Erlaube mir, feins M?dchen, folk song for voice & piano, WoO 33/2
Da unten im Tale, folk song for voice & piano, WoO 33/6
Schwesterlein, Schwesterlein, wann gehn wir, folk song for voice & piano, WoO 33/15
All mein Gedanken, folk song for voice & piano, WoO 33/30
Wie komm ich denn zur T?r herein? (Wie kumm ich dann de Pooz erenn), folk song for voice & piano, WoO 33/34
Es steht ein Lind, folk song for voice & piano, WoO 33/41
Soll sich der Mond nicht heller scheinen, folk song for voice & piano, WoO 33/35
Lied beim Rundetanz ('Auf! es dunkelt'), for voice & piano, Op. 37/6
Schlaflied ('Ruhe, s?ss Liebchen'), song for voice & piano, Op. 72/6
Lied aus Aslaugas Ritter ('Ach, w?r' ich nur ein V?gelein'), song for voice & piano, Op. 41/2
Getrennte Liebe ('Der Liebe bangen Sorgen erbleicht der Freude Strahl!'), song for voice & piano, Op. 37/4
Beruhigung ('Du armes Herz'), song for voice & piano, Op. 72/4
Die Stimme der Nacht ('Dort im Tal h?r ich verhallen'), song for voice & piano, Op. 37/3
Schifferlied der Wasserfee ('Auf Wogen gezogen'), song for voice & piano, Op. 72/2
Das Wandern, song for voice and piano (Die sch?ne M?llerin), D. 795/1 (Op. 25/1)
Nachtst?ck ('Wenn ?ber Berge sich der Nebel breitet'), song for voice & piano, D. 672 (Op. 36/2)
Der Tod und das M?dchen ('Vor?ber, ach vor?ber'), song for voice & piano, D. 531 (Op. 7/3)
Der Ungl?ckliche ('Die Nacht bricht an'), song for voice & piano (two versions), D. 713 (Op. 87/1)
Am Feierabend ('H?tt ich tausend Arme'), song for voice & piano (Die sch?ne M?llerin), D. 795/5 (Op. 25/5)
Meeres Stille ('Tiefe Stille herrscht im Wasser'), song for voice & piano, D. 216 (Op. 3/2)
Sei mir gegr?sst ('O du Entri?'ne mir' ), song for voice & piano, D. 741 (Op. 20/1)
Der K?nig in Thule ('Es war ein K?nig in Thule'), song for voice & piano, D. 367 (Op. 5/5)
Nacht und Tr?ume (Heil'ge Nacht, du sinkest nieder!'), song for voice & piano, D. 827 (Op. 43/2)
Der Leiermann ('Dr?ben hinterm Dorfe...'), song for voice & piano (Winterreise), D. 911/24 (Op. 89/24)
Christoph Prégardien has a beautiful voice, well-trained and evenly produced over a considerable range, sweet and clear at the top and with a pleasant baritonal quality in the low register. But critics have sometimes... more » questioned his interpretive skills, finding his singing colorless, with little depth of characterization or feeling. That is the case here to some extent--for instance, his delivery of Schubert's "Der Leiermann" fails to convey the haunting tragedy of the song. But for this disk Prégardien has chosen material that is for the most part quiet and lyrical in nature and doesn't ask for much in the way of expressive depth, and the results are lovely; his clear diction and thoughtful phrasing make these songs a pleasure to hear. Prégardien is accompanied by the very skillful guitarist Thomas Hoppstock, who presumably made the arrangements of the original piano parts; they provide an intimate setting that supports and complements the voice well. For these pieces, at least, Prégardien is very much worth hearing, and the disc is warmly recommended. --Alex Morin« less
Christoph Prégardien has a beautiful voice, well-trained and evenly produced over a considerable range, sweet and clear at the top and with a pleasant baritonal quality in the low register. But critics have sometimes questioned his interpretive skills, finding his singing colorless, with little depth of characterization or feeling. That is the case here to some extent--for instance, his delivery of Schubert's "Der Leiermann" fails to convey the haunting tragedy of the song. But for this disk Prégardien has chosen material that is for the most part quiet and lyrical in nature and doesn't ask for much in the way of expressive depth, and the results are lovely; his clear diction and thoughtful phrasing make these songs a pleasure to hear. Prégardien is accompanied by the very skillful guitarist Thomas Hoppstock, who presumably made the arrangements of the original piano parts; they provide an intimate setting that supports and complements the voice well. For these pieces, at least, Prégardien is very much worth hearing, and the disc is warmly recommended. --Alex Morin