Say You Will - Sly & the Family Stone, Stewart, Sylvester
Mother Beautiful - Sly & the Family Stone, Stewart, Sylvester
Time for Livin' - Sly & the Family Stone, Stewart, Sylvester
Can't Strain My Brain - Sly & the Family Stone, Stewart, Sylvester
Loose Booty - Sly & the Family Stone, Stewart, Sylvester
Holdin' On - Sly & the Family Stone, Stewart, Sylvester
Wishful Thinkin' - Sly & the Family Stone, Stewart, Sylvester
Better Thee Than Me - Sly & the Family Stone, Stewart, Sylvester
Livin' While I'm Livin' - Sly & the Family Stone, Stewart, Sylvester
This Is Love - Sly & the Family Stone, Stewart, Sylvester
Crossword Puzzle [Early Version][*] - Sly & the Family Stone, Stewart, Sylvester
Time for Livin' [Alternate Version][*] - Sly & the Family Stone, Stewart, Sylvester
Loose Booty [Alternate Version][*] - Sly & the Family Stone, Stewart, Sylvester
Positive [*][Instrumental] - Sly & the Family Stone, Stewart, Sylvester
Track Listings (16) - Disc #2
Luv N' Haight - Sly & the Family Stone, Stewart, Sylvester
Just Like a Baby - Sly & the Family Stone, Stewart, Sylvester
Poet - Sly & the Family Stone, Stewart, Sylvester
Family Affair - Sly & the Family Stone, Stewart, Sylvester
Africa Talks to You "The Asphalt Jungle" - Sly & the Family Stone, Stewart, Sylvester
There's a Riot Goin' On - Sly & the Family Stone, Stewart, Sylvester
Brave & Strong - Sly & the Family Stone, Stewart, Sylvester
(You Caught Me) Smilin' - Sly & the Family Stone, Stewart, Sylvester
Time - Sly & the Family Stone, Stewart, Sylvester
Spaced Cowboy - Sly & the Family Stone, Stewart, Sylvester
Runnin' Away - Sly & the Family Stone, Stewart, Sylvester
Thank You for Talkin' to Me Africa - Sly & the Family Stone, Stewart, Sylvester
Runnin' Away [Single Version][*] - Sly & the Family Stone, Stewart, Sylvester
My Gorilla Is My Butler [#][*][Instrumental] - Sly & the Family Stone, Stewart, Sylvester
Do You Know What? [*][Instrumental] - Sly & the Family Stone, Stewart, Sylvester
That's Pretty Clean [#][*][Instrumental] - Sly & the Family Stone, Stewart, Sylvester
Track Listings (13) - Disc #3
Stand! - Sly & the Family Stone, Stewart, Slyvester
Don't Call Me Nigger, Whitey - Sly & the Family Stone, Stewart, Slyvester
I Want to Take You Higher - Sly & the Family Stone, Stewart, Slyvester
Somebody's Watching You - Sly & the Family Stone, Stewart, Slyvester
Sing a Simple Song - Sly & the Family Stone, Stewart, Slyvester
Everday People - Sly & the Family Stone, Stewart, Slyvester
Sex Machine - Sly & the Family Stone, Stewart, Slyvester
You Can Make It If You Try - Sly & the Family Stone, Stewart, Slyvester
Stand! [Simple Version] - Sly & the Family Stone, Stewart, Slyvester
I Want to Take You Higher [Single Version] - Sly & the Family Stone, Stewart, Slyvester
You Can Make It If You Try [#] - Sly & the Family Stone, Stewart, Slyvester
Soul Clappin' II [#] - Sly & the Family Stone, Stewart, Slyvester
My Brain (Zig-Zag) [#][Instrumental] - Sly & the Family Stone, Stewart, Slyvester
Track Listings (17) - Disc #4
Underdog
If This Room Could Talk
Run, Run, Run
Turn Me Loose
Let Me Hear It from You
Advice
I Cannot Make It
Trip to Your Heart
I Hate to Love Her
Bad Risk
That Kind of Person
Dog
Underdog [Single Version][*]
Let Me Hear It from You [Single Version][*]
Only One Way out of This Mess [*]
What Would I Do [*]
You Better Help Yourself [#][*][Instrumental]
Track Listings (15) - Disc #5
Dynamite!
Chicken
Plastic Tim
Fun
Into My Own Thing
Harmony
Life
Love City
I'm an Animal
M'Lady
Jane Is a Groupee
Dynamite! [Single Version][*]
Seven More Days [#][*]
Pressure [#][*]
Sorrow [#][*][Instrumental]
Track Listings (16) - Disc #6
In Time
If You Want Me to Stay
Let Me Have It All
Frisky
Thankful N' Thoughtful
Skin I'm In
I Don't Know (Satisfcation)
Keep on Dancin'
Que Sera, Sera (Whatever Will Be, Will Be) - Sly & the Family Stone, Evans, R.
If It Were Left Up to Me
Babies Makin' Babies
Let Me Have It All [Alternate Mix][#][*]
Frisky [Alternate Mix][#][*]
Skin I'm In [Alternate Mix][#][*]
Keep on Dancin' [Alternate Mix][#][*]
Babies Makin' Babies [Alternate Mix][#][*]
Track Listings (15) - Disc #7
Dance to the Music
Higher
I Ain't Got Nobody (For Real)
Dance to the Medley: Music Is Alive/Dance In/Music Lover
Ride the Rhythm
Color Me True
Are You Ready
Don't Burn Baby
I'll Never Fall in Love Again
Dance to the Music [Single Version][*]
Higher [#][*]
Soul Clappin' [*]
We Love All [#][*]
I Can't Turn You Loose [#][*]
Never Do Your Woman Wrong [#][*][Instrumental]
First, a sigh of exasperated relief--exasperation because it's taken a needlessly long time to get Sly and the Family Stone's catalog remastered and properly reissued. From the band's 1967 debut, A Whole New Thing through ... more »their 1974 swan song, Small Talk, the shifting band indulged everything from the long horn lines, fast rhythms, and quickly unmistakable urgent delivery of "Turn Me Loose," with its rapid, jerking funk rhythms and quick, sharp horn blasts, to the chilled groove, string backing, and slinky guitar on "Say You Will." In between there's an embarrassment of riches: The 1968 one-two punch of Dance to the Music's title track and "Higher" introduces a gleaming exuberance; everyone wants to get higher and dance, but slowly the tune titles and funky whimsy of tunes like "Chicken," "Love City," "Fun," and the sheer musical cheer of "Harmony," show that Sly's bridge from hard-hitting funk riffage to more rock, more pop got mixed up with significantly new commercial heights (and larger narcotic appetites) and, simultaneously, more instability and simmering fury. By 1969, Sly's newness was transformed, with Stand!'s "Don't Call Me Nigger, Whitey" snarl and droning organ and wah-wah guitar aplenty. The full-on blast of harmonica, fuzz guitars, and horns that opens "I Want to Take You Higher" just cemented the claim: Music would unite and fight and kick and get you high. The mega-hit "Everyday People" almost seems an anomaly in this company, a breezy harmony vocal backing, simple piano framing, reaching horn lines, and a churchy chorus. It's the biggest hit here, a true pop gem. Then there's "Sing a Simple Song" and its scouring, wordless shouts, a heavy beat backed by multiple voices half-atop each other, horn riffs jetting across guitar riffs, and an abrupt, scrambling end. It's a tight and tough embrace, an open door. It's 1969. Then a dystopian haze turns full-force for There's a Riot Goin' On. By 1971, Sly had his Hollywood mansion and legions of droppers-by laying down parts of Riot. The result is entrancing, backed often by an austere, early drum machine and featuring dope-glazed vocals, paranoid shadows and, of course, a stewing funk groove. Horns are here, thinned out so they jab harder, and the keyboards gleam and shimmer and icily coat the beats, which sound in today's parlance simply lo-fi. And the beats, they've slowed menacingly, with voices dropping in, dropping out. Drugs were flowing freely by this point, complicating Sly's sound, inadvertently making an album that matches its maker's psyche-in-time indelibly. Once 1973's Fresh emerges, the austere, haunted glaze happens beneath slow-stewing grooves, as on the seemingly frivolous "Frisky," where the drums and keys and horns are enmeshed tightly, showing barely any sonic separation. The great bassist Larry Graham had left the Family by now, replaced by Rusty Allen, whose bass pops up as framing, while the vocals go lean and languid, turning to moans and melismatic blurs as the groove stirs. "If You Want Me to Stay" is a highlight, and the album is deeply funky even while reaching across the divide toward pop (rather than the '60s albums bridges to psychedelic rock, which proved itself pragmatically limited for the more intensely rebellious public as the Vietnam War and Watergate sent long social shadows). As for Small Talk, it's the least ambitious, most settled session. The sounds are gorgeous in the new remastered form, making a new case for Small as a worthy bookend on your Sly shelf. Yes, he burned brighter and hotter and more furiously. It's still the same nervy mix, dramatic and intense. --Andrew Bartlett« less
First, a sigh of exasperated relief--exasperation because it's taken a needlessly long time to get Sly and the Family Stone's catalog remastered and properly reissued. From the band's 1967 debut, A Whole New Thing through their 1974 swan song, Small Talk, the shifting band indulged everything from the long horn lines, fast rhythms, and quickly unmistakable urgent delivery of "Turn Me Loose," with its rapid, jerking funk rhythms and quick, sharp horn blasts, to the chilled groove, string backing, and slinky guitar on "Say You Will." In between there's an embarrassment of riches: The 1968 one-two punch of Dance to the Music's title track and "Higher" introduces a gleaming exuberance; everyone wants to get higher and dance, but slowly the tune titles and funky whimsy of tunes like "Chicken," "Love City," "Fun," and the sheer musical cheer of "Harmony," show that Sly's bridge from hard-hitting funk riffage to more rock, more pop got mixed up with significantly new commercial heights (and larger narcotic appetites) and, simultaneously, more instability and simmering fury. By 1969, Sly's newness was transformed, with Stand!'s "Don't Call Me Nigger, Whitey" snarl and droning organ and wah-wah guitar aplenty. The full-on blast of harmonica, fuzz guitars, and horns that opens "I Want to Take You Higher" just cemented the claim: Music would unite and fight and kick and get you high. The mega-hit "Everyday People" almost seems an anomaly in this company, a breezy harmony vocal backing, simple piano framing, reaching horn lines, and a churchy chorus. It's the biggest hit here, a true pop gem. Then there's "Sing a Simple Song" and its scouring, wordless shouts, a heavy beat backed by multiple voices half-atop each other, horn riffs jetting across guitar riffs, and an abrupt, scrambling end. It's a tight and tough embrace, an open door. It's 1969. Then a dystopian haze turns full-force for There's a Riot Goin' On. By 1971, Sly had his Hollywood mansion and legions of droppers-by laying down parts of Riot. The result is entrancing, backed often by an austere, early drum machine and featuring dope-glazed vocals, paranoid shadows and, of course, a stewing funk groove. Horns are here, thinned out so they jab harder, and the keyboards gleam and shimmer and icily coat the beats, which sound in today's parlance simply lo-fi. And the beats, they've slowed menacingly, with voices dropping in, dropping out. Drugs were flowing freely by this point, complicating Sly's sound, inadvertently making an album that matches its maker's psyche-in-time indelibly. Once 1973's Fresh emerges, the austere, haunted glaze happens beneath slow-stewing grooves, as on the seemingly frivolous "Frisky," where the drums and keys and horns are enmeshed tightly, showing barely any sonic separation. The great bassist Larry Graham had left the Family by now, replaced by Rusty Allen, whose bass pops up as framing, while the vocals go lean and languid, turning to moans and melismatic blurs as the groove stirs. "If You Want Me to Stay" is a highlight, and the album is deeply funky even while reaching across the divide toward pop (rather than the '60s albums bridges to psychedelic rock, which proved itself pragmatically limited for the more intensely rebellious public as the Vietnam War and Watergate sent long social shadows). As for Small Talk, it's the least ambitious, most settled session. The sounds are gorgeous in the new remastered form, making a new case for Small as a worthy bookend on your Sly shelf. Yes, he burned brighter and hotter and more furiously. It's still the same nervy mix, dramatic and intense. --Andrew Bartlett
CD Reviews
AWESOME!!! I CAN'T STAND THE JOY!!!
PiggyAlice | 04/11/2007
(5 out of 5 stars)
"Yeah, I Know those 3 amazing tracks are missing, and yes, it is a mistake. But What you got here is an incredible boxset with the first seven Sly & The Family Stone Records!!! Go for ANY Greatest hits for those songs, i would recommend "the Essential" which also contains the song "High On You" which is ultra-funky. And that collection aint really expensive for 2 excelent cds, even if you have this boxset. Besides is a good introduction to the band.
I MEAN COME ON!!! I BEEN PRAYING FOR THIS BOXSET TO SEE THE LIGHT OF THE DAY. AND NOW, IN A SINGLE PURCHASE YOU CAN HAVE 7 MASTERPIECES OF 20TH CENTURY MUSIC. EVERY SINGLE SONG ON THIS BOXSET IS UP THERE WITH THE MUSIC OF DUKE ELLINGTON, FRANK ZAPPA, MILES DAVIS, GEORGE CLINTON, CHARLIE PARKER AMONG MANY OTHERS (MOST OF THEM SEMI-FORGOTTEN LIKE SLY)
But trust me, this box isn't everything you need from sly and the family stone. If you like this stuff, you have to go for the "sly Stone" album "High On You" which is GREAT, but so under rated, and "Back on the right track", "Heard you missed me" and "Ain't But the One Way" which are really good, dont listen to the fools who say those arent worth the price. They worth a lot more. Even "Seventh Son" if you're a completist.
Let's push for a live record because we REALLY need that. And The DVD. This generation gotta get to understand the genius of this music. I know that, because i'm only 19 years, and i'm south american, from Colombia, and yes i'm kinda new to sly's music but i know this stuff will never let me see music the same way again.
IT'S SO DINAMIC, CREATIVE, PASSIONATE, FUNKY, HEART-BREAKING, ALL AT THE SAME TIME. NOTHING NOWDAYS COME EVEN CLOSE TO WHAT YOU'RE ABOUT TO HEAR IF YOU BUY THIS BOXSET. DONT DOWNLOAD SOME SONGS. SEARCH DEEP IN YOUR POCKET. SAVE THE MONEY NEEDED. DONT SPENT EATING. THIS WILL BE YOUR FOOD. AT LEAST THIS IS MINE. RIDE ON SLY!!!!! YOU KNOW YOU'RE THE BEST!.
"
This "Collection" is missing KEY tracks!
E. Harl | 04/11/2007
(3 out of 5 stars)
"This set could easily have been five stars. A one-stop shop for all your Sly & the Family Stone needs. But for some reason, they decided to omit three songs:
1 - Hot Fun in the Summertime
2 - Everybody is a Star
3 - Thank You (Falettinme Be Mice Elf Agin)
Really, they couldn't have added these to the end of "Stand!"? And what really hurts is I found this out after paying 50 bucks and tax for it. There was no tracklist on the box itself, but I naturally assumed these would be included. I'm still shaking my head in disbelief."
So much great material, but not quite as complete as it coul
Michael Stack | North Chelmsford, MA USA | 05/18/2007
(4 out of 5 stars)
"This boxed set makes progress towards rectifying the sad state of the Sly & the Family Stone catalog-- a band that's pretty much fallen off the radar, the enormous influence that Sly Stone and his musicians had on music can't be underestimated. From their peers coming out of San Francisco to the fusion movement that kicked off a few years after their first records (Miles Davis was a huge fan) to pretty much all funk, soul, r&b and hip-hop music since these records, Sly Stone laid out the blueprint for much of modern music.
"Collection" draws together the band's first seven albums, all remastered with bonus tracks, reprinting of the original liner notes and a new liner notes essay, with each CD packaged in a digipack and housed in a sturdy slipcase style box. There's nothing in here that's not on the individually reissued CDs that followed this release by a couple weeks, so if you're wanting all of these, price should be your gating factor as to whether or not to go with the box or the individual CDs (unless you really want the slipcase...). The remastering done here is top notch-- everything sounds crisp and clear and the depth of the music really gets a chance to shine. The bonus tracks by and large alternate versions, different mixes, a couple early recordings, and a seemingly endless array of instrumental pieces. Some of them are fantastic ("Fresh" seems to have the best), for the most part they're more interesting than essential.
The music itself... if you're not familiar, this is the blueprint. As I've started listening to Sly & the Family Stone only recently, I'm amazed how oddly familiar and yet how unique this material can be. Sly Stone was definitely the mastermind here, writing, producing and singing most the leads as well as contributing primarily on organ (among other instruments), with the first integrated band, featuring women in instrumental roles rather than simply as backing vocalists and both white and black musicians. Brother Freddie Stone (guitar and vocals), sister Rose Stone (keyboards and vocals), Cynthia Robinson (trumpet) and Jerry Martini (saxophones) and vocal group Little Sister (including Vet Stone) contribute throughout. Initially, the band had one of the best rhythm sections ever essembled in bassist/vocalist Larry Graham (inventer of the slap bass technique) and drummer Gregg Errico, both left over the years, the former replaced by Rustee Allen the latter by a series of drummers (Andy Newmark being the most significant).
The early records leveraged this great musicianship and these endless array of vocalists in an aggressive funk sound. Although a brief detour into a pop/dance funk driven by the record company would get in the way of the band's progress (sophomore effort "Dance to the Music"), Sly's songwriting and arranging quickly evovled into something with a real sense of timelessness-- his two masterworks, the positive funk of "Stand!" and the dark, claustrophobic "There's a Riot Goin' On" (and to a slightly lesser extent, its followup "Fresh", nearly as great). Along the way, there's an endless series of fantastic cuts-- "Underdog", the aformentioned "Dance to the Music", "I Want to Take You Higher", "Everyday People", "Just Like a Baby", "Family Affair", "(You Caught Me) Smilin'", "If You Want Me to Stay" (the song that turned me onto Sly...), the list goes on and on. There's so much great material here.
But curiously among all these riches, some of the best material was left out. Between "Stand!" and "There's a Riot Goin' On", Sly and the Family Stone released two superb singles-- "Hot Fun in the Summertime" and double A side "Thank You (Falettinme be Mice Elf Agin)"/"Everybody is a Star" intended for an album that was eventually shelved and stuck on a "Greatest Hits" album. There's certainly room on the CDs to have fit these, they could have been tacked into the bonus material on either of the albums they were released between. Also left out of the set were the last two records Sly Stone did for Epic-- admittedly "High On You" was credited to Sly Stone and "Heard You Missed Me, Well I'm Back" was a Family Stone record in name only, I'd've liked to have had these anyway. While the contributions of a great band and great musicians can't ever be underestimated (I've often suspected Larry Graham's departure had something to do with the serious sound change between "Stand!" and "There's a Riot Goin' On", either that or Graham left because of the sound change), this was Sly Stone's show. Admittedly, it's the singles that I'm irritated about being missing and are the reason I'm dinging the rating a star (for anyone interested, they can be found on the remastered 2CD "The Essential Sly and the Family Stone").
Even with these weakness, this is a great set-- there's so much great music here that really needs to be heard. Highly recommended."
There's Some Funk Going On
Darrin Brown | Savannah, Georgia | 04/16/2007
(5 out of 5 stars)
"This is one of the greatest boxed sets ever available to man. Just the idea of being able to purchase the first 7 Sly and the Family Stone albums in one collection is bananas. I've been reading the reviews from everybody and we all know that "Hot Fun In The Summertime", "Everybody Is A Star" and "Thank You (Falettin Me Be Mice Elf Agin) are not included. They were not on any of these albums and the box clerly states " The First 7 Albums". True they could have been used as bonus tracks but all of you sound like true SFS fans so I know you own those three great songs on more than one cd already. STOP COMPLAINING. This boxed set is GREAT. The sound is terrific. "There's A Riot Goin On" is still one of the greatest albums ever recorded ALL TIME. If you're already a fan or trying to get to know all about Sly, pick this up and don't be discouraged by any other reviews. You can buy "Sly and the Family Stone Greatest Hits" anywhere for under $8 bucks and then you'll have the first 7 albums, the 3 missing tracks and still not pay over $70. It's well worth it. I own the Greatest Hits, The Essential and now this. Can't wait for the later Sly albums to be released...maybe another box set? Hmmmmmm....... Peace to Sony for hooking this up !"
The Time Has COME!!!
Andre S. Grindle | Brewer Maine | 04/17/2007
(5 out of 5 stars)
"Now these albums are being released seperately but 'The Collection' is TOTALLY worth plunking down the money for;you get Sly & The Family first seven albums,from their very first up through 1974's 'Small Talk'.These albums represent the bands commercial and (in some eyes) artistic peak.And no matter how you do the math this boxed set will lost you far less in the long run then purchasing the seperate volumes.It may be a bit intimidating;all these classics in one fell swoop but this is so long overdue it will be worth it.Even though the limited edition thing may be a gimmick and mean nothing all of these albums (save for Small Talk) didn't last hardly a minute in print on CD the first time around,and as you'll see here that first Sly & The Family Stone reissue actually gave an alternate cover for A Whole New Thing and this version features the original cover.Plus you get more environmentally friendly digipacks (just make sure to keep these CD's out of the rain).So you really have a fine collection here."