Though most listeners identify Jamaica's legendary "riddim twins" with seminal reggae artists like Peter Tosh and Black Uhuru, the pair of mutating chameleons has also arranged, produced, and laid down nonpareil rhythm fou... more »ndations for, among many others, James Brown, Bob Dylan, KRS-1, the Rolling Stones, and Carly Simon. The musically adventurous duo stopped counting their collaborations over the decades they've worked together at 500 tunes. Still looking for new territory to conquer, they join forces this time out with U.K. producer-remixer-deejay Howie B, who's worked with the likes of Brian Eno and Ry Cooder, and has released solo albums for Mo'Wax/Island/Polydor and his own Pussyfoot label. With Howie B at the helm, Sly and Robbie enter today's dance world, and, as usual, they show the youngsters a thing or ten. In fact, Howie B's trippy edits--most of the knob-twiddling was done on the spot, as the musicians played--bring a fresh kind of central-nervous-system stimulation and pair a European keyboard feel to Sly and Robbie's solid-gold reggae syncopations. As premillennium reggae flounders in the doldrums and drum 'n' bass turns into one long yawn, this set offers a new musical environment, charged with Howie B's nuanced techno oddities and grounded in the organic appeal of Shakespeare's smart-bomb bass--phat and on-target--and Dunbar's drum programming--impossible to distinguish from his legendary hands-on technique. In fact, the set has such broad potential appeal that Palm Pictures has also released a long-form, 35-minute DVD video Strip to the Bone (after the album's title single), featuring a bevy of L.A. strippers and proving that the only thing that won't bounce to Sly and Robbie is silicone. --Elena Oumano« less
Though most listeners identify Jamaica's legendary "riddim twins" with seminal reggae artists like Peter Tosh and Black Uhuru, the pair of mutating chameleons has also arranged, produced, and laid down nonpareil rhythm foundations for, among many others, James Brown, Bob Dylan, KRS-1, the Rolling Stones, and Carly Simon. The musically adventurous duo stopped counting their collaborations over the decades they've worked together at 500 tunes. Still looking for new territory to conquer, they join forces this time out with U.K. producer-remixer-deejay Howie B, who's worked with the likes of Brian Eno and Ry Cooder, and has released solo albums for Mo'Wax/Island/Polydor and his own Pussyfoot label. With Howie B at the helm, Sly and Robbie enter today's dance world, and, as usual, they show the youngsters a thing or ten. In fact, Howie B's trippy edits--most of the knob-twiddling was done on the spot, as the musicians played--bring a fresh kind of central-nervous-system stimulation and pair a European keyboard feel to Sly and Robbie's solid-gold reggae syncopations. As premillennium reggae flounders in the doldrums and drum 'n' bass turns into one long yawn, this set offers a new musical environment, charged with Howie B's nuanced techno oddities and grounded in the organic appeal of Shakespeare's smart-bomb bass--phat and on-target--and Dunbar's drum programming--impossible to distinguish from his legendary hands-on technique. In fact, the set has such broad potential appeal that Palm Pictures has also released a long-form, 35-minute DVD video Strip to the Bone (after the album's title single), featuring a bevy of L.A. strippers and proving that the only thing that won't bounce to Sly and Robbie is silicone. --Elena Oumano
Frans Buijsen | Amsterdam, The Netherlands | 12/19/1999
(5 out of 5 stars)
"The name of the album is misleading; it has preciously little to do with drum&bass. I was attracted by Howie B's name, but found a weird electronic dub album instead. But boy is this good. The incredible driving bass lines are, for me, what makes almost all the songs. All the other effects and fantastic rhythms put on top of it take this album into outer space. For me, this album is the best release of 1998."
Groove Masters
R. Wyatt | London | 03/12/1999
(4 out of 5 stars)
"True, this album is not "Drum & Bass" but what it is is the worlds greatest rhythm section doing what they do best - constructing simple but effective grooves of a calibre up there with their best. If your looking for songs or goldie rip offs then look elsewhere but if you want to know what reggae/dub rhythms should sound like at the end of the millenium then this is the disk for you. It flags a bit in the middle but overall this is a good album. Howie B and the guitarist add some nice touches without being overbearing but this is the world's best doing what they do best."
Quality album
K. Davenport | Trenton, NJ USA | 03/06/2006
(5 out of 5 stars)
"It's good to hear Sly & Robbie go wicked with Howie B behind the boards. The term Drum & Bass is NOT misleading, and if you think it is you either don't know who Sly & Robbie are or don't know a thing about classic Dub/Reggae terminology.
One quality album from two very distinct outfits. Howie twiddles things slightly but with great effect.
PS: if you think this took 10 minutes to make, you are seriously ignorant."
It's still Dub
Enrique Torres | San Diegotitlan, Califas | 03/29/2001
(4 out of 5 stars)
"Reggae dub veterans Sly and Robbie brought in Howie B to produce this CD in '98 to give their classic sound a more contemporary feel. The result is a meshing of styles that brings the dynamic dub duo to a new audience that is more familar with drum and bass. A very good effort is the end result of this merger. The typical dub drum and bass lines are further accentuated by the additonal guitars that come on strong, clanking as cold steel vibes or droping out completely. This is not the usual fare for long time fans of Sly and Robbie as this CD ventures into new territory. The production technuiques of Howie B are masterful and add to the mix. Rare are the moments when it sounds like just another Sly and Robbie dub album, the presence of Howie B is unmistakeable. This is a good thing too, it infuses new energy into a already great sound. It's like "new and improved" only it really is! Notable songs include "Exodub implosion" which sounds like "Exodus" by Bob Marley but with a darker techno thrust that propells the song into territories unnknown, crashing on the listeners ears like a funky cyborg nightmare. "Zen Concrete" starts out with jazzy vibes that pick up with the drum and bass lines, falling in and out, echoeing and crunching a beat. "Ballistic Squeeze" sounds like Pink Floyd with dread locks, fueled by an atomic dub cocktail and driven by sonicbeats. This is good stuff for long time fans of Jamaicans Sly and Robbie as well as those drawn to drum and bass via the production skills of Howie B."
Oh Yeah! Howie B has got it going on.
Enrique Torres | 12/30/1998
(5 out of 5 stars)
"This is the disc that's in my cd player the most this week. Howie B was already something else, but now he's taken Sly and Robbie out to his realm with him, and between them, they make the house shake. I've been featuring this disc on my shows on both GoGaGa.com and aminoRadio.com since we got it in the studios. If you liked any of Howie B's previous works, and you like the experiments in dub fostered by the folks now at Palm Pictures, you've got to get this disc."