SOME MONO RECORDINGS SOUND BETTER THAN SOME STEREO
ernest a. dupont | Pembroke, ON Canada | 06/23/2000
(5 out of 5 stars)
"Rafael Kubelik, that careful craftsman who did such a great job on works by Dvorak (New World Symphony) and Mahler (Symphony No. 1), presents his homeland in wonderful musical fashion. Listen very carefully to the 4th section (From Bohemia's Forests and Meadows): echoes of the land, whispering and yearning... so well rendered in its minute detail. The whole work is articulated and played with great precision. It is surely a credit to Kubelik, the Chicago Symphony Orchestra and the Mercury sound engineers that this mono recording sounds better than a lot of stereo recordings. Sound quality: 10 out of 10. Performance: 10 also."
A Surprisingly Vivid Recording of a Neglected CSO Conductor
ernest a. dupont | 09/10/1998
(5 out of 5 stars)
"This CD is one of several re-releases of the famed Mercury recordings of the Chicago Symphony Orchestra under the baton of Rafael Kubelik. Mercury pioneered the one microphone technique for its monaural recordings. This CD is one of such recordings. On the technical side, this recording is unbelievably vivid. The sound is not unduly compressed--the orchestra's fullness can be easily felt. Kubelik's tenure at Chicago Symphony Orchestra was brief--only about three years or so. Reputed as a gentleman with a sensitive personality, Kubelik shows his artistic sensitivity in the Smetana work. Ma Vlast is series of symphonic poems, not just a collection of pieces representing places in Bohemia. Kubelik, a Czech who left his homeland (then under Communist rule), respects the poetic side of the symphonic poems and thus tries to convey us his longing for the places that are named in this series. I find Kubelik's readings of Vysehrad (High Castle), Sarka (the third of the six "poems") and Tabor (the fifth of the six "poems") to be particularily telling; the readings evoke best Kubelik's emotion as a Czech and bring out the spirit of the more sensitive pre-Reiner Chicago Symphony. I highly recommend this CD for Kubelik's sensitve treatment of this popular work."
A very fine recording
J. Buxton | Waltham, MA United States | 02/18/2000
(5 out of 5 stars)
"This is a very fine performance of Ma Vlast, with state of the art sound (for its time). The CSO plays with much character and idiomatic feeling, and let's face it, nobody ever conducted this work better than Kubelik. The Czech personality of the piece comes through very strongly. It is a pity that Kubelik's finest recording of this work is quite difficult to find, his live digital recording of this piece shortly before he died with the Czech Philharmonic on the Supraphon label. If you find it grab it! Otherwise this Chicago version will certainly bring much listening pleasure."
A Ma Vlast that is as amazing as this CD remaster
Yi-Peng | Singapore | 06/19/2001
(5 out of 5 stars)
"This Kubelik recording of Smetana's epic cycle of symphonic poems is in itself one of the most amazing and inspired performances of the work on record. The late conductor was himself a Czechman, and you can feel his characteristic idiomatic flari on all his recordings of this work, including on here. Kubelik elicits peerless playing from his Chicago players, and you can often feel the effectiveness in the sound in painting a well-detailed picture of the Czech landscape. Equally amazing is the sound of the half-century-old Mercury monaural recording, because while the tape hiss has been kept at a minimum, you can still feel the orchestra's living presence and wide dynamic range without the extraneous intrusions that are often anomolous with monaural recordings.The opening harp flourish in Vysherad sets the cycle off to a flying start. Every moment of this poem sees Kubelik encouraging the orchestra to give it a sweeping momentu to make it spine-tingling. Kubelik also enables the much-overplayed Vltava to sound fresh and new with a few flicks of his baton, and indeed he enables the piece to be played rapturously and seductively. The thrill and adreanaline of Sarka and the kaliedascopic and energetic lyricism of From Bohemia's Woods and Fields are engaging and inviting, without sounding boring and laboured, and they all lead up to the thrilling concluding movements Tabor and Blonik, where Kubelik is at his best, building up the tension to keep the listener in suspense when following the Hussite struggle. The two pieces are played with the fervour that they deserve, and the last few thrilling moments of Blonik crown a performance of Ma Vlast that is sure to become a benchmark standard for a long time to come. To sum everything up, I can safely say that the monaural recording still sounds good, and this thrilling recording of Ma Vlast is sure to find a happy home in the libraries of everyone who loves soul-stirring Czech orchestral music."
Grab It While It's Still Available
J. Buxton | 05/01/2004
(5 out of 5 stars)
"I own three performances of Ma Vlast--Ancerl's with the Czech Phil, Kubelik with Boston, and now this one (I also intend to acquire Kubelik's final recording--the live performance on Supraphon--as well). Each one is superb but this is the only one that actually moved me to tears. The performance is PERFECT, as are the sonics. Don't let the fact that this is a monaural recording affect your decision about whether or not to purchase this disk because if anything, it ENHANCES this performance (go figure). There's an in-your-face immediacy that I haven't found in my other two readings that's very powerful and which is due entirely to the way it's recorded. Trust me, you won't miss the separation. And the pre-Reiner CSO simply must be heard to be believed--it's a very different animal, somehow more refined than during Reiner's tenure. I think it's safe to write that this disk is essential listening for those who want to lay claim to knowing this work.
I like to refer to Mercury Living Presence recordings as "audio Technicolor"; the sound is bigger and more vivid than anything one is likely to experience live. There's nothing "natural" about the sound of these performances. They're not to everyone's taste and they're often not considered reference works but I love them and am thrilled and grateful that so many of the mono recordings in Mercury's catalog have made it to CD. If Mrs. Fine pays any attention to these reviews and is taking requests, may I respectfully suggest Kubelik's Bloch?"