads, that reveal something that has become so rare in contemporary popular music - thoughtfulness and sensitivity. In other words, this guy observes -and strives to understand- people and their everyday problems and tragedies, shaping songs of elegant lyrics and haunting melodies.
As a German who's been in love with various styles of American music for a long time, in fact most of his life, this record is further evidence of an ability of sensitive and intelligent American songwriters that is totally unparallelled in German, French or British popular music: the ability to combine realistic, heartfelt poetry with beautiful melodies,
simply stating the truth, without imposing cheap solutions on
the listener or getting sarcastic."
So Good I Cried
OkieRambler | 04/14/2004
(5 out of 5 stars)
"I don't know, maybe I'm getting old, but Slaid's "Quick As A Dream" brings me to tears. As tragic as the story of the young jockey's death is, that isn't what makes me well up. I think it has more to do with the focus on the small details that make life precious. And thank you, Slaid, for the chorus. I can see the little old man in his room sharing his keepsake with his visitor, his eyes sparkling as he remembers that "sixty years ago I rode for the Diamond team, sailing by eight feet high on horses quick as dreams."The rest of "Wishbones" is also fine and excellently paced. For example, "Quick As a Dream" is followed immediately by a comic rounder's tale that reminds me of Tom T. Hall's "Faster Horses" and why I started liking so-called "country" music in the first place. It also reminds me of why I don't listen to much country radio, you just won't hear the "good stuff" there. I put "Wishbone" the same class with Rodney Crowell's "Houston Kid" and Mary Gauthier's "Filth and Fire." All three are albums that aren't necessary pretty or perfect, but always beautiful."