Search - John Koch, David Maslanka, Daron Hagen :: Song Books: The Music of David Maslanka and Daron Hagen

John Koch, David Maslanka, Daron Hagen
Song Books: The Music of David Maslanka and Daron Hagen
Genres: Pop, Classical

Track Listings (15) - Disc #1
1. Song Book, for flute & wind ensemble: A Song of Coming Awake
2. Song Book, for flute & wind ensemble: Song. Solvitur Ambulando - 'It is solved by walking'
3. Song Book, for flute & wind ensemble: Song. In loving memory
4. Song Book, for flute & wind ensemble: Song. In the Crucible of Your Pain
5. Song Book, for flute & wind ensemble: A Song for the End of Time
6. The Heart of a Stranger, songs (10) for male voice & piano: Symmetry
7. The Heart of a Stranger, songs (10) for male voice & piano: Evening Twilight
8. The Heart of a Stranger, songs (10) for male voice & piano: It Weeps in My Heart
9. The Heart of a Stranger, songs (10) for male voice & piano: To Nobodaddy
10. The Heart of a Stranger, songs (10) for male voice & piano: Dawlish Faire
11. The Heart of a Stranger, songs (10) for male voice & piano: Under the Night Sky
12. The Heart of a Stranger, songs (10) for male voice & piano: O, When I Was in Love With You
13. The Heart of a Stranger, songs (10) for male voice & piano: An Irony
14. The Heart of a Stranger, songs (10) for male voice & piano: Specimen Case
15. The Heart of a Stranger, songs (10) for male voice & piano: Song

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CD Details

All Artists: John Koch, David Maslanka, Daron Hagen, Stephen K. Steele, Illinois State University Wind Symphony Chamber Winds
Title: Song Books: The Music of David Maslanka and Daron Hagen
Members Wishing: 0
Total Copies: 0
Label: Albany Records
Original Release Date: 1/1/2003
Re-Release Date: 8/26/2003
Genres: Pop, Classical
Styles: Vocal Pop, Chamber Music, Forms & Genres, Concertos, Historical Periods, Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 034061060024

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CD Reviews

Hagen's Humble eloquence

09/25/2003

(5 out of 5 stars)

"Baritone John Koch makes a strong case for Daron Hagen's elegant settings of a variety of poets, as well as two of the composer's own translations of Verlaine and Baudelaire. What is particularly striking about Hagen's piece is that it conceals its craftsmanship so well: never does the voice have to fight to be heard over the large assemblage of winds, brass, and percussion. And the seeming casual effortlessness of his text setting is already well-known to singers. The best thing about both the Maslanka and the Hagen is the true songfulness of the melodies. Hagen, especially, writes some of the loveliest art songs in print -- and there are so many of them!"